BY CELIA'S ARBOR. BY CELIA'S CHAPTER XXXIX. BORROWED PLUMES. rem EANTIME, we had not forgotten our old mon NIV friend Moses. deri The Blue Anchor was a music-hall before that the kind of entertainment was supposed to be invented. That is to say, long before the name of music was you debased and song dragged in the dust before Lon- dan don audiences of shop-boys and flashy gents, the quei thing was already flourishing in our seaport-towns prot for the benefit of soldiers and sailors. The Anchor, cons as it was lovingly called, stood in a crowded street, row where every second house was a beer-shop, and the reso house between a pawnbroker's. It had a parterre, to h or pit, the entrance to which was free, where Jack fello the Sailor, Joe the Marine, and the Boiled Lobster, the could sit in comfort and dignity, each man with his hitcl pipe in his mouth and his pot before him. It was a ceed long, high, and narrow room. At the end stood a excl platform, where the performances took place, and siste under the platform, just as you may see in the pres- a ha ent London houses, was a table where the proprie- ever tor, acting as chairman, announced the songs and ski, dances, called order, and superintended the comfort -hi of his guests. A small and select band of admirers rallied round the chairman, and were privileged, not your only to call for drinks to assuage the great man's cam thirst, but also from time to time to take the ham- he a mer of authority. At the other end of the hall was dle a small gallery, where young naval officers and sub- ens alterns sometimes honored the representations by the their appearance. It was to this gallery that we repaired, Leonard and I, accompanied by a second- and lieutenant of the navy. He was a cheerful youth, due of smiling demeanor, whose chief merit in my eyes togs was his unbounded admiration for Leonard. He and met us by accident, and volunteered to join us, not othe knowing the nature of our quest; on being in- and formed that there might be a row, he became the a g more eager to come with us. The fervent prayer of cun every young naval officer on every possible occasion into that there may be a row is surely a healthy distin- like guishing characteristic of the navy. Certainly the dish members of no other service or profession with which acrc I am acquainted are desirous of a fight on any possible occasion. We went, therefore, into the gallery, where there were a dozen of noisy middies and young naval fellows, who had been dining not wisely, but too well. There was an interval in the performance, and a buzz of conversation going on. Now and then one of the audience would lift up his voice with a snatch of a chorus, to be taken up by his neighbors, or, if it was a favorite, by the whole audience. We looked about the room. No Moses had arrived yet. That was quite certain. Because from our gallery we could see everybody in the hall, and there was no doubt about our recognizing Mosesso old a friend. ARBOR. We sat down in the front row and looked on. Down came the hammer, with some inaudible arks from the chair. There was silence for a nent, and then a shout, not of applause, but of sion, as a man, dressed in sailor-rig, bounded on stage and began to dance a hornpipe. ' Where was you shipped, mate? "-" When was last paid off?" There was no denying the ce, which was faithfully executed, but, in consence of the absence of some professional detail, ably in the dancer's get-up, the sailors with one ent refused to recognize him as a brother. The grew tremendous as the performer went on, lutely refusing to recognize any objection raised is personal appearance. At last a stalwart young w bounded from a table in the auditorium to platform, coolly hustled the professional with a h or two of his shoulder off the stage, and proled to execute the hornpipe himself, amid the amations of his comrades and brethren of the r services. The band, consisting of two fiddles, *rp, and a cornet, went on playing steadily what happened in the house. It was like Wassielewfiddling while the sailors sung, drank, and danced imself unregarding. The dance over, and the applause subsided, the ng fellow jumped back to his place, and down e the chairman's knocker again. Sam Trolloper, nnounced, this time-without any prefix or hanto the name, as if one would say Charles Dickor Julius Caesar-was about to sing the song of day. The illustrious Sam, who was a popular favorite, received the vociferous applause as something to real merit, appeared in a suit of shore-going . He wore a coat all tails, with a hat all brim, trousers of which one leg was gone, and the r going. Boots without socks, a ragged shirt, a red kerchief tied around his neck, completed arb which, coupled with the fellow's face of low ning and inextinguishable drollery, made him up as complete an habitual criminal as you are ly to meet outside of Short's Gardens. He braned a short stick, with a short, preliminary walk ss the stage, and then began the following: 'Tis 0! for a gay and gallant bark, A brisk and a lively breeze, A bully crew, and a captain too, To carry me o'er the seas To carry me o'er the seas, my boys, To my own true love so gay, For she's taking of a trip In a government ship, Ten thousand miles away. Then blow, ye winds, heigho! For a-roaming we will go, I'll stay no more on England's shore: Then let the music play, For I'm off by the morning train Across the raging main, I'm on the rove to my own true love, Ten thousand miles away. 451
By Celia's Arbor, Chapters XXXIX-XLV [pp. 451-473]
Appletons' journal: a magazine of general literature. / Volume 4, Issue 5
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- Elevated Railways in New York - William H. Rideing - pp. 393-408
- The Heavenly Harmony - Cornelius Mathews - pp. 408
- Jet: Her Face or Her Fortune, Chapters IX-XIII - Annie Edwards - pp. 409-420
- Not Wholly Dead - John Moran - pp. 420
- Unpublished Correspondence by Edgar Allen Poe - J. H. Ingram - pp. 421-430
- Mrs. Gainsborough's Diamonds, Chapters I-IV - Julian Hawthorne - pp. 430-442
- Real and Ideal Houses - O. B. Bunce - pp. 442-445
- Stanley's African Convert - A. H. Guernsey - pp. 445-451
- By Celia's Arbor, Chapters XXXIX-XLV - W. Besant, J. Rice - pp. 451-473
- Wind From the East - Paul H. Hayne - pp. 473
- For Love of Her - Nora Perry - pp. 474-479
- French Pictures for the Paris Exposition - Lucy H. Hooper - pp. 479-481
- Editor's Table - pp. 481-485
- Books of the Day - pp. 485-488
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"By Celia's Arbor, Chapters XXXIX-XLV [pp. 451-473]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.2-04.005. University of Michigan Library Digital Collections. Accessed June 20, 2025.