Tinted Sketches in Madeira. From The Dublin University Magazine. TINTED SKETCHES IN MADEIRA. CHAPTER I. NOTWITHSTANDINGC that Madeira enjoys an imperishable distinction for its matchless scenery, its sunny skies, and its healthful climate, yet the character of its inhabitants seems to have been but little studied, and still less the singular usages and customs which indicate their nationality. Impressed with the idea that to supply some information on these particulars might heighten the interest experienced for the Madeirans as an isolated little community, I have compiled a few pages descriptive of their social and domestic life, inatending them, however, merely as supplementary to the valuable information afforded by others. Passing over the novel and amusing circumstance of landing at Funchal, which has already been so often described, I find myself in a boi-caro, or ox-car, traversing narrow and intricate streets; the murmur of waters and soft strains of instrumental music saluting my ear, while a faint perfumed breeze stirs the curtains of my caro. By some travellers the boi-caro has been likened to the body of a caleche placed on a sledge, but to me it neither had then, nor has it assumed since, any other appearance than that of a fourpost bed, curtained with oil-cloth, lined with some bright-colored calico. and having comfortably cushioned seats. It is made of light, strong timber, secured on a frame shod with iron. A pair of fat, sleek oxen are yoked to this odd-looking carriage, while from thongs passed through their horns bits of carved ivory or bone hang on theirforeheads to protect them from the influence of Malochio or Evil-eye. Half an hour brought me to my destination, No.-, Rua San fran cisco. This house in its structure resembles the generality of the better class of houses in the island, the sleeping-rooms being sacrificed to the magnificence of the reception-rooms, the vastness of which appears to mock the ordinary wants of daily life. The walls are pure white, lined with prints, paintings, and mirrors; the floors are either covered with oil-cloth or highly polished; and the windows are shaded by lace curtains and Venetian blinds; the furniture is modern, and of English manufacture. I have been thus minute because the interiors of all the superior dwellings have the same general character. I cannot, however, say the same with regard to the tastes and habits of the occupants. The British prince-merchant, with his spirit, his intelligence, and his philanthropy, gives his days to the busy cares of life, and his evenings to the quiet enjoyments of home; while the Madeiran gentleman passes his days in luxurious indolence, and his evenings in crowded rooms. The ladies present an equally strong contrast, and yet, during one short period in each day, their tastes and purposes seem to assimilate: when the brief and beautiful twilight, with its freshness, its odors, and its music, induces even the exclusive Englishwomen to appear in the shaded balcony, and find amusement in the passing scenes. At this hour the peasantry may be seen returning to their homes in little parties of four or five, each groupbeing accompanied by a musician playing on the national instrument, the machetes, or guitarette, and singing some plaintive air in which, occasionally, all join. No sooner has one group passed, than the sweet, soft intonations of other songsters are heard approach 265
Tinted Sketches in Madeira [pp. 265-278]
Catholic world / Volume 3, Issue 14
-
Scan #1
Page 145
-
Scan #2
Page 146
-
Scan #3
Page 147
-
Scan #4
Page 148
-
Scan #5
Page 149
-
Scan #6
Page 150
-
Scan #7
Page 151
-
Scan #8
Page 152
-
Scan #9
Page 153
-
Scan #10
Page 154
-
Scan #11
Page 155
-
Scan #12
Page 156
-
Scan #13
Page 157
-
Scan #14
Page 158
-
Scan #15
Page 159
-
Scan #16
Page 160
-
Scan #17
Page 161
-
Scan #18
Page 162
-
Scan #19
