Table-Talk: Mosquitos in England. Device in American Novels. An Odd Work. Birds. An Advertisement. Rural Dining-place. Charles Dickens, Jr. Supplementary Illustrations. [pp. 170-171]

Appletons' journal: a magazine of general literature. / Volume 4, Issue 71

1'7O APPLETONS' JO (JR NAL OF POPULAR [AUGUST 6,~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ TABLE-TALK. HOW is it, we have often wondered, that, in a moist climate like England, there should be no mosquitos? Almost everywhere in America this winged pest abounds-why not in England? or did it really exist there, we asked, but so much a matter of course, that literature took no note of it? But, last year, our surmises were partly solved by the consternation expressed by some of the English press, at the appearance of these creatures in one of the shipping districts, brought there, it was thought, by vessels from foreign shores. And now we find a correspondent of a London journal declaring that "we have millions of mosquitos in London." He says: "Last summer I paid a visit to this city, and took up my residence in one of the principal hotels. At night, to my astonishment, I found, by the well-known buzzing noise, that my old South American foe had taken possession of the apartment before me. I tried to dislodge the intruder, but all in vain, and night after night I was lanced in the most ruthless manner, and I was only too glad to beat a hasty retreat to our country quarters, where hitherto we have certainly enjoyed freedom from these tormentors. This season I returned to the metropolis full of hope that the last winter had been fatal to all the tribe. Alas! such is not the case. Mr. and Mrs. Mosquito have obtained a firm footing in this island, and have prospered amazingly; thanks to our railway companies, who have provided them with fine winter palaces, in the shape of glasscovered stations, and breeding grounds arranged in their large, open tanks filled with soft water, the surface of which is rarely disturbed, except by the insects themselves." The complainant then goes on to say that, "unless we are prepared to leave London entirely to them, the sooner we commence a war of extermination the better," and asks of the editor the best way to begin the warfare. We certainly hope the Londoners will carry on their "war of extermination" vigorously, and, if they succeed in ridding themselves of the pest, we shall be glad to be informed of the method. In the discussion that has taken place in these pages in regard to art in literature, we have not meant to complain of a lack of device in our American novels. Art and artifice are sometimes so confounded that it is difficult to clearly explain what is meant by art. The highest skill in this direction is probably only fully apparent to the close and intelligent student. Some writers have a literary style that is so simple, so easy, so fluent, so luminous, that only those who have struggled to imitate it can realize all its beauties and all its skill; to others, it, no doubt, often seems so obvious as to be a matter-ofcourse. And the nicest art in literary construction is of the same character. The singular skill with which Robertson weaves together the incidents of his comedies, the interest which he manages to infuse into the simplest materials and to surround the most ordinary story, can only be appreciated by those who have tried to follow him. Art in these things cannot be set down in rules. The successful touch a painter gives his pictures is known only to himself-known, however, only as a perception, not as a law. If he attempts to tell you why, he will probably mistake it. It is feeling, seeing, profoundly knowing, by some interior instinct-it cannot be translated into a formula. Art in all things is this; it has its laws, it is true, but it has also something deeper than written rules, and no one can attain art in his literary performances unless he studies to obtain this interior perception. It is somewhat singular that in painting we parallel our literary deficiency. While having many competent painters in landscape, we have none in history or genre; and this would seem to indicate that our national deficiency is in a lack of dramatic perceptions or sympathies. As we cannot write comedies, as we attain no skill in the novel, as we have no painters with notable skill in story-telling, is it not pretty conclusive that there is a peculiar constitutional deficiency in our national make-up, or is it all to be attributed to social causes? We have rarely been more amused than in reading Dr. Powell's "Natural History of the Human Temperaments," recently published in Cincinnati. Not that there is any thing comical in the doctor's theory of temperaments, which may, for aught we know, be a great discovery in science; but his illustrations, taken from living persons, mostly Western ladies and gentlemen, are given with a frankness so unusual as almost to take away one's breath. A certain Mr. and Mrs. King, for example, are mentioned, and their residence pointed out, who have had eleven children, several