Victor -Hugo. his eyes: "In the middle of the continent, Germany stands armed to the teeth, an un ceasing threat to peace, the last effort of the mediaeval spirit. Everything that was done (I 870) must be undone. Between the great future and us there is a fatal obstacle. Peace is perceptible only after a collision and an inexorable struggle. Alas! Whatever the future may promise, the present has no re alization of peace." If we compare, for instance, Europe in the eleventh century with America in the nineteenth, and realize what an immense distance extends between them, and how easily that distance has been traversed and overcome, we may clearly understand that none of the expectations of Victor Hugo are impossible, or even to be relegated to a distant future. Undoubtedly, European nations are widely separated by differences of race and religion. But America, with so many different sects-Catholics, and Protestants of al! denominations, with such various nationalities, Saxons, Germans, Celts, Latins, and even negroes multiplying in the Southern States to an almost alarming extent-America, I say, shows such difficulties not to be insurmountable. The barrier raised by diversity of language, which does not exist on this side of the Atlantic, is becoming every moment less formidable. The time is near when the culture of modern languages, taking possession of all the ground lost by the Greek and the Latin, will produce a mutual interpretation of ideas and sentiments, and demolish those walls of prejudice so carefully maintained by conceit and narrow mindedness. Why, then, shall we draw a line between the new and the old world, and say: "Freedom and justice on this side, iespotism and social tyranny on the other side?" Is this really a mere question of longitude? These are the opinions of Victor Hugo. They have nothing new-nil novi sub sole, except in the scientific fields. Only he sang these grand old themes with a voice so sonorous, so powerful, so sublime, that they have resounded all over the earth, and deeply impressed and modified men's hearts and minds in France and other civilized coun tries. Victor Hugo, though considered by most men in all countries as the greatest of French poets, had and still has many adversaries. First among them, we may see the Bonapartist admirers of that Napoleon branded by Hugo as Napoleon le Petit, or Cartouchele Grand. These men were supporters of a throne shown by him to be founded on perjury, murder, and burglary. Against Bonapartism Victor Hugo has written two satires, the most forcible, perhaps, that exist in any language. When the first, a prose pamphlet, entitled Napoleon le Petit, was issued, the Bonapartists affected to laugh. After the Coup d'Etat, a few weeks before Napoleon iii. assumed the title of Emperor, one could read in one of the journals that favored the Prince-President: "M. Victor Hugo has just issued in Brussels a pamphlet with the title Napoleon le Petit, which contains the most severe animadversion against the head of the government." An officer of rank brought to Saint Cloud the satirical issue. Louis Napoleon took it in his hands, looked at it a moment with a smile of contempt on his lips, and then, pointing to the pamphlet, he said to the persons around him: "Look here, gentlemen, this is Napoleon le Petit, described by Victor Hugo le Grand." Was Louis Napoleon a prophet inferior in any respect to the biblical ass of Balaam? The would-be laugh stopped short, for, soon after, the Chdtiments made their appearance, and never did such a whip fall on the shoulders of a criminal. In fact, this book, printed on candle-paper-not one publisher in all Europe could be found to print the terrible book-secretly introduced into France, secretly read, for fear of prison or deportation this book, I say, prepared the fall of the Empire, by indoctrinating-the rising generation with the noble cause of liberty. After the Franco-German war and the horrors of the Commune, there would have been perhaps an attempt at Napoleonic restoration, but forthat powerful book. Through Hugo's influence, such an attempt had become utterly hopeless, and remained untried. 88 [July,
Victor Hugo [pp. 81-90]
Overland monthly and Out West magazine. / Volume 6, Issue 31
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- Title Page - pp. i-ii
- Contents - pp. iii-vi
- Was It a Forgery? - Andrew McFarland Davis - pp. 1-10
- Riparian Rights from Another Standpoint - John H. Durst - pp. 10-14
- Life and Death - I. H. - pp. 15
- A Terrible Experience - Bun Le Roy - pp. 16-26
- The Building of a State: VII. The College of California - S. H. Willey - pp. 26-39
- The San Francisco Iron Strike - Iron Worker - pp. 39-47
- Debris from Latin Mines - Adley H. Cummins - pp. 48-51
- Two Sonnets: Summer Night; Warning - pp. 51
- Fine Art in Romantic Literature - Albert S. Cook - pp. 52-66
- An Impossible Coincidence - pp. 66-81
- Victor Hugo - F. V. Paget - pp. 81-90
- Four Bohemians in Saddle - Stoner Brooke - pp. 91-95
- Their Days of Waiting Are So Long - Wilbur Larremore - pp. 95
- A Midsummer Night's Waking - H. Shewin - pp. 96-100
- Reports of the Bureau of Education, Part I - pp. 101-104
- Etc. - pp. 104-109
- Book Reviews - pp. 110-112
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- Victor Hugo [pp. 81-90]
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- Paget, F. V.
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"Victor Hugo [pp. 81-90]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/ahj1472.2-06.031. University of Michigan Library Digital Collections. Accessed June 22, 2025.