TRUE TALES OF THE OLD WEST. word-goguenard. Popular among Bohemians, he lives an easy life, happy in the present and caring little for the future. He has the uncommon faculty of being equally good at almost any line of the painters' art, his portraits are as well done as his landscapes. He is especially happy, perhaps, in catching the effect of California's golden sunshine and pur ple shadows. Some of his paintings breathe the very essence of life and the creeping things of earth, the vibrating exhalations of plowed fields, the sentient softness of still landscapes, when buggy wheels have the Sunday squeak and the gray smoke curls lazily from the chimneys and loses itself in the blue sky above. Pierre N. Boeringer. TRUE TALES OF THE OLD WEST. Xl. UNCLE ROCHE'S WILL. e T WAS at Coulterville, Mariposa a"?"i]. County, California, one evening in the month of -a'il?ow/,//]! May, i859, that I first saw Uncle Roche. No great ef! fort of memory is required in reproducing his picture. ~~' r, /A tall, gaunt, but sinewy ,-.( / ~old man reclined in an arm ,i' f:- chair on the porch of the !',,/"'//\ City Hotel. The rich tints /i.,.' of sunlight illuminated his , ql 5 strongly marked features and classical head, and toyed with his long straggling locks of iron gray hair. " There was the look of heaven upon his face that limners give to the beloved disciple." It bore a mingled expression of benevolence, sin cerity, simplicity, and the entire cata logue of Christian virtues. There is a picture, by Angelico, which formerly hung in the Convent San Marco in Florence. The subject is " The Cor onation." At the foot of the dais, in a semicircle, are the figures of six holy men, kneeling in a devotional attitude. The heads are exceptionally fine and the features expressive of the artist's ideal of Christian faith and purity. The most saintly face in the group would suffer by VOL. xxvii.-27. comparison with that grand old piece of living statuary embodied in Uncle Roche. A man who could look at him without thinking of the martyrs, saints, and patriarchs, that figure in the history of Christian progress, has a hole in his head where the organ of reverence is located. I involuntarily raised my hat and he gracefully responded. This was our introduction. Later in the season business again led me to visit the Sierra foothills. It was a midsummer month, and the temperature from early morn till near sunset, at points along the trail between Coulterville and Bear Valley, is a red-hot memory. There is a steep mountain to climb after crossing the Merced, and westerly is a rugged cahon known as "Hell's Hollow." Any man who strikes this locality during the summer months, between ten A. M. and five P. M. will see at once that the name is faintly suggestive of the temperature. Hence it was that my start homeward was made before daylight. There was no moon. The trail down White Gulch to Split Rock Ferry is rough and ugly, distance, seven miles. About half way to the river it crosses the mouth of a precipitous canion where the abrupt, naked ledges on each 369
True Tales of the Old West: XI, Uncle Roche's Will [pp. 369-374]
Overland monthly and Out West magazine. / Volume 27, Issue 160
Annotations Tools
TRUE TALES OF THE OLD WEST. word-goguenard. Popular among Bohemians, he lives an easy life, happy in the present and caring little for the future. He has the uncommon faculty of being equally good at almost any line of the painters' art, his portraits are as well done as his landscapes. He is especially happy, perhaps, in catching the effect of California's golden sunshine and pur ple shadows. Some of his paintings breathe the very essence of life and the creeping things of earth, the vibrating exhalations of plowed fields, the sentient softness of still landscapes, when buggy wheels have the Sunday squeak and the gray smoke curls lazily from the chimneys and loses itself in the blue sky above. Pierre N. Boeringer. TRUE TALES OF THE OLD WEST. Xl. UNCLE ROCHE'S WILL. e T WAS at Coulterville, Mariposa a"?"i]. County, California, one evening in the month of -a'il?ow/,//]! May, i859, that I first saw Uncle Roche. No great ef! fort of memory is required in reproducing his picture. ~~' r, /A tall, gaunt, but sinewy ,-.( / ~old man reclined in an arm ,i' f:- chair on the porch of the !',,/"'//\ City Hotel. The rich tints /i.,.' of sunlight illuminated his , ql 5 strongly marked features and classical head, and toyed with his long straggling locks of iron gray hair. " There was the look of heaven upon his face that limners give to the beloved disciple." It bore a mingled expression of benevolence, sin cerity, simplicity, and the entire cata logue of Christian virtues. There is a picture, by Angelico, which formerly hung in the Convent San Marco in Florence. The subject is " The Cor onation." At the foot of the dais, in a semicircle, are the figures of six holy men, kneeling in a devotional attitude. The heads are exceptionally fine and the features expressive of the artist's ideal of Christian faith and purity. The most saintly face in the group would suffer by VOL. xxvii.-27. comparison with that grand old piece of living statuary embodied in Uncle Roche. A man who could look at him without thinking of the martyrs, saints, and patriarchs, that figure in the history of Christian progress, has a hole in his head where the organ of reverence is located. I involuntarily raised my hat and he gracefully responded. This was our introduction. Later in the season business again led me to visit the Sierra foothills. It was a midsummer month, and the temperature from early morn till near sunset, at points along the trail between Coulterville and Bear Valley, is a red-hot memory. There is a steep mountain to climb after crossing the Merced, and westerly is a rugged cahon known as "Hell's Hollow." Any man who strikes this locality during the summer months, between ten A. M. and five P. M. will see at once that the name is faintly suggestive of the temperature. Hence it was that my start homeward was made before daylight. There was no moon. The trail down White Gulch to Split Rock Ferry is rough and ugly, distance, seven miles. About half way to the river it crosses the mouth of a precipitous canion where the abrupt, naked ledges on each 369
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- As Talked in the Sanctum - Rounsevelle Wildman - pp. 357-360
- Original Sketches by San Francisco Painters: II. Henry Raschen - P. N. Boeringer - pp. 361-369
- True Tales of the Old West: XI, Uncle Roche's Will - James H. Lawrence - pp. 369-374
- Jimtown's Bride - E. A. Robinson - pp. 374-386
- California's Exhibit at the Atlanta Exposition - J. A. Filcher - pp. 387-401
- Of Death before Maturity - Francis E. Sheldon - pp. 401
- A Wayside Harvest - L. B. Bridgman - pp. 402-411
- The Quicksands of Pactolus, Book II, Part X-XI - Horace Annesley Vachell - pp. 411-418
- Butte County and the Northern Citrus Belt - S. G. Wilson - pp. 419-421
- International Bimetallism - John J. Valentine - pp. 422-426
- Epigrams - Charles P. Nettleton - pp. 426
- The Study of History - Thomas R. Bacon - pp. 427-434
- Defenders of the Union - Frank Elliott Myers - pp. 434-462
- Song - Herbert Crombie Howe - pp. 462
- Etc. - pp. 463-466
- Book Reviews - pp. 466-468
- Son of N. B. Strong (Frontispiece) - J. D. Strong - pp. 469
- "For He's a Jolly Good Fellow" (Frontispiece) - Dendy Sedler - pp. 470
- A Spanking Breeze on San Francisco Bay (Frontispiece) - Lowden - pp. 471
- Irving M. Scott (Frontispiece) - Taber - pp. 472
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- True Tales of the Old West: XI, Uncle Roche's Will [pp. 369-374]
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- Lawrence, James H.
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- Overland monthly and Out West magazine. / Volume 27, Issue 160
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"True Tales of the Old West: XI, Uncle Roche's Will [pp. 369-374]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/ahj1472.2-27.160. University of Michigan Library Digital Collections. Accessed June 20, 2025.