Miscellany: Darwin on Expression in Man and Animals. The Tension in Dickens. "The Great Idea." The Angel. A Jewish Wedding in Algiers. The Cry for Protection. [pp. 733-736]

Appletons' journal: a magazine of general literature. / Volume 8, Issue 196

1872.] AlISUELLAWY. 735 My heart beat high, but when I marked the bierAike afpeanince of the table, aud that there was a recumbent figure beneath the drapery, I snatched away my hand, and shrieking out, "Oh, it is dead, the a~gel is dead!" fell down on the floor, and lost recollection for a moment from excessive fright. Presently I saw that Titus was standing by me, staring in alan~, and I sat up, shaking, and feeling very cold "I told you, Miss, that it wasn't alive nor it wasn't dead," he observed; "how should it be? Don't be afraid, come and look at it." I felt sick, and shut my eyes while he led me to it, and put back the drapery; then I ventured to open them, and, oh, unutterable disappointment! it was a wooden angel, and there were veins of oak upon her win~s "Now," said Titus, "what were you afraid on?" "This is not the sort of angel I meant," I answered, and added, "I meant an angel that `lad been in heaven." Titus, stupid as he was, looked at mc wfth astonishment on hearing this, and answered with reverential awe, "Miss, you must not talk in that fashion. That sort of angel doesn't fly down here." "Are you sure?" I inquired. "Why, of course I am," he answered, sincerely enough, though strangely. "If they came in snowy weather, they would get their ~ings froze." "I know they do come," I replied; "God sends them with messages; Mr. Mompesson told me He did." Titus, as I remember, did not clear up this mystery for me, but he answered: "This is an ernitetion angel. Father is making two for the new organ. The man that he borrowed it of made it." "Then had he seen an angel?" "No, sure." "How did he know, then, what angels were like?" That Titus could not tell. "Where did that man live?" "He lived at Norwich." This reply entirely satisfied me. Norwich I knew was a great way off. It might be a good deal nearer to heaven than was the place where I lived. I cannot say that I distinctly thought it was, but it was remote and utterly unknown. All things therefore were possible concerning it. I looked down on the angel's wings as it lay on the long, low table, and I believed that it was rightly carved, and that they knew all about angels at Norwich.-" O~ tke 8ke~~js," by Jean ii~e~ow. A JtWISff WET)DiY~ I~ AL~IBllS. Lady Herbeft in a recent English work entitled " Algeria in 1871," gives a description of a Jewish wedding which possesses features new, we imagine, to most of our readers: "We p~used in our sight-seeing to go with Madame de C- and her beautiful daughter to sea a Jewish weddi~g, for which she had kindly obtained us an invitation. We were received in an alcoved room, where a breakfast of sweetmeats, cakes, and sweet wines, was sat out, the bride and her parents being seated on a divan at one end, dressed in rich Jewish coatmue. After a short time, we were told to precede the young lady to the Moorish vaporbath, which is the next part ]of the ceremony. Such a marvellous scene as there met our eye I despair of reproducing on paper! About fifty yonug Jewish girls, from twelve to twenty years of age, whose only clothing was a scarf of gold or silver gauze round their loins, with their beautiful dark hair all down their backs, and their lovely whfte necks and arms, covered with necklaces and bracelets, were seen dimly standing in the water through a cloud of steam and incense, waiting for the bride, and when she appeared received liar with loud shrill cries of`Li! Li! Li!`in a continually - ascending scale. Among these0 girls were hideous negresses equally scantily clothed, and one or two of them with their black, woolly hair dyed bright orange-color: these were the bathing. women. They seized us by the arm and wanted to force us to undress too, which we stoutly resisted; and took refuge on the raised marble slab which surrounded the bath, and where the pretty little bride, with her mother and aunts, was standlug waiting to be unrobed too. They took off her heavy velvet clothes, and she appeared in a beautiful gold-figured gauze chemise and some lovely short red-and-gold drawers; they then led her, with the same cries, into an inner room, which was stifling with wet vapor and steam, and here the poor child, who was only thirteen, remained for three moftal hours, the women pouring water on liar head from picturesque-shaped gold jars, and every kind of cosmetic and sweet scent behig rubbed upon liar. Being unable to stand the intense heat and overpowering smell any longer, we escaped for a fime into the open air; but returned after about an hour to find another bride going through the same ceremonies. Some of the bridesmaids were very beautiful; one especially, though a Jewess, had regularly qo7den hair and blue eyes! And the whole scene was like a ballet at the opera, or rather a set of naids or water-nymphs in a picture; not like any thing in real life! Their glorious hair floating over their shoulders, with their beautiflilly-modelled arms rounded in graceful curves as they disported themselves round the bride, would have driven a sculptor or painter wild with delight! But I could not get over the indelicacy of the whole thing; it was a seesie in t~e nude with a vengeance! "At half-past three o'clock the following morning, we got up and went to the bride's house for the conclusion of the ceremony. A great crowd of men and musicians were grouped in the lower court. Above, the bride was sitting in state, in the deep recess of a handsome