BOOKS OF THE DAY. should be inclined to say that the qualities requisite for the satisfactory performance of it are quite as much moral as intellectual; that conscience is quite as important a factor as industry, insight, or skill in composition. Applying this test, we are glad to be able to say that, after the capacity for patient indus try which it exhibits, the quality of all others for which we should praise Professor Tyler's work is its conscientiousness. The author has taken no hack neyed or second-hand opinions, nor passed judg ment upon books from casual examination or hearsay testimony. He has consulted the originals for him self, formed his own estimates, and records his own conclusions, for which he is always able to give a good reason and a citation of evidence. Moreover, through his reference in the foot-notes to the sources of his information, and his constant and copious reproduction of illustrative passages, he has rendered it easy to check and test his conclusions at every point, and to decide how far they conform to or diverge from the evidence on which they profess to be based. At the same time, while sparing no pains to make them correspond to the facts, there is no lack of clearness and precision in his verdicts. Readers may either approve or dissent from Professor Tyler's conclusions, but they can not complain of them as being hazy, or indistinct, or incoherent. They are the judgments of a man who has mastered his materials, and who is conscious of having mastered them. It should be said in qualification of this high praise that the most difficult portion of Professor Tyler's task-the real test of his adequacy to it-is yet to come. So far his work is descriptive and biographical rather than critical, and whether he will be able to weigh and measure and establish the relative place of the authors who have really made American literature remains to be seen. Had he applied very rigidly to these earlier writings the standard which he will have to use during the remainder of his history, he would have left himself no materials to work upon; for it must be confessed that the Colonial Period produced little or nothing that possesses "noteworthy value as literature," and that in dealing with this period on such a scale it has been necessary to accept as literature almost everything that was the product of the pen or the printing-press. For this reason these earlier volumes of Professor Tyler's work are more interesting as a picture of a people, and for their portraiture of personal and local character, than as a history of literature pure and simple; but they reveal enough of the method and quality of the author's criticism to win the confidence of the reader, and to make it certain that whatever Professor Tyler may have to say of our later literary magnates will at least be worthy of attentive and respectful consideration. As regards arrangement, method of treatment, and style, the work is deserving of high praise. Professor Tyler writes always with vigor, clearness, and simplicity; and, if his style can rise with the occasion to dignity, picturesqueness, and pathos, it can also drop, if need be, into an epigrammatic piquancy of phrase. His History, even in its present income plete state, must be pronounced a highly important and permanently valuable contribution to the litera ture whose origin and growth it narrates. THIS is perhaps as favorable an opportunity as we shall have for noticing Mr. Charles F. Richard son's "Primer of American Literature," * which has lain for some time upon our table, and which anticipated by a month or two the appearance of Professor Tyler's History. It need not detain us long. It is a very slight and perfunctory piece of work; useful, perhaps, as a sort of catalogue raisonnt of the leading American authors and their principal writings, but altogether too incomplete, inadequate, and untrustworthy to serve as a guide to or risumi of the literature with which it professes to deal. It would possibly be an exaggeration to say that it requires greater mastery of a subject to write an acceptable primer of it than to prepare an exhaustive treatise upon it; but it certainly requires a more perfect command of the materials, a greater firmness and clearness of conviction, a more easy familiarity with all its details, and a more luminous power of summing up the results of a long train of analysis in an epithet or a sentence. All these qualities, and others of a still rarer and higher kind, are displayed in Mr. Stopford Brooke's incomparable "Primer of English Literature," but Mr. Richardson's work gives no indication of being the overflow of a mind full to the brim with its subject, but seems rather the product of hasty "cram" for a temporary purpose, which was accomplished as soon as the book was ready for the printer's hands. We intend to imply no discredit to the independent researches which Mr. Richardson may have prosecuted, but it is certainly true that a much better chronicle of American literature could be abridged from Griswold's and Duyckinck's compilations; while, for the critical verdicts passed, they are mere echoes of hackneyed opinions when they are not too hazy and indefinite to mean anything at all. More real insight into the subject is shown in the opening sentence of Professor Beers's little volume noticed below than in Mr. Richardson's entire book. "The literature of the American colonies," says Professor Beers, "contains much of historical interest, little of purely artistic worth." Whether true or false, this would be suggestive and provocative of thought, but its truth and sagacity are exemplified in nearly every page of Professor Tyler's more elaborate work. Mr. Richardson rarely ventures upon such generalizations, or in fact upon generalizations of any kind; and when he does they are more apt than not to be either incorrect, or inadequate, or inapplicable. THE praise given above to one acute observation in Professor Beers's "Century of American Litera * A Primer of American Literature. By Charles F. Richardson. Boston: Houghton, Osgood & Co. ISmo, pp. I17. 187
Books of the Day [pp. 186-192]
Appletons' journal: a magazine of general literature. / Volume 6, Issue 32
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- The Romance of a Painter, Chapters VIII-XIII - Ferdinand Fabre - pp. 97-112
- The Shakespearean Myth, Part I - Appleton Morgan - pp. 112-126
- "A Man May Not Marry His Grandmother" Chapters IV-VI - Horace E. Scudder - pp. 126-137
- English Literature (A Chapter from a New History), Part I - Spencer Walpole - pp. 137-150
- The Historical Aspect of the United States - A. P. Stanley - pp. 150-158
- The Judgment of Midas - John Brougham - pp. 158
- On Certain Present Phenomena of the Imagination - Lord Houghton - pp. 159-168
- Intolerance and Persecution - W. H. Mallock - pp. 169-173
- Verify your Compass - W. R. Greg - pp. 173-177
- Some Modern Artists - Harry Quilter - pp. 178-181
- Editor's Table - pp. 182-186
- Books of the Day - pp. 186-192
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"Books of the Day [pp. 186-192]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.2-06.032. University of Michigan Library Digital Collections. Accessed June 21, 2025.