APPLETONS' JO URNAL. know what has been the matter with me, Mr. Gainsborough," she said, with an attempt at reserve and coldness in her tone. "I had hoped I might have parted from you before you knew, but-it was not to be so! It is very good of you to pretend to ignore it, and I thank you-I thank you. Here," she added, nervously unclasping the necklace, and removing the car-rings, "I have worn these too long. Take them, please." "Kate, you shall wear them forever!" cried I, passionately. "I must not begin yet, at all events," she returned, more firmly. "Take them, please, or you will make me feel more humiliated than I do now." She put them in my unwilling hands. "And now we'll get our hats and go back to the hotel," she continued, with a smile which was pathetic in its effort to seem indifferent and unconstrained. "Where are they? Ah!" She had just caught sight of her white hat lying beside the stump on the farther side of the gorge. The suppressed scream and the start indicated that she now for the first time realized by what a perilous path she had come hither. She remained for a moment gazing at the beam with a sort of fascination; then, moving forward to the brink, looked down the sheer precipice to the rocks below. "I wish I had fallen!" she said, almost below her breath; ",or," she added, after a short pause, in a tone still lower, but of intense emphasis, "I wish he had!" "You wish I had?" "I did not know you were so near," she an swered, drawing back from the verge. "No, no not you! Come, we must walk round this place. Tell me," she said, facing me suddenly, "did you see any one?" "I think not. I fancied I heard-" "We must get back to the hotel," she interrfipted, excitedly; "at least, I must get back. I don't like to be here. I wish you would leave me. I would rather say'good-by' to you here than there." "I never mean to say'good-by' to you at all, Kate. If this is the trouble you hinted at, you overrate it entirely. Why, two people out of every seven are somnambulists. It is as common as to have black hair. Besides, you will outgrow it in a few years; it is only a nervous affection, which any doctor can cure." "It is not that; you don't understand," she said, with a sigh. "Whatever it is, I'm determined not to lose you. I shall tell your father when 1 see him that I love you, and that wherever he takes you I shall follow. No one can or shall keep us apart." The resolution with which I spoke seemed to impress her somewhat. "You can speak to him if you will. But, oh! it is no use. It cannot be- you don't understand. Let me go; good-by. No, do not come with me; please do not! I have a reason for asking it. I will see you once more-to-morrow, before we leave. But let me go alone now, if you love me." She went, walking quickly away through the wood. I watched her for a few moments, and then returned to the grass-plot beneath the tree, and threw myself down there in a very dissatisfied frame of mind. The sun had set before I returned to the hotel. [CONCLUSIoN NEXT MONTH.] REAL AND IDEAL HOUSES. PICTURED to myself, the other day, in a half-dream, a house which embodied all the latest and best ideas of taste and artistic culture." "It must have been a dream, indeed.! But pray what did your sleeping imagination set forth as the ideal of a house?" "It was a house like a symphony-all in harmony, and tone, and perfect keeping. Color was the silent music of this house; form and porportion were the foundations of its being. It was a house in which there were beauty, repose, peace, and sweetness. The eye rested with lasting pleasure upon fine adjustments of beautiful objects, and the mind found intellectual stimulus in treasures of painting, marble, and bronze." "Yes, I see! Your dream was of a house toned up, so to speak, to a high-art pitch-one of Whistler's'symphonies of color.' Well, this is not new in the world of dreams. I am not sure but it would be as well if houses of the kind existed only as a fantastic nothing of the imagination. There was a time when the ideal of a perfect house was one which bloomed with thriving olive-branches-a nest where under protecting wings life came into being, expanded, filled all the spaces with love and music, and which eventually sent out into the world hearty and honest souls fit to cope with it and to adorn it. But now the ideal house is that of a bric-a-brac shop. Nevertheless, let me hear further." "In the house I imagined there entered the matured and perfect knowledge of a trained tastethere were no incongruities, no vulgarities, no discords. It exhibited in its plan both a severe and a liberal mind; it had harmony and unity with abundant variety. Just as we find in Nature rich contrasts, manifold details, and broad effects and masses, so the appointments and adornments of this house were blended into a consistent and delightful whole." "This is all very well for generalization. But my imagination cannot live on mere summaries. I wait for some of the details in the furnishing of this marvelous mansion." "Our dreams are apt, you know, to grasp at a 442
Real and Ideal Houses [pp. 442-445]
Appletons' journal: a magazine of general literature. / Volume 4, Issue 5