Moresque room, veiled in white gauze, while a red-and-gold figured scarf hung in graceful folds behind her head. On either side of her were two venerable-looking old men with long, white beards, and in front of her another holdilig a candelabrum with three candles. They were Rabbis, and chanted psalms alternately with songs of praise about`the dove with the beautiful eyes,' etc.; in fact, a sort of canticle. All this time the minstrels in the quadrangle below were`making a noise,' while over the carved gallery above, looking down upon them, leaned a variety of Jewish women, all beautifully dressed in brown velvet and satin, with stomacher and girdles richly brocaded in gold, and gold-embroidered lappets hanging from the black-silk head-dress which is the invariable costm~e of their race. This went on for ~ours, till the poor little bride looked quite worn out. From time to time spoonfuls of soup were put into her mouth, ~~~ich she strove to resist; and then she was conducted into ilse court below, where the same ceremonies were gone through, except that a species of buffoon danced before her, and was rewarded by ten-franc bits put into his mouth, which he kept in his cheek while drawlh~g out a queer kind of song, which we supposed was witty, as the audience were in fits of laughter. Every thing was done, both up-stairs and down, to make the bride laugh, even to chuck ing and pulling liar under the chin. But she remained impassive, it being part of her business to look grave, and to prove by her demureness that she was old enough to be married. All of a sudden, the same unearthly cry or yell of`Li! Li! Li!' was heard in the outside court, caught up instantly by every one in and out of the house. I thought of the words`Behold the bridegroom cometh!` so exactly were the old traditions preserved. A very ordinary-looking youth, in a frock-coat and red fez, accordingly, made his appearance, and then the women covered their faces with their gauze handkerchiefs, and the men, who never ceased eating and dnnkiu~ at intervals during the whole night, formed themselves into a procession; while the bride's father (a venerable-looking old Jew, with a long, white beard, white turban, and crimson sash) led her to the carriage which was to take her to the bridegroom's home, we all following, and the womens cry of`Li! Li! Li! Li!' resounding through the narrow streets." TIrE CEY ThE PEOThCTiOiV~ Edmond About has wntten a book on social economy, soon to be reprinted in this country, from which we quote a few characteristic passages: "The French do not hate being protected; they are a people of a monarchical temp erament. But they do not all interpret protection in the same way. "`Protect me!` says the agriculturist.`I have had a good grain-harvest; my neighbors, less fortunate, have barely doubled their seed. Before a month is over prices will rise, if the information in my newspaper be accurate. I hope to get thirty francs the hectolitre, and empty my granary under the best conditions in the world. I shall do this unless, throu~h culpable weakness, the door is opened to foreign grain! America threatens us, Egypt holds plenty suspended over our heads like the sword of Damocles; Odessa, infamous Odessa, thinks to glut us with her produce. Help! Let the door be shut! Or, if you permit the hoportstion of foreign grain, have the humanity to tax it heavily, in order that the cost of purchasing on the spot, the transport, and the import duty, should raise the price to thirty francs the beetolitre! If every thing goes on as I should wish, I count upon proceeding to Switzerland and bringing back four pairs of oxen.' `Protect me!' says the grazier.`Shut the door upon foreign cattle, if you wish me to earn a livelihood. We are promised a rise in the price of meat, and I count upon it; but the admission of Italian, Swiss, German, Belgian, and English cattle would create plenty for everybody and be my ruin. Protect me by prohibiting or by taxing all the products whid~ come into competition wfth me. Let grain enter; I do not grow any, and I like to buy bread cheaply. Permit the entry, free of duty, of the combustibles with which I ~~n1i myself, the glass out of whidi I drink, the furniture which I use, the stuffs with whidi I clothe myself, and all manufactured products in general. Oh, visible providence of citizens, arrange so that I shall not have any competitien to fear as producer, but that in what I consume I may enjoy all the benefits of competition!` `Protect me!` says 2308;1608;2327]the manufacturer. `Cause all the products which compete wit Ii mine to be seized at the frontier; or, if you suffer them to enter, load them with a duty which will render them unsalable. The interest of the country enjoins upon you to serve my personal interest. Do you not take pity upon the national industry doubly menaced by superior qualities and lower prices? My for

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Miscellany: Darwin on Expression in Man and Animals. The Tension in Dickens. "The Great Idea." The Angel. A Jewish Wedding in Algiers. The Cry for Protection. [pp. 733-736]
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Appletons' journal: a magazine of general literature. / Volume 8, Issue 196

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"Miscellany: Darwin on Expression in Man and Animals. The Tension in Dickens. "The Great Idea." The Angel. A Jewish Wedding in Algiers. The Cry for Protection. [pp. 733-736]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.1-08.196. University of Michigan Library Digital Collections. Accessed June 19, 2025.
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