Conradt. gleeful, anticipating manner. "Cla-lahum gone up, and Chiricahua going away kicking." "He won't kick long, Whisky," I retorted angrily, as I brought my boot heel down on old Ju, and crushed him into jelly, "and if you make any more of that kind of medicine and lose yourself again among these gulches and ravines, I'11 serve you in the same way. Fall in your red outfit and make ready to go on." We did, but I might just as well have tried to find a needle in a haystack as to hunt old Ju to cover in those mountains with Tiz-win for a guide. I received the thanks of the Smithsonian, but never caught sight of Ju until long afterwards on the San Carlos, when he was introduced to me by Tiz-win, who turned out to be his brother-in-law, a connection which explained many things to me. The old fellow was suffering from a bone felon on his right middle finger, which I lanced for him, and his gratitude for the alleviation of his excruciating pain was so great that he presented me with four Navajo blankets, -which he had probably stolen somewhere, and which I keep in remembrance of that physically magnificent, bloodthirsty old Roman, who broke away with his whole band soon afterwards, and was killed, with my dear, deceiving old decoy duck of a tutor in the Sierra Madre. A. G. Tassin. CONRADT. I FIRST saw Conradt in one of the little second-hand shops that are so numerous in the cross-streets south of Market Street and below Fifth, in San Francisco. I had been directed there by a friend, to look at a bit of carving which she thought of purchasing, but upon which, knowing I had a taste for such things, she first desired my judgment. While I was examining the work -which, after all, proved to possess less merit than I had been led to expect - my attention was attracted to the hero of this sketch. He sat in a corner of the shop, before a small, black box that stood upon a table. His gray head was bent forward, and with one hand thrust into the front of his shabby coat, and the other half extended, waving in the air with a slow, rhythmic motion, as if keeping time to the strains of invisible music, he appeared lost in contemplation of the object before him. Presently, as if with an effort, recollecting himself, he picked up a rough cap that lay beside his chair, and arose to go. As he turned about, he presented to the observer a little bent form, arrayed in shabby clothes, patched and worn. He had a face like a winter apple, showing an odd blending of russet and red, as if the storms and sunshine of a late fall had taken turns in determining its coloring. His head was carried well forward, as if he were walking against the wind, and indeed his whole bearing suggested that he had all his life faced wind and storm, until his features had become permanently warped and his form bent in resisting the tempest and sleet. A pair of kindly, innocent blue eyes, peering from beneath heavy, ragged brows, and a shock of wind-blown gray hair, completed the picture. He bowed to the dealer in passing the spot where we two stood talking, and murmured in broken E nglish what 1889.1 169
Conradt [pp. 169-174]
Overland monthly and Out West magazine. / Volume 14, Issue 80
Annotations Tools
Conradt. gleeful, anticipating manner. "Cla-lahum gone up, and Chiricahua going away kicking." "He won't kick long, Whisky," I retorted angrily, as I brought my boot heel down on old Ju, and crushed him into jelly, "and if you make any more of that kind of medicine and lose yourself again among these gulches and ravines, I'11 serve you in the same way. Fall in your red outfit and make ready to go on." We did, but I might just as well have tried to find a needle in a haystack as to hunt old Ju to cover in those mountains with Tiz-win for a guide. I received the thanks of the Smithsonian, but never caught sight of Ju until long afterwards on the San Carlos, when he was introduced to me by Tiz-win, who turned out to be his brother-in-law, a connection which explained many things to me. The old fellow was suffering from a bone felon on his right middle finger, which I lanced for him, and his gratitude for the alleviation of his excruciating pain was so great that he presented me with four Navajo blankets, -which he had probably stolen somewhere, and which I keep in remembrance of that physically magnificent, bloodthirsty old Roman, who broke away with his whole band soon afterwards, and was killed, with my dear, deceiving old decoy duck of a tutor in the Sierra Madre. A. G. Tassin. CONRADT. I FIRST saw Conradt in one of the little second-hand shops that are so numerous in the cross-streets south of Market Street and below Fifth, in San Francisco. I had been directed there by a friend, to look at a bit of carving which she thought of purchasing, but upon which, knowing I had a taste for such things, she first desired my judgment. While I was examining the work -which, after all, proved to possess less merit than I had been led to expect - my attention was attracted to the hero of this sketch. He sat in a corner of the shop, before a small, black box that stood upon a table. His gray head was bent forward, and with one hand thrust into the front of his shabby coat, and the other half extended, waving in the air with a slow, rhythmic motion, as if keeping time to the strains of invisible music, he appeared lost in contemplation of the object before him. Presently, as if with an effort, recollecting himself, he picked up a rough cap that lay beside his chair, and arose to go. As he turned about, he presented to the observer a little bent form, arrayed in shabby clothes, patched and worn. He had a face like a winter apple, showing an odd blending of russet and red, as if the storms and sunshine of a late fall had taken turns in determining its coloring. His head was carried well forward, as if he were walking against the wind, and indeed his whole bearing suggested that he had all his life faced wind and storm, until his features had become permanently warped and his form bent in resisting the tempest and sleet. A pair of kindly, innocent blue eyes, peering from beneath heavy, ragged brows, and a shock of wind-blown gray hair, completed the picture. He bowed to the dealer in passing the spot where we two stood talking, and murmured in broken E nglish what 1889.1 169
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- The Stone Elephant of Inyo - Dan De Quille - pp. 113-117
- Colombian Presidents - F. B. Evans - pp. 117-127
- A Pledge - S. W. Eldredge - pp. 128
- The Old Notion of Poetry - John Vance Cheney - pp. 129-141
- Time O' Day - W. S. Hutchinson - pp. 142-151
- Reminiscences of Indian Scouting - A. G. Tassin - pp. 151-169
- Conradt - Adeline E. Knapp - pp. 169-174
- Memory - Wilbur Larremore - pp. 174
- Wine, Brandy, and Olive Oil - R. G. Sneath - pp. 175-179
- A Soldier under Garibaldi - Flora Haines Loughead - pp. 179-190
- Hunting the Bison - Dagmar Mariager - pp. 190-196
- Good Courage - Francis E. Sheldon - pp. 196
- The Cabin by the Live Oak, Chapters I-IV - T. E. Jones - pp. 197-205
- Recent Fiction, II - pp. 205-211
- Recent Biography, II - pp. 212-216
- Etc. - pp. 217-223
- Book Reviews - pp. 223-224
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- Title
- Conradt [pp. 169-174]
- Author
- Knapp, Adeline E.
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- Page 169
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- Overland monthly and Out West magazine. / Volume 14, Issue 80
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- Making of America Journal Articles
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"Conradt [pp. 169-174]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/ahj1472.2-14.080. University of Michigan Library Digital Collections. Accessed June 21, 2025.