162APPLETONS' JO URNAL OF POPULAR [AUGUST 6, CHARLES DICKENS. D EATH is continually walking the rounds of a great city, and, sooner or later, stops at every man's door: yet, after all, the shortest life is long enough if it lead to a better, and the longest life is too short if it do not. The grim messenger could have paused at no man's door, even in mighty London, nor in all England, and beckoned silently away a man who would have been more missed, or who could have created a deeper void, than Charles Dickens. He lived to do good to his fellow-men and fellow-sinners, and he did it continually. There is nothing surer than the correctness of the assumption that all those "unco gude" ministers who assail Dickens as an ir religious man, are of the Chadband class which he has so keenly de picted: and the beauty of it is, that reverend editors of religious jour nals are admitting the fact, and accusing each other of having sat to the great painter for Pecksniff and Chadband. Like Disraeli's "stingless insult" of Professor Goldwin Smith, the portrait bites, and, what is more, the sting lives, and will live forever, in their persons. The London Times never said a truer word —(but truth is not com parative; it has no degrees; what is true, is true, and nothing else) than when it said: "There are minds of such jealous fibre, that the very merits of an author, his mightiest gifts and his most special talents, only serve as food on which to nourish their prejudices. Such are they who, while forced to admit the wit, humor, and power of Charles Dickens, always added,'but he was vulgar.' Yes, in one sense he was vulgar; he delighted in sketching the characters, not of dukes and duchesses, but of the poor and lowly. He had listened to their wants and sorrows, seen them in their alleys and garrets, had learned their accents and dialects by heart; and then, with a truth and liveliness all his own, he photographed them in his immortal works. In that sense alone seas Charles Dickens'vulgar.' He was of the people, and lived among them. His was not the close atmos phere of a saloon or of a forcing-house. In the open air of the streets and woods and fields, he lived and moved, and had his being; and so he came into closer union with common men, and caught, with an intuitive force and fulness of feature, every detail of their daily life." Even Sydney Smith, unpretending and sensible man as he was, with no crest to stamp his letters with but his thumb, I cannot help inferring had, at the commencement of Dickens's literary career, im bibed a prejudice against him, in consequence of this charge, in lofty circles, of "vulgarity." But it soon vanished; for he said, one day at dinner, at the great aristocratic Holland House, to Countess Grey: "I can hold out no longer. I give in to Dickens. His inexpressible genius has won me over." And he opened a correspondence with him afterward, inviting him to dinner, and cordially accepting his invitations in return, in his peculiar style, as thus: "I accept your obliging invitation conditionally. If I am invited by any man of greater genius than yourself, or one by whose works I have been more completely interested, I will repudiate you, and dine with the more splendid phenomenon of the two." When "Chuzzlewit" opened-and it must have appeared not long before the death of the pious and witty Prebend of Saint Paul's-he wrote to its author: "You have been so used to this sort of impertinences, that I believe you will excuse me for saying how very much I am pleased with the first number of your new work. Pecksniff and his daughters, and Pinch, are admirable-quite firstrate painting, such as no one but yourself could execute. P. S. Chuffey is admirable. I never read a finer piece of writing. It is deeply pathetic and affecting." So natural were his characters, so perfect his photbgraphs, taken in the clear sunlight of actual life, that it was contended by one of his jealous critics in Blackwood's Magazine, while "Chuzzlewit" was appearing in monthly numbers, that "Dickens, it was quite evident, had never any special plot in his mind in advance;" that his characters were but casual personages, forcibly described and artistically contrasted, perhaps, which he met with day after day, as he traversed the tumultuous streets and populous alleys of London; but that he had no preconceived disposition of these characters, no prepared drama, in which they were to perform a part. Now I have before me a letter from Mr. Dickens, written almost at the same time, probably, that this critic was eking out his manuscript "sheet" for old "Ebony," in which he says: "I am glad you are pleased with the opening of' Chuzzlewit.' I hope it may improve upon you as it goes on. I would especially commend to your partial attention a certain Tom Pinch and his sister, who will one day appear upon the scene." Now, to say nothing of the preeminent