The Man Who Laughs, Book XI [pp. 361-367]

Appletons' journal: a magazine of general literature. / Volume 1, Issue 12

362APPLETONS' JO URNAL OF POPULAR [JUNE 19, of' being. a cat, and of fondling. One of her eyes was blue; the other was black. Gwynplaine, like Ursus, looked attentively at this woman. The Green-Box was something of a phantasmagoria, Chaos Conquered was more a charm than a play, and they had been wont to produce upon the public the effect of a vision. On this occasion the, effect of a vision was produced in turn upon them; the house gave back the surprise to the stage, and it was their time to be startled. They experienced the ricochet of fascination. The woman looked at them, and they looked at her. To them, in the distance where they were, and in that luminous mist which constitutes the adumbration of a theatre, details were not distinguishable, and it was like an illusion. It was a woman beyond a doubt; but was it not also a phantom? This burst of light upon their darkness bewildered them. It was like the appearance of a strange planet. She had come from the realm of the blest. Her radiancy heightened the effect of her person. She had around her the scintillations of the night, like a Milky Way. Those jewels resembled the stars. That diamond agrafe was perhaps a Pleiad. The glorious modelling of her bosom was supernatural. Seeing this starry creature, one experienced the thrilling sensation of being momentarily about to enter the celestial regions. It was from the recesses of a paradise, that this face of imperturbable repose had leaned down upon the shabby Green-Box and its wretched patrons. Curiosity of the highest rank, which satisfied itself, and gave food for the curiosity of the rabble. The lofty suffered the low to look at it. Ursus, Gwynplaine, Vinos, Fibi, the crowd-all felt the power of this dazzlement, save Dea, ignorant of it in her darkness. There was, in this presence, something of the apparition; but none of the ideas which the word ordinarily suggests were realized in this figure; she had nothing transparent, nothing indefinite, nothing floating, nothing vaporous; it was a fresh and ruddy apparition, in sound health. Nevertheless, under the optical conditions in which Ursus and Gwynplaine were placed, it was like a vision. Those gross phantoms, that we call vampires, do exist. The pretty queen, who herself is a vision to the multitude, and who eats up thirty millions a year, at the expense of her poor subjects, has just such health as this. Behind the woman, in shadow, might be seen her attendant lad, el mdzo, a little babyish man, fair and pretty, with a serious expression. A very young and very surly groom was the fashion of the period. The boy was dressed from top to toe in flame-colored velvet, and wore a skull-cap trimmed with gold lace, with a tuft of tailor-bird feathers, a mark of aristocratic servitude, indicating the valet of a very great lady. The lackey is a part of the lord, and it was impossible not to remark, in the shadow of this woman, this train-bearing page. The mind often makes notes without our knowledge; and, though Gwynplaine was not aware of it, the round cheeks, the grave look, the gold-laced cap, and the tuft of tailor-bird feathers of this lady's boy, left some impression on him. Beyond this, the groom did nothing to cause himself to be observed. To attract attention is to forfeit respect; and he remained standing and passive at the end of the box, as far withdrawn as the closed door would admit. Although the manikin trainbearer was there, the woman was none the less alone in the compartment, seeing that a valet does not count. Powerful as had been the sensation created by this person, who produced the effect of a grand personage, the closing scene of Chaos Conquered was more powerful still. The effect was, as usual, irresistible. There had been in the hall, perhaps by reason of this radiant looker-on-since sometimes the spectator enhances the spectacle-an excess of electric excitement. The contagion of Gwynplaine's laugh was more triumphant than ever. The whole audience went into fits in an indescribable epilepsy of exhilaration, wherein you might distinguish the leading, ringing laugh of Tom-Jim-Jack. Only the young stranger, who looked on the spectacle with the immobility of a statue and the eyes of a phantom, did not laugh. A spectre, but a solar light. The exhibition over, the panel put up, the privacy of the interior of the Green-Box reestablished, Ursus opened and emptied on the supper-table the bag of twopenny pieces, among which rolled out suddenly an ounce of Spanish gold. - From her! cried Ursus. This ounce of gold in the midst of the verdigrised pennies was, in effect, this woman in the midst of the people. -She has paid a doubloon for her place! repeated Ursus, enthusiastically. At this moment the innkeeper entered the Green-Box, passed his arm through the window-frame, opened in the wall against which the Green-Box leaned a sliding pane, of which we have spoken, which afforded a sight of the fair-ground, and which was at the same height as the window, and made a sign to UIrsus to look out. A carriage, set off with plumed lackeys bearing torches, and drawn by a magnificent team, was moving off at a fast trot. Ursus respectfully took the doubloon between his thumb and forefinger, showed it to Nicless, and said: - She is a goddess. Then his eyes fell on the carriage just turning the corner of the ground, and on its top, where the torches of the valets lighted up a coronet of gold with eight fleurons, and he cried out: - She is more. She is a duchess. The carriage disappeared. The sound of the wheels died away. Ursus remained for some minutes in an ecstatic state, elevating the doubloon between his two fingers, converted into a monstrance, such as they use for the elevation of the host. Then he laid it on the table, and looking at it began to speak of "the lady." The innkeeper made reply. It was a duchess. Yes. They knew her title. But her name? This they did not know. Master Nicless had seen close at hand her carriage all emblazoned, and her lackeys all gold-laced. The coachman wore a wig that would make you think him the lord-chancellor. The carriage was of that unfrequent pattern known in Spain as the cochetumbon, a splendid variety, with a top like a tomb, which was a famous support for a coronet. The boy-valet was a sample of humanity so small, that he could seat himself on the step of the carriage outside the door. They employ these pretty little fellows to carry the ladies' trains; they also carry their messages. And did you remark the boy's tuft of tailorbird feathers? Here's grandeur. Whoever wears these tailorbird feathers, without the right, pays a heavy fine. Master Nicless had also seen the lady, quite close at hand. A sort of queen. So much do riches lend to beauty. The skin is whiter, the eye more flashing, the bearing more noble, the beauty more insolent. Nothing can equal the impertinent