of whom have died. The eldest son died last spring of phthisis. The worthy couple, adds the author, "have another son, who will probably leave them in the same way, if he shall live long enough.... The judge, we think, may save one, and probably two, of his children-a small saving, at best, out of so many." Let us hope that things are not quite so bad as represented-that three children, for example, may be "saved." The woodcuts with which the text is illustrated would seem to indicate that the engraver's art has not yet reached perfection beyond the Alleghanies. "Figure sixty-two represents Miss Cockerell, whose constitution is that of her father. We must remark here that a wood-engraving cannot so favorably represent this lady as she deserves. We hope that some highly-vital gentleman will capture her. Now, Miss Cockerell, please to allow us to address a word or two to you privately. Do not give yourself to any gentleman who is not essentially vital in his constitution," etc. If the young lady in question, who appears to be really modest and quite good-looking, aespite the badness of the woodcut, will allow us to address a word or two to her privately, it will be to box the author's ears. - Whether birds are a benefit or an injury to crops remains an open question. From some sources we hear the assertion that birds destroy more insects than fruit or grain, and hence, instead of being enemies to the farmer, are his best benefactors. We are even assured that crows when killed will grain; and we listen to earnest appeals to farmers to spare their ancient enemy. Before doing so, it would be well for them to inquire whether the truth is ever accurately stated in this controversy. We are inclined to believe that the agriculturist maintains his best interest by seeking to establish a sort of balance between the birds and the insects. If encouraging unduly the multiplication of the former, the insects will soon disappear, and his feathered friends will have recourse to his cherry-trees and corn-field for their daily repasts. On the other hand, if he makes war upon the birds too ruthlessly, the insects will rapidly multiply, and ravage his crops. Sparrows were brought to New York to rid us of the inch-worm; the worm has vanished, and the birds must now have other means of subsistence. Our farmers, if they would cultivate their fields in peace, must, like wily politicians, seek to establish a balance of power between these two forces, taking care that neither becomes too powerful nor too feeble. "Servants" have long been obsolete, and even "helps" are now out of fashion. The current word is person,s. Moreover, one does not hire them, but inducements are held out to persuade them to become members of one's family. The following, which we cut from a recent newspaper, shows what we are coming to in these latter days: WANTED-A RELIABLE, INTELLI V GENT person to be one of the family. Must be fond of children, and to have the care of them; ages, four to ten. Also, to do sewinlg, and to take an interest generally. Best of reference required. Address "Banker." The amount of wages-we beg pardon. salary-is not mentioned. Probably the "person," being one of the family, would be allowed to call for whatever pocket money she wanted. As for duties, in old times they would have been those of child's nurse, seamstress, and maid-of-all-work. But these terms involve the idea of domestic service, an idea inadmissible in a free country. Hence, the reliable, intelligent Bridget is respectfully informed that she must be fond of children, and "to" have the care of them; also, "to" do sewing, and-whatever else she is told to do. This last requirement, however, is by no means expressed in such brutal words as we have chosen, but is wrapt up in a model euphemism, the polite phrase being "to take an interest generally." Is it not about time now for those Chinese to come along, of whose qualities as house-servants one. has heard so much? -We suggested, recently, the erection cf a luxuriously-fitted-up swimming-bath in midstream, as a plan certain to afford New Yorkers an agreeable summer recreation. We also pointed out the want of a suitable summer theatre. We are glad to see these suggestions attracting attention; and we note, also, in some of our contemporaries, other hints as to our summer needs. The World asks why we cannot have in New York an agreeable rural dining-place-something which answers to the Greenwich and Richmond of England? It suggests the erection of a often exhibit a crop full of insects instead of "prandial paradise" on Staten Island. "It I I 170 APP-LETO-YS I 10 U-RXAL 0-F P OP U-LA-R [A7uG-uST 6,

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Table-Talk: Mosquitos in England. Device in American Novels. An Odd Work. Birds. An Advertisement. Rural Dining-place. Charles Dickens, Jr. Supplementary Illustrations. [pp. 170-171]
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Appletons' journal: a magazine of general literature. / Volume 4, Issue 71

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