Chuzzlewit's father, uncle, and son, does anybody, can anybody suppose that Peck sniff was not at that time a foregone conclusion, or his precious daughters, or self-sacrificing Mrs. Gamp, "sickly " officiating, or "monthly "-ing for the little tender red new-comers into this breath ing world, "which blessed is the man as has his quiver full of sech," as she often said to Gamp toward the last quarter of their thirteen, "when dispukes aroge betwixt them on account of the expenge " does anybody, I say, now fancy that Dickens had not his plot of Chuzzlewit prepared beforehand, and all his characters and scenes engendered and placed? A forcible tribute to one of the great characteristics of Dickens is the uniform testimony of the London journals to his worldly wisdom, his business habits, his intense regard for perfect accuracy in detail. "Whatever he said should be done," says the Times, "those who knew him regarded as accomplished." Soon after his first return to England from this country, and while "Chuzzlewit" was in concoction, but as yet scarcely commenced, he ascertained that a certain book-keeper (who shall be nameless now stat aominis umbra), in a large banking establishment in Thread needle Street, London, under whose care a younger brother, as clerk, had been placed by the firm, had been discovered to be a forger and a thief to the amount of several thousands of pounds. He had been found out, arrested, prosecuted, tried, pronounced guilty, imprisoned; but sympathy for his family had secured his escape. He fled to America, arrived in New York; and the first act which he committed, after hastening to Wall Street, was to forge a draft upon the compa ny's London correspondents in Canada, and pocket the proceeds, with which he made a characteristic display. These facts were communicated to me by Mr. Dickens, in a care fully-worded letter, which he desired me to have published, as a ne cessary public precaution, in a New York daily journal. I sent it to the Tribune, as requested, and it duly appeared. Words cannot ex press the spasms of the accused, whom I met next day in Broadway. "You have not heard the last of this!" he said, with white lips: and he was right; I had not. The journal in which the "libel" had ap peared was left unmolested; but I was summoned to be and to appear, and then and there to answer to a charge of malicious libel. And now comes what I wish to say of Dickens's "shrewd comr mon-sense, his indefatigable industry, and knowledge of business de tail," of which his contemporaries speak. I wrote him that I had been sued for libel, inclosed him the printed copy of his letter to me, the legal document with which I had been served, etc.; informing him, also, that I had placed the matter in the hands of my friend David Graham, Jr., whom he knew as an eminent criminal lawyer, and who feared that a commission to London might be rendered ne cessary. Within two days after the receipt of this letter by Mr. Dickens, he forwarded to Mr. Graham, by steamer from Liverpool, documents alphabetically arranged, so complete, and in such perfect legal order, that, when the accomplished advocate had read them, he said: "Why, L- this is wonderful! Our friend is a profound lawyer! From -beginning to end, in consecutive demand, there is every thing made ready to hand for a perfect defence. Not a word need be said by me after producing these documents." Among them were the original entries, in the handwriting of the accused; the altered checks, from six pounds to sixty, from seven pounds to seventy, etc., with a copy of the counterfeits; copy of a note addressed by the forger to the senior of the firm, after his discovery, admitting his crime, craving forgiveness, and imparting the "gratifying fact" (which was a lie, of course), that the remorseful writer was on his way to commit suicide; an office-copy of the depositions taken before the magistrates at Croydon, miles away from London; their warrant for his committal to prison, etc., together with a long summing-up article firom the criminal department of the London Tiraes, copied by Dickens in a handwriting as clear, and almost as fine, as the original type. "I may have sent you," he wrote Mr. Graham, "more facts than you want; but I desire to make the case irrcfragably legal and strong The unprecedented, audacious fellow should be promptly dealt with and stayed in his villanous career. If he had availed himself of the opportunity for reformation which his flitting to America might have given him, I should never have molested him, or breathed a word of
Charles Dickens [pp. 162-163]
Appletons' journal: a magazine of general literature. / Volume 4, Issue 71
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"Charles Dickens [pp. 162-163]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acw8433.1-04.071. University of Michigan Library Digital Collections. Accessed June 21, 2025.