Tinted Sketches in Madeira. in bright stripes, and on their heads the graceful looking lenco, or handkerchief, in some showy, becoming color. Others from the fishing villages wore complete suits of blue cloth, of a light texture, even to the head-dress, which was the carapuca, or conical shaped cap, ending in a drooping horn and a golden tassel; while a few wore cotton dresses, and covered their heads with the barrettea, a knitted cap in shape like an elongated bowl, and having a woollen tuft at the top glittering with gold beads. The elder women covered their shoulders with large bright shawls, while the younger wore tiglhtly-fitting bodices, fastened with gold buttons, and over these small capes' with pointed collars. All, whether old or young, wore their dresses fall, and sufficiently short to display to advantage their small and beautifully formed feet. In singular contrast with this simplicity of taste in their apparel, is their desire for a profusion of ornaments. Accordingly, you will find adorning the persons of the peasant women of Madeira rings and chains and brooches of intrinsic value and much beauty, such as in other countries people of wealth assume the exclusive right to wear. An instance of this ruling passion came under my notice a short time since, which I may mention here. Through a long life of toil and poverty a peasant woman had regularly laid by, from her scanty earnings, a small sum weekly. Her neighbors commended her forethought and prudence, not doubting but that the little hoard so persistently gathered was meant to meet the necessities of the days when the feeble hands would forget their cunning. At length the sum amounted to some hundreds of testatoes, or silver five-pences, and then the poor woman's life-secret was discovered. With a step buoyanit for her years, and a smile which for a moment brought back the beauty of her youth, she entered a jeweller's shop, and exchanged the contents of her purse for a pair of costly earrings. Had she been remonstrated with, she would have betrayed not only her own but the national feeling on the subject, by saying-" I lose nothing by the indulgence. At any moment I can find a purchaser for real jewellery." An hour passed, and signs of impatience were becoming visible in the crowd, when the sounds of distant music caused a sudden and deep silence. A feeling of awe seemed to have fallen at once on the multitude, and every bronze-colored face was turned with a reverential expression toward the street by which it was known the procession would enter the Praca. Slowly the music drew near, now reaching us in full strains, then seeming to die away in soft cadences. Mleantime the guns from the forts and shipping renewed their firing, and the bells swung out their grandest peal. Curiosity was at its height, when the foremost row of the procession met our view-four men walking abreast, wearing violet-colored silk cassocks, with round capes reaching to the girdles, and holding in their hands wax candles of an enormous size. A long train, habited in the same way, followed these, and then came four ecclesiastics in black silk gowns and Jesuits' caps, bearing aloft a large and gorgeous purple banner, in the centre of which were four letters in gold, "S. Q. P. R.," being the initials of a sentence, the translation of which is, "To the Senate and People of Rome." After this followed another long line of men in violet, and then again four clothed in black, carrying a wax image, large as life, on a platform, meant to represent the garden of Gethsemane. Round the edge were artificial trees about a foot and a half in height, having their foliage and fruit richly gilt. The figure was clothed in a purple robe, and on the brow was a crown of thorns. It was in a kneeling position, and the face was bowed so low you could not distinguish the features, but the attitude 269
Tinted Sketches in Madeira [pp. 265-278]
Catholic world / Volume 3, Issue 14
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- Problems of the Age, Parts I-II - pp. 145-150
- Glastonbury Abbey - pp. 150-170
- Saints of the Desert - Rev. John Henry Newman - pp. 170
- Christine - George H. Miles - pp. 171-182
- Jenifer's Prayer, Part II - Oliver Crane - pp. 183-197
- A Pretended Dervish in Turkestan, Parts I-III - Émile Jonveaux - pp. 198-215
- Mater Divinæ Gratiæ - Aubrey de Vere - pp. 216
- Pamphlets on the Eirenicon - pp. 217-231
- Curiosities of Animal Life - pp. 232-239
- Poor and Rich - pp. 240
- All-Hallow Eve; or, The Test of Futurity, Chapters XXX-XXXVI - Robert Curtis - pp. 241-263
- Requiem Æternam - Marie - pp. 263-264
- Tinted Sketches in Madeira - pp. 265-278
- The Catholic Publication Society - pp. 278-283
- New Publications - pp. 283-288
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"Tinted Sketches in Madeira [pp. 265-278]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/bac8387.0003.014. University of Michigan Library Digital Collections. Accessed June 24, 2025.