APPLETONS' JO URNAL. which it is not; and the epithet of "venomous," which Milton applies to it in his picture of Satan, is singularly inaccurate. In reality, the toad is one of the most harmless and inoffensive creatures in existence. Let it alone, and it will hop out of your way; the fluid which exudes from some parts of its body is innocuous; and its bite produces nothing but a very slight inflammation. On the other hand, it is extremely useful in devouring grubs and vermin injurious to plants, and hence enjoys the special protection of the gardener. What citadel apparently more impregnable could be imagined than the hard and firmly-closed shell of the oyster to a sprawling, flexible starfish? Nevertheless, it is forced and captured; but not in the manner popularly supposed. The impression has prevailed that the oyster, being on the alert, and suspecting the design of the radiate enemy, closes upon him, and holds him fast by the intruding limb. Upon this, the assailant, finding captivity and death inevitable unless something is done, submits to amputation in order to preserve life and freedom. But the starfish has no occasion thus to thrust its paws into the mouth of danger; on the contrary, its mode of procedure is most unique. Having seized upon the prey with its arms, it proceeds coolly to turn its own stomach inside out. It then instills between the shelly valves some torpifying fluid, which deprives the inmate of strength, and soon compels it to open the doors of its dwelling. This done, the starfish pushes in its stomach, which enwraps the oyster, and uncourteously digests it in its own shell. In Ireland, and elsewhere, there exists a common species of starfish known as the "devil's hands," or the "devil's fingers," and children have a superstitious dread of touching them. One singular fact with regard to them is worthy of mention. On being captured, they proceed unceremoniously to dissolve themselves and fall in pieces, to the disappointment of the exulting naturalist who has dredged them up, as if under the influence of intense alarm, or highly indignant at being taken. Brittle stars, indeed! It would be a somewhat parallel case if an individual, when arrested in the streets, were to throw his arms and legs upon the pavement, and jerk off his head for the astonished policeman to catch. It has frequently been said that the first example of the art of navigation was given to mankind by a mollusk common in the Mediterranean, the name of this mollusk being the nautilus, or argonaut. It is usually represented with six arms, extending over the sides of the shell, as if to act as oars; and two arms, which have broad disks upraised, as if to act as sails. Much beautiful poetry has been devoted to the celebration bf this zoological error: "Learn of the little nautilus to sail, Spread the thin oar, and catch the driving gale," says Pope. Montgomery, in his picture of the nautilus, writes: "The native pilot of this little bark Put out a tier of oars on either side, Spread to the wafting breeze a twofold sail, And mounted up and glided down the billow In happy freedom." And Byron this: "The tender nautilus who steers his firow, The sea-born sailor of his shell canoe, The ocean Mab, the fairy of the sea, Seems far less fragile, and, alas! more free." Unhappily for the poets, the nautilus never moves in the manner here described. It can creep along the bottom of the deep; it can rise to the surface and float, moving backward through the water like other cuttle-fish. But the arms are not used as oars, and those which have the expanded membranous disk are never hoisted as sails. The sole purpose of these limbs is the secretion of the substance of the shell, both for its repair when injured and for the enlargement which the growth of the animal may require. In the fossiliferous rocks the nautilus occurs among the earliest traces of the world's animal life. It continued through the long ages during which the family of its conqueror, the ammonite, was created, flourished, and became extinct. Mrs. Howitt has made this fact the subject of some graceful lines, which are not accurate, however, as to the formation of the stratified rocks, the habits of the mollusk, or the disappearance of its cousin-german: " Thou didst laugh at sun and breeze, In the new-created seas; Thou wast with the reptile broods In the old sea solitudes, Sailing in the new-made light, With the curled-up ammonite. Thou surviv'dst the awful shock, Which turned the ocean-bed to rock, And changed its myriad living swarms To the marble's veined forms. " Thou wast there; thy little boat, Airy voyager! kept afloat. O'er the waters wild and dismal, O'er the yawning gulfs abysmal; Amid wreck and overturning, Rock imbedding, heaving, burning, 'Mid the tumult and the stir; Thou, most ancient mariner, In that pearly boat of thine, Sail'dst upon the troubled brine." It remains to be said that the stratified rocks were formed by slow deposition, often in tranquil waters, and not by sudden catastrophes; that the ammonites did not perish from convulsive movements of land and sea; but that the family runs through all the formations from the silurian to the chalk, had its greatest development in the O0litic period, and gradually died out. 144
Poetical Zoölogy [pp. 141-144]
Appletons' journal: a magazine of general literature. / Volume 1, Issue 2
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- Marianne, Chapters IX-XVI - George Sand - pp. 97-104
- A Talk About Apples - Joel Benton - pp. 105-109
- Four Great Song-Composers—Schubert, Schumann, Franz, Liszt - George T. Ferris - pp. 109-114
- A Troublesome Picture - B. Phillips - pp. 115-123
- Parisian Newspaper-Men - Wirt Sikes - pp. 123-128
- Isotta Contarini - Junius Henri Browne - pp. 128-133
- An Old Story - Mary E. Bradley - pp. 133-134
- Avice Gray, V-VII - Annie Rothwell - pp. 134-141
- Poetical Zoölogy - George L. Austin - pp. 141-144
- The Graves of the Brontë Sisters - J. W. - pp. 145-147
- A Stage-Ride in California - Albert F. Webster - pp. 147-149
- Living and Dead Cities of the Zuyder Zee, Part I - A. H. Guernsey - pp. 150-156
- Chapters on Models, Part I - James E. Freeman - pp. 156-162
- Sundown - Mary B. Dodge - pp. 162
- La Petite Rosiere - Ethel C. Gale - pp. 163-167
- Mountaineering in Colorado - William H. Rideing - pp. 167-170
- A Charge - Howard Glyndon - pp. 170
- Out of London, Chapter II - Julian Hawthorne - pp. 171-176
- Fallen Fortunes, Chapters XXXV-XXXVI - James Payn - pp. 176-181
- Annals of the Road - W. H. Rideing - pp. 181-185
- "Going to School" - pp. 185
- In a Swing - C. M. Hewins - pp. 185
- Editor's Table - pp. 186-190
- New Books - pp. 190-192
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"Poetical Zoölogy [pp. 141-144]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.2-01.002. University of Michigan Library Digital Collections. Accessed June 23, 2025.