APPLETONS' JOURNAL. tender to his wife and mother. He had a sting fox every virtue, and compassion for every suffering. A thorough skeptic as to faith, he was a religionist in art. Irritable and morbidly sensitive through life, he bore years of absolute helplessness and supreme pain with heroic fortitude. He so defied and derided death that it seemed afraid to take him. When saints might have murmured and moaned, this brill iant sinner was cheerful and jocose, and fairly con quered Fate by omnipotence of will. Entirely with out hope, he had a patience beyond hope, and, scorn ing resignation, he was more than resigned. Believ ing nothing, and expecting nothing, spiritually, he supplied the place of belief and expectation with a mystical philosophy and a sublime egotism as meas ureless as it was imperturbable. It is as hard to say what he was as it is easy to say what he was not, for he was stuffed with antago nisms, and his numberless kind acts were sarcasms on the cynicism he professed. His nature embraced the remotest eras: in soul he was an early Hebrew; in spirit an ancient Greek; in mind a republican of the nineteenth century. He misunderstood himself, and misinterpreted life often; but he saw truths which better men could not see, and was one of the first to catch the deep undertone of his time. He had great vices and great virtues mysteriously blend ed; he was completely secular, and so intensely hu man that he necessarily ignored the divine. Much that he did was intolerable and inexcusable, and yet -his worst behavior was relieved by exceeding good ness, which he would never have owned. He had sovereign faith in the world and the flesh; but he surrendered the devil, as he said himself, to the theo logians who invented him, and could never have got on without him. Nothing, unless it were beauty, was too sacred for his satire; he loved to drag the accepted sanctities in the dust, and, when the public was shocked, to shock it anew by showing that they were not real jewels, only worthless bits of colored glass. Heine so completely discarded Germany, though France never fully adopted him, that he may be said to have been a man without a country, which he did not need, since he considered the world as his native land, and Paris as its capital and centre. "Give me the boulevards and the Champs Elys6es," was one of his speeches, "and you may do what you like with the rest of civilization." Patriotism he declared to be the weakness of stupidity, and the ass's ears of provincialism. He had a happy faculty for making enemies, and he gave his faculty constant exercise. "Never trust a man who has friends," is his gibe; "he is certain to be a hypocrite, and will some time betray you." He was not content to turn individuals into foes; his ambition extended to whole countries and entire creeds. He exasperated Germany until it was at a white heat of passion. He rendered Great Britain hostile by ridiculing the conservatism of its subjects, and censuring the British Constitution itself; and the person who would do that would, to their mind, be capable of selling his own children, or of mentioning with irreverence the Tropic of Capri corn. He offended the Jews by his apostasy, and outraged the Christians by leaving them, and be coming an infidel. He angered the infidels by an apparent moderation of his opinions in accepting a peculiar form of theism, indefinite to himself, and unintelligible to others. Inl fact, the persons and causes he did not affront and shock were too few and too insignificant to be mentioned. If he kept any friends, it was not from lack of endeavor on his part to get rid of them; for he was inclined to treat them not as if they might some time be his enemies, but as if they had already become such. His notion of liberty was so extreme that he allowed it to de generate into licentiousness, and his passion for in dependence was so irregular that he permitted no sense of gratitude, no claims of affection, to inter fere with it. " True independence," he avers, "never looks back; never considers anything but what belongs to itself." Quotations from Heine, it may be here remarked, are as contradictory as himself. Their great range and inconsistency may be illustrated by saying that they would excuse and condemn every act, noble and ignoble, of his checkered career. They were the offspring of impulse, and often merely the exer cise of his understanding to keep himself well in practice. This strange and gifted character was born in Duisseldorf, January I, i8oo (different dates of his birth are given, but this seems to be the correct one), which is a significant fact, inasmuch as he so fully embodied the spirit of the nineteenth century. He came into the world the very last year of the past age, as if he were specially designed to illustrate the varied and opposing forces of the coming century by his wayward and wandering genius. The poet refers to his birthplace in the "Reisebilder:" " I first beheld the light on the banks of that beautiful stream (the Rhine), on whose emerald hills Folly grows, and in autumn is pressed and gathered into casks and sent to foreign lands. Yesterday, I assure you, I heard a man talk folly, which, in my childhood, lay in a bunch of grapes that I saw growing on the sunny slopes of the Johannisberg. Now I am again a child, playing with other children on the Satosplatz. There was I born. I mention this lest, after my death, seven cities-Bockum, Dilken, G6ttingen, Krihwinkel, Polkinitz, Schilda, and Schaffenstadt-should contend for the honor of presenting me to the world. DItsseldorf is a town on the Rhine; sixteen thousand people live there, and hundreds of thousands have died there." His father was a Hebrew merchant in ordinary circumstances, and his uncle the rich Jewish banker, Salomon Heine, distinguished for his philanthropy. His bias toward literature was early shown. When he was in his eleventh year, he wrote an encomium in verse to Napoleon Bonaparte on the occasion of the emperor's visit to his native city. The visit greatly impressed the boy-poet, who was to the last an enthusiastic admirer of the wonderful Corsican. He has told us 24
Heinrich Heine [pp. 23-31]
Appletons' journal: a magazine of general literature. / Volume 2, Issue 1
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- Engraving - pp. A-B
- Index to Vol. II - pp. iii-iv
- The Waterfalls of the Northwest - J. Murphy - pp. 1-11
- The Heir of Mondolfo - Mary Wollstonecraft Shelley - pp. 12-23
- Heinrich Heine - Junius Henri Browne - pp. 23-31
- Lake-Travel by Dog-Sledge - H. M. Robinson - pp. 31-37
- Tangled Threads - C. M. Hewins - pp. 37
- The Tower of Percemont, Chapters IV - VI - George Sand - pp. 38-46
- The Holly - Marie Le Baron - pp. 47
- Between Two Fires - Albert Rhodes - pp. 48-55
- The Church-Clock - Cornelius Mathews - pp. 55
- Turkistan and Its People - George M. Towle - pp. 56-60
- Two Women, 1862, Part I - Constance Fenimore Woolson - pp. 60-67
- Out of London, Chapter V - Julian Hawthorne - pp. 67-72
- The Trail of the Serpent - J. Wight - pp. 72-74
- Love's Fealty - Mary B. Dodge - pp. 74
- In Memoriam: Temple Bar - Charles E. Pascoe - pp. 75-80
- Dick Nugent's Wager - N. Robinson - pp. 80-88
- Two in Two Worlds - Mrs. S. M. B. Piatt - pp. 88
- Editor's Table - pp. 89-93
- New Books - pp. 93-96
- Engraving - pp. 96A-96B
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"Heinrich Heine [pp. 23-31]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.2-02.001. University of Michigan Library Digital Collections. Accessed June 24, 2025.