APPLETONS' JO URNAL. know what has been the matter with me, Mr. Gainsborough," she said, with an attempt at reserve and coldness in her tone. "I had hoped I might have parted from you before you knew, but-it was not to be so! It is very good of you to pretend to ignore it, and I thank you-I thank you. Here," she added, nervously unclasping the necklace, and removing the car-rings, "I have worn these too long. Take them, please." "Kate, you shall wear them forever!" cried I, passionately. "I must not begin yet, at all events," she returned, more firmly. "Take them, please, or you will make me feel more humiliated than I do now." She put them in my unwilling hands. "And now we'll get our hats and go back to the hotel," she continued, with a smile which was pathetic in its effort to seem indifferent and unconstrained. "Where are they? Ah!" She had just caught sight of her white hat lying beside the stump on the farther side of the gorge. The suppressed scream and the start indicated that she now for the first time realized by what a perilous path she had come hither. She remained for a moment gazing at the beam with a sort of fascination; then, moving forward to the brink, looked down the sheer precipice to the rocks below. "I wish I had fallen!" she said, almost below her breath; ",or," she added, after a short pause, in a tone still lower, but of intense emphasis, "I wish he had!" "You wish I had?" "I did not know you were so near," she an swered, drawing back from the verge. "No, no not you! Come, we must walk round this place. Tell me," she said, facing me suddenly, "did you see any one?" "I think not. I fancied I heard-" "We must get back to the hotel," she interrfipted, excitedly; "at least, I must get back. I don't like to be here. I wish you would leave me. I would rather say'good-by' to you here than there." "I never mean to say'good-by' to you at all, Kate. If this is the trouble you hinted at, you overrate it entirely. Why, two people out of every seven are somnambulists. It is as common as to have black hair. Besides, you will outgrow it in a few years; it is only a nervous affection, which any doctor can cure." "It is not that; you don't understand," she said, with a sigh. "Whatever it is, I'm determined not to lose you. I shall tell your father when 1 see him that I love you, and that wherever he takes you I shall follow. No one can or shall keep us apart." The resolution with which I spoke seemed to impress her somewhat. "You can speak to him if you will. But, oh! it is no use. It cannot be- you don't understand. Let me go; good-by. No, do not come with me; please do not! I have a reason for asking it. I will see you once more-to-morrow, before we leave. But let me go alone now, if you love me." She went, walking quickly away through the wood. I watched her for a few moments, and then returned to the grass-plot beneath the tree, and threw myself down there in a very dissatisfied frame of mind. The sun had set before I returned to the hotel. [CONCLUSIoN NEXT MONTH.] REAL AND IDEAL HOUSES. PICTURED to myself, the other day, in a half-dream, a house which embodied all the latest and best ideas of taste and artistic culture." "It must have been a dream, indeed.! But pray what did your sleeping imagination set forth as the ideal of a house?" "It was a house like a symphony-all in harmony, and tone, and perfect keeping. Color was the silent music of this house; form and porportion were the foundations of its being. It was a house in which there were beauty, repose, peace, and sweetness. The eye rested with lasting pleasure upon fine adjustments of beautiful objects, and the mind found intellectual stimulus in treasures of painting, marble, and bronze." "Yes, I see! Your dream was of a house toned up, so to speak, to a high-art pitch-one of Whistler's'symphonies of color.' Well, this is not new in the world of dreams. I am not sure but it would be as well if houses of the kind existed only as a fantastic nothing of the imagination. There was a time when the ideal of a perfect house was one which bloomed with thriving olive-branches-a nest where under protecting wings life came into being, expanded, filled all the spaces with love and music, and which eventually sent out into the world hearty and honest souls fit to cope with it and to adorn it. But now the ideal house is that of a bric-a-brac shop. Nevertheless, let me hear further." "In the house I imagined there entered the matured and perfect knowledge of a trained tastethere were no incongruities, no vulgarities, no discords. It exhibited in its plan both a severe and a liberal mind; it had harmony and unity with abundant variety. Just as we find in Nature rich contrasts, manifold details, and broad effects and masses, so the appointments and adornments of this house were blended into a consistent and delightful whole." "This is all very well for generalization. But my imagination cannot live on mere summaries. I wait for some of the details in the furnishing of this marvelous mansion." "Our dreams are apt, you know, to grasp at a 442
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- Real and Ideal Houses [pp. 442-445]
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- Bunce, O. B.
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- Appletons' journal: a magazine of general literature. / Volume 4, Issue 5
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"Real and Ideal Houses [pp. 442-445]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.2-04.005. University of Michigan Library Digital Collections. Accessed June 20, 2025.