1873.] A VISIT TO JOHN STUART iWILL AT A VIGNON 785 "Richelieu is a traitor, a hypocrite, a libertine-not even his sovereign's wife is sacred to him!" "Ah, madame, it is natural that you and Richelieu should disagree," retorted the king, with an incredulous sneer. ' He is a match for you and for the duchess your counsellor-the duchess whose life disgraces my court." Anne had now thrown herself into a chair, her hands were crossed on her bosom, her eyes bent steadily on the king, as if prepared for whatever fresh extravagance he might utter. Even the enraged Louis felt the influence of her fixed, stern gaze. He ceased speaking, grew suddenly confused, paced up and down hurriedly, stopped, essayed again to address her-then abruptly strode out of the room. The queen and her ladies are seated on a stone balcony that overlooks the parterre and the park of Saint-Germain. Below, the king's violins are playing some music of his composition, set to words in praise of friendship, full of covert allusions to Mademoiselle de Hautefort. The queen's fair young face is clouded with care; she leans back listlessly in her chair, and takes no heed of the music or of what is passing around her. The Chevalier de Jars approaches her. There is something in his air that alarms her; she signs to him to place himself beside her. Mademoiselle de Hautefort, conscious that every one is watching the effect of the music and the words upon her, sits apart at the farther end of the gallery, from which the balcony projects, almost concealed from view. A door near her opens noiselessly, and the king puts in his head. He peers round cautiously, sees that no one has perceived him, and that Mademoiselle de Haitefort is alone, then he creeps in and seats himself by her side. He looks saddened and perplexed. "Why do you shun me?" he asks, abruptly. "You have been absent, sire." "Did you miss me?" His voice sounds so strange and hollow that Mademoiselle de Hautefort looks up into his face. Something had happened; what could it be? Some misfortune to the queen is always her first thought. Before she can reply, Louis sighs profoundly, so profoundly that he almost groans, contemplating her, at the same time, with looks of inexpressible sorrow. "Alas! " exclaims he at last, "I had hoped so much from this interview when we parted at Fontainebleau; I have lived upon the thought, and now-my dream is ended; all is over!" The maid-of-honor grows alarmed; either he is gone mad, she thinks, or something dreadful has happened. "I cannot conceive what you mean, sire?" she replies, not knowing what to say. "Are you, too, false?" he continues, "with those eyes so full of truth? Yet it must be you, it can be no other. False like the rest; a devil with an angel's face!" The maid-of-honor is more and more amazed. "Yet I trusted you; with my whole heart I have trusted you," and he turns to her with a piteous expression, and wrings his hands. "I unfolded to you my forlorn and desolate condition. It might have touched you. Tell me," he continues, in a tone of anguish, "tell me the truth; was it you who betrayed me?" Mademoiselle de Hautefort is terribly confused. She understands now what the king means; a mortal terror seizes her: what shall she say to him? She is too conscientious to deny point-blank that she has told his secret, so she replies evasively, that she is "his majesty's faithful servant." "But, speak," insists the king, "give me a plain answer. How does the queen know a state secret, that I confided to you alone, that I even whispered in your ear?" "Sire, I-I do not know," falters the maid- of-honor. "Swear to me, mademoiselle, that you have not betrayed me to the queen; swear, and I will believe you. Pardieu! I will believe you even if it is not true!" Louis's eyes shine with hidden fire; his slight frame quivers. Mademoiselle de Hautefort, trembling for her mistress, with difficulty controls herself. "Your majesty must judge me as you please," she replies, struggling to speak with unconcern. "I call God to witness I have been faithful to my trust." "I would fain believe it," replies the king, watching her in painful suspense; he seems to wait for some further justification, but not another syllable passes her lips. Still the king lingers; his looks are riveted upon her. At this moment the music ceases. The maid-of-honor starts up, for the queen has left the balcony. The king had vanished. Anne of Austria, quitting those around her, advances alone to the spot where Mademoiselle de Hautefort had been talking with the king. "I am going at once to the Yal de Grace," she whispers, in great agitation. "Indeed, madame; so suddenly?" "Yes, at once. I have just heard from the Chevalier de Jars that Chalais is arrested at Nantes. He accuses me and the Duchesse de Chevreuse of conspiring with him. Richelieu meditates some coup de main against me. I shall be safe at the Val de GrAce. You and the duchess will accompany me. Here is a letter I have written in pencil to my brother; it is most important. I dare not carry it about me; take care to deliver it yourself to Laporte." The queen drew from her pocket a letter, placed it in the maid-of-honor's hand, and hastened back to rejoin the company. Mademoiselle was about to follow her, when Louis suddenly rose up before her, and