JIMTOWN'S BRIDE. the proprietor of Jimtown's most popular resort and the founder of Jimtown itself, that had. been appointed to do the honors of the occasion. Smilingly, graciously, Jack Claycomb's bride lent the charms of her personality to the incongruous company that surrounded her. "I'11 tell yer what't is, Ma'am," began Bill Morrison bravely,-" 1'11 tell yer what't is. Jimtown's all fired proud o' herself tonight. Mebbe you don't know it, but, by Jinks, we boys sort o' think we wuz the means o' gittin' you here. O' course Jack there, hed somethin' ter say'bout who she'd be, but we hed it all reckoned up afore we ever hearn o' you thet a woman wuz a goin' ter be imported inter Jimtown; not the sort we've got here already, you sabe, but a lady, the genuine article and no mistake. Jim here," with a significant nudge in McHale's direction and'a wicked wink at the rest of the committee, " wuz a prospectin' a little on his own account, and calklated she might hev some cousins er sisters, er some old school friends, seein' gals do sometimes, thet would be comin' ter see her once'n a while, and might, efter meetin' Jim sort er accidental, you know, kinder conclude they'd like ter stay in Jimtown. Well, we did n't know jest how we wuz goin' ter produce her, but we sorter calklated on Jack there, helpin' us out. So one night, after we'd appointed him mayor o' Jimtown, we rose in a body and informed him thet it wuz the opinion o' the votin' fraternity o' this ere community, thet a lady wuz needed in Jimtown, and the desire o' this ere town wuz thet he settle the bizness by gittin' spliced forthwith. He said thet he wuz inclined ter the same opinion himself, and wuz willin' ter accede ter the wishes o' Jimtown in this ez in all other questions. So we rushed this ere house up in great shape, perty house, ain't it? and then we hustled him off ter New York efter you." In the height of Bill's protracted delivery, a door leading into the hall from the side of the reception parlor opened slowly, timidly, and as if with great reluctance, and in the crack appeared a face, pallid, tear-stained, desperate. It was the face of neither child nor woman, but with a strange blending of both, each seemed to be lost; a woman's expression on a child's features, a child's timidity combined with a woman's abandon. Another instant, and the face had disappeared and the door closed quietly. Jack Claycomb turned a startled face to his wife. She was smiling serenely, absorbed in Morrison's labored oratory. A glance around the-room showed him a like indifference on the faces of his guests. Apparently, by a strange fatality, he had been the only observer. But with the sense of relief that came with that knowledge, he felt rising within him an awful fear that the scene might be reenacted. Nervously he turned to the door. It was merely closed, not latched. "It's a mighty cool day when Jimtown gits left on her chice o' a woman, eh, Boss?" And Claycomb was aroused by a heavy slap on his shoulder. He joined weakly in the laugh that followed; then with an effort turned quietly to his wife, "You will pardon me if I leave you a moment, dear?" With the faintest surprise in her eyes, she assented and placidly renewed her conversation with Morrison. Bowing apologetically to the questioning looks of his company, Claycomb hurriedly left the room. Crouching in the hall, close to the door she had just opened, sobbing, listening between the sobs, was the childwoman; and in her arms an infant so tiny as to gain its individuality only by the heavy rolls that encircled it. Claycomb grasped her almost roughly by the arm, and with an unmistakable sign for silence, urged her through the hall to a 376
Jimtown's Bride [pp. 374-386]
Overland monthly and Out West magazine. / Volume 27, Issue 160
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- As Talked in the Sanctum - Rounsevelle Wildman - pp. 357-360
- Original Sketches by San Francisco Painters: II. Henry Raschen - P. N. Boeringer - pp. 361-369
- True Tales of the Old West: XI, Uncle Roche's Will - James H. Lawrence - pp. 369-374
- Jimtown's Bride - E. A. Robinson - pp. 374-386
- California's Exhibit at the Atlanta Exposition - J. A. Filcher - pp. 387-401
- Of Death before Maturity - Francis E. Sheldon - pp. 401
- A Wayside Harvest - L. B. Bridgman - pp. 402-411
- The Quicksands of Pactolus, Book II, Part X-XI - Horace Annesley Vachell - pp. 411-418
- Butte County and the Northern Citrus Belt - S. G. Wilson - pp. 419-421
- International Bimetallism - John J. Valentine - pp. 422-426
- Epigrams - Charles P. Nettleton - pp. 426
- The Study of History - Thomas R. Bacon - pp. 427-434
- Defenders of the Union - Frank Elliott Myers - pp. 434-462
- Song - Herbert Crombie Howe - pp. 462
- Etc. - pp. 463-466
- Book Reviews - pp. 466-468
- Son of N. B. Strong (Frontispiece) - J. D. Strong - pp. 469
- "For He's a Jolly Good Fellow" (Frontispiece) - Dendy Sedler - pp. 470
- A Spanking Breeze on San Francisco Bay (Frontispiece) - Lowden - pp. 471
- Irving M. Scott (Frontispiece) - Taber - pp. 472
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- Robinson, E. A.
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- Overland monthly and Out West magazine. / Volume 27, Issue 160
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"Jimtown's Bride [pp. 374-386]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/ahj1472.2-27.160. University of Michigan Library Digital Collections. Accessed June 20, 2025.