Page 163
-
Scan #20
Page 164
-
Scan #21
Page 165
-
Scan #22
Page 166
-
Scan #23
Page 167
-
Scan #24
Page 168
-
Scan #25
Page 169
-
Scan #26
Page 170
-
Scan #27
Page 171
-
Scan #28
Page 172
-
Scan #29
Page 173
-
Scan #30
Page 174
-
Scan #31
Page 175
-
Scan #32
Page 176
-
Scan #33
Page 177
-
Scan #34
Page 178
-
Scan #35
Page 179
-
Scan #36
Page 180
-
Scan #37
Page 181
-
Scan #38
Page 182
-
Scan #39
Page 183
-
Scan #40
Page 184
-
Scan #41
Page 185
-
Scan #42
Page 186
-
Scan #43
Page 187
-
Scan #44
Page 188
-
Scan #45
Page 189
-
Scan #46
Page 190
-
Scan #47
Page 191
-
Scan #48
Page 192
-
Scan #49
Page 193
-
Scan #50
Page 194
-
Scan #51
Page 195
-
Scan #52
Page 196
-
Scan #53
Page 197
-
Scan #54
Page 198
-
Scan #55
Page 199
-
Scan #56
Page 200
-
Scan #57
Page 201
-
Scan #58
Page 202
-
Scan #59
Page 203
-
Scan #60
Page 204
-
Scan #61
Page 205
-
Scan #62
Page 206
-
Scan #63
Page 207
-
Scan #64
Page 208
-
Scan #65
Page 209
-
Scan #66
Page 210
-
Scan #67
Page 211
-
Scan #68
Page 212
-
Scan #69
Page 213
-
Scan #70
Page 214
-
Scan #71
Page 215
-
Scan #72
Page 216
-
Scan #73
Page 217
-
Scan #74
Page 218
-
Scan #75
Page 219
-
Scan #76
Page 220
-
Scan #77
Page 221
-
Scan #78
Page 222
-
Scan #79
Page 223
-
Scan #80
Page 224
-
Scan #81
Page 225
-
Scan #82
Page 226
-
Scan #83
Page 227
-
Scan #84
Page 228
-
Scan #85
Page 229
-
Scan #86
Page 230
-
Scan #87
Page 231
-
Scan #88
Page 232
-
Scan #89
Page 233
-
Scan #90
Page 234
-
Scan #91
Page 235
-
Scan #92
Page 236
-
Scan #93
Page 237
-
Scan #94
Page 238
-
Scan #95
Page 239
-
Scan #96
Page 240
-
Scan #97
Page 241
-
Scan #98
Page 242
-
Scan #99
Page 243
-
Scan #100
Page 244
-
Scan #101
Page 245
-
Scan #102
Page 246
-
Scan #103
Page 247
-
Scan #104
Page 248
-
Scan #105
Page 249
-
Scan #106
Page 250
-
Scan #107
Page 251
-
Scan #108
Page 252
-
Scan #109
Page 253
-
Scan #110
Page 254
-
Scan #111
Page 255
-
Scan #112
Page 256
-
Scan #113
Page 257
-
Scan #114
Page 258
-
Scan #115
Page 259
-
Scan #116
Page 260
-
Scan #117
Page 261
-
Scan #118
Page 262
-
Scan #119
Page 263
-
Scan #120
Page 264
-
Scan #121
Page 265
-
Scan #122
Page 266
-
Scan #123
Page 267
-
Scan #124
Page 268
-
Scan #125
Page 269
-
Scan #126
Page 270
-
Scan #127
Page 271
-
Scan #128
Page 272
-
Scan #129
Page 273
-
Scan #130
Page 274
-
Scan #131
Page 275
-
Scan #132
Page 276
-
Scan #133
Page 277
-
Scan #134
Page 278
-
Scan #135
Page 279
-
Scan #136
Page 280
-
Scan #137
Page 281
-
Scan #138
Page 282
-
Scan #139
Page 283
-
Scan #140
Page 284
-
Scan #141
Page 285
-
Scan #142
Page 286
-
Scan #143
Page 287
-
Scan #144
Page 288
- Problems of the Age, Parts I-II - pp. 145-150
- Glastonbury Abbey - pp. 150-170
- Saints of the Desert - Rev. John Henry Newman - pp. 170
- Christine - George H. Miles - pp. 171-182
- Jenifer's Prayer, Part II - Oliver Crane - pp. 183-197
- A Pretended Dervish in Turkestan, Parts I-III - Émile Jonveaux - pp. 198-215
- Mater Divinæ Gratiæ - Aubrey de Vere - pp. 216
- Pamphlets on the Eirenicon - pp. 217-231
- Curiosities of Animal Life - pp. 232-239
- Poor and Rich - pp. 240
- All-Hallow Eve; or, The Test of Futurity, Chapters XXX-XXXVI - Robert Curtis - pp. 241-263
- Requiem Æternam - Marie - pp. 263-264
- Tinted Sketches in Madeira - pp. 265-278
- The Catholic Publication Society - pp. 278-283
- New Publications - pp. 283-288
Actions
About this Item
- Title
- Tinted Sketches in Madeira [pp. 265-278]
- Canvas
- Page 265
- Serial
- Catholic world / Volume 3, Issue 14
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/bac8387.0003.014
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/bac8387.0003.014/269:13
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:bac8387.0003.014
Cite this Item
- Full citation
-
"Tinted Sketches in Madeira [pp. 265-278]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/bac8387.0003.014. University of Michigan Library Digital Collections. Accessed June 22, 2025.