barred her advance. "Mademoiselle de Hautefort," he said, "I have heard all. I was concealed behind that curtain. Give me that letter, written by my wife, I command you." "Never, sire, never! " and Mademoiselle de Hautefort crushed the letter in her hand. "How-dare you refuse me? Give it to me instantly!" and he tried to tear it from her grasp. She eluded him, retreated a few steps, and paused for a moment to think; then, as if a sudden inspiration had struck her, she opened the lace kerchief which covered her neck, thrust the letter into her bosom, and exclaimed: "Here it is, sire; come and take it I!" With outstretched arms she stood before him; her cheeks aglow with blushes, her bosom wildly heaving. Wistfully he regarded her for a moment, then thrust out his hand to seize the letter, plainly visible beneath the gauzy covering. One glance from her flashing eye, and the king, crimson to the temples, drew back; irresistibly impelled, he advanced again and once more retreated, then with a look of baffied fury shouted, "Now I know you are a traitress!" and rushed from the gallery. [To BE CONTINqU D.] A VISIT TO JOHN STUART MILL AT AVIGNON. IN September, 1869, I arrived at Avignon (France) from Barcelona, having ridden over the Pyrenees in the diligence. On the way we had met parties of soldiers returning from pursuit of Carlists, but had encountered no enemy except the custom-house officers on the frontier. Alighting at the station outside the walls, disregarding the appeals of stagedrivers and hackmen, and slinging my travelling-bag over my shoulder (leaving my baggage in charge of the station-master), I quickly reached the city. Shaking off at last the undesired attendance of a rough fellow who had followed me from the station with importunate offers of his services as guide, porter, or any thing else by which he could deplete the purse of one he seemed to consider his rightful prey, I proceeded to the counting-house of the bankers on whom I had a letter of credit. Having, under their advice, independent of the runners who infested the station, chosen an hotel, I gave the afternoon and evening to inspecting the Palace of the Popes, where from 1305 to 1378 the heads of the Church found refuge in a stormy and violent age. Well adapted indeed for such a use was Avignon. The pal 1873.] A4 VISIT TO JOfON STU7ART MILL A1T A VIGNfO.Y 785
A Visit to John Stuart Mill at Avignon [pp. 785-788]
Appletons' journal: a magazine of general literature. / Volume 9, Issue 221
1873.] A VISIT TO JOHN STUART iWILL AT A VIGNON 785 "Richelieu is a traitor, a hypocrite, a libertine-not even his sovereign's wife is sacred to him!" "Ah, madame, it is natural that you and Richelieu should disagree," retorted the king, with an incredulous sneer. ' He is a match for you and for the duchess your counsellor-the duchess whose life disgraces my court." Anne had now thrown herself into a chair, her hands were crossed on her bosom, her eyes bent steadily on the king, as if prepared for whatever fresh extravagance he might utter. Even the enraged Louis felt the influence of her fixed, stern gaze. He ceased speaking, grew suddenly confused, paced up and down hurriedly, stopped, essayed again to address her-then abruptly strode out of the room. The queen and her ladies are seated on a stone balcony that overlooks the parterre and the park of Saint-Germain. Below, the king's violins are playing some music of his composition, set to words in praise of friendship, full of covert allusions to Mademoiselle de Hautefort. The queen's fair young face is clouded with care; she leans back listlessly in her chair, and takes no heed of the music or of what is passing around her. The Chevalier de Jars approaches her. There is something in his air that alarms her; she signs to him to place himself beside her. Mademoiselle de Hautefort, conscious that every one is watching the effect of the music and the words upon her, sits apart at the farther end of the gallery, from which the balcony projects, almost concealed from view. A door near her opens noiselessly, and the king puts in his head. He peers round cautiously, sees that no one has perceived him, and that Mademoiselle de Haitefort is alone, then he creeps in and seats himself by her side. He looks saddened and perplexed. "Why do you shun me?" he asks, abruptly. "You have been absent, sire." "Did you miss me?" His voice sounds so strange and hollow that Mademoiselle de Hautefort looks up into his face. Something had happened; what could it be? Some misfortune to the queen is always her first thought. Before she can reply, Louis sighs profoundly, so profoundly that he almost groans, contemplating her, at the same time, with looks of inexpressible sorrow. "Alas! " exclaims he at last, "I had hoped so much from this interview when we parted at Fontainebleau; I have lived upon the thought, and now-my dream is ended; all is over!" The maid-of-honor grows alarmed; either he is gone mad, she thinks, or something dreadful has happened. "I cannot conceive what you mean, sire?" she replies, not knowing what to say. "Are you, too, false?" he continues, "with those eyes so full of truth? Yet it must be you, it can be no other. False like the rest; a devil with an angel's face!" The maid-of-honor is more and more