Tinted Sketches in Madeira [pp. 265-278]

Catholic world / Volume 3, Issue 14

Tinted Sketches in Madeira. From The Dublin University Magazine. TINTED SKETCHES IN MADEIRA. CHAPTER I. NOTWITHSTANDINGC that Madeira enjoys an imperishable distinction for its matchless scenery, its sunny skies, and its healthful climate, yet the character of its inhabitants seems to have been but little studied, and still less the singular usages and customs which indicate their nationality. Impressed with the idea that to supply some information on these particulars might heighten the interest experienced for the Madeirans as an isolated little community, I have compiled a few pages descriptive of their social and domestic life, inatending them, however, merely as supplementary to the valuable information afforded by others. Passing over the novel and amusing circumstance of landing at Funchal, which has already been so often described, I find myself in a boi-caro, or ox-car, traversing narrow and intricate streets; the murmur of waters and soft strains of instrumental music saluting my ear, while a faint perfumed breeze stirs the curtains of my caro. By some travellers the boi-caro has been likened to the body of a caleche placed on a sledge, but to me it neither had then, nor has it assumed since, any other appearance than that of a fourpost bed, curtained with oil-cloth, lined with some bright-colored calico. and having comfortably cushioned seats. It is made of light, strong timber, secured on a frame shod with iron. A pair of fat, sleek oxen are yoked to this odd-looking carriage, while from thongs passed through their horns bits of carved ivory or bone hang on theirforeheads to protect them from the influence of Malochio or Evil-eye. Half an hour brought me to my destination, No.-, Rua San fran cisco. This house in its structure resembles the generality of the better class of houses in the island, the sleeping-rooms being sacrificed to the magnificence of the reception-rooms, the vastness of which appears to mock the ordinary wants of daily life. The walls are pure white, lined with prints, paintings, and mirrors; the floors are either covered with oil-cloth or highly polished; and the windows are shaded by lace curtains and Venetian blinds; the furniture is modern, and of English manufacture. I have been thus minute because the interiors of all the superior dwellings have the same general character. I cannot, however, say the same with regard to the tastes and habits of the occupants. The British prince-merchant, with his spirit, his intelligence, and his philanthropy, gives his days to the busy cares of life, and his evenings to the quiet enjoyments of home; while the Madeiran gentleman passes his days in luxurious indolence, and his evenings in crowded rooms. The ladies present an equally strong contrast, and yet, during one short period in each day, their tastes and purposes seem to assimilate: when the brief and beautiful twilight, with its freshness, its odors, and its music, induces even the exclusive Englishwomen to appear in the shaded balcony, and find amusement in the passing scenes. At this hour the peasantry may be seen returning to their homes in little parties of four or five, each groupbeing accompanied by a musician playing on the national instrument, the machetes, or guitarette, and singing some plaintive air in which, occasionally, all join. No sooner has one group passed, than the sweet, soft intonations of other songsters are heard approach 265

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Tinted Sketches in Madeira [pp. 265-278]
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Catholic world / Volume 3, Issue 14

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"Tinted Sketches in Madeira [pp. 265-278]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/bac8387.0003.014. University of Michigan Library Digital Collections. Accessed June 22, 2025.
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