amazed. "Yet I trusted you; with my whole heart I have trusted you," and he turns to her with a piteous expression, and wrings his hands. "I unfolded to you my forlorn and desolate condition. It might have touched you. Tell me," he continues, in a tone of anguish, "tell me the truth; was it you who betrayed me?" Mademoiselle de Hautefort is terribly confused. She understands now what the king means; a mortal terror seizes her: what shall she say to him? She is too conscientious to deny point-blank that she has told his secret, so she replies evasively, that she is "his majesty's faithful servant." "But, speak," insists the king, "give me a plain answer. How does the queen know a state secret, that I confided to you alone, that I even whispered in your ear?" "Sire, I-I do not know," falters the maid- of-honor. "Swear to me, mademoiselle, that you have not betrayed me to the queen; swear, and I will believe you. Pardieu! I will believe you even if it is not true!" Louis's eyes shine with hidden fire; his slight frame quivers. Mademoiselle de Hautefort, trembling for her mistress, with difficulty controls herself. "Your majesty must judge me as you please," she replies, struggling to speak with unconcern. "I call God to witness I have been faithful to my trust." "I would fain believe it," replies the king, watching her in painful suspense; he seems to wait for some further justification, but not another syllable passes her lips. Still the king lingers; his looks are riveted upon her. At this moment the music ceases. The maid-of-honor starts up, for the queen has left the balcony. The king had vanished. Anne of Austria, quitting those around her, advances alone to the spot where Mademoiselle de Hautefort had been talking with the king. "I am going at once to the Yal de Grace," she whispers, in great agitation. "Indeed, madame; so suddenly?" "Yes, at once. I have just heard from the Chevalier de Jars that Chalais is arrested at Nantes. He accuses me and the Duchesse de Chevreuse of conspiring with him. Richelieu meditates some coup de main against me. I shall be safe at the Val de GrAce. You and the duchess will accompany me. Here is a letter I have written in pencil to my brother; it is most important. I dare not carry it about me; take care to deliver it yourself to Laporte." The queen drew from her pocket a letter, placed it in the maid-of-honor's hand, and hastened back to rejoin the company. Mademoiselle was about to follow her, when Louis suddenly rose up before her, and barred her advance. "Mademoiselle de Hautefort," he said, "I have heard all. I was concealed behind that curtain. Give me that letter, written by my wife, I command you." "Never, sire, never! " and Mademoiselle de Hautefort crushed the letter in her hand. "How-dare you refuse me? Give it to me instantly!" and he tried to tear it from her grasp. She eluded him, retreated a few steps, and paused for a moment to think; then, as if a sudden inspiration had struck her, she opened the lace kerchief which covered her neck, thrust the letter into her bosom, and exclaimed: "Here it is, sire; come and take it I!" With outstretched arms she stood before him; her cheeks aglow with blushes, her bosom wildly heaving. Wistfully he regarded her for a moment, then thrust out his hand to seize the letter, plainly visible beneath the gauzy covering. One glance from her flashing eye, and the king, crimson to the temples, drew back; irresistibly impelled, he advanced again and once more retreated, then with a look of baffied fury shouted, "Now I know you are a traitress!" and rushed from the gallery. [To BE CONTINqU D.] A VISIT TO JOHN STUART MILL AT AVIGNON. IN September, 1869, I arrived at Avignon (France) from Barcelona, having ridden over the Pyrenees in the diligence. On the way we had met parties of soldiers returning from pursuit of Carlists, but had encountered no enemy except the custom-house officers on the frontier. Alighting at the station outside the walls, disregarding the appeals of stagedrivers and hackmen, and slinging my travelling-bag over my shoulder (leaving my baggage in charge of the station-master), I quickly reached the city. Shaking off at last the undesired attendance of a rough fellow who had followed me from the station with importunate offers of his services as guide, porter, or any thing else by which he could deplete the purse of one he seemed to consider his rightful prey, I proceeded to the counting-house of the bankers on whom I had a letter of credit. Having, under their advice, independent of the runners who infested the station, chosen an hotel, I gave the afternoon and evening to inspecting the Palace of the Popes, where from 1305 to 1378 the heads of the Church found refuge in a stormy and violent age. Well adapted indeed for such a use was Avignon. The pal 1873.] A4 VISIT TO JOfON STU7ART MILL A1T A VIGNfO.Y 785
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- A Visit to John Stuart Mill at Avignon [pp. 785-788]
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- Willcox, James K. H.
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"A Visit to John Stuart Mill at Avignon [pp. 785-788]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.1-09.221. University of Michigan Library Digital Collections. Accessed May 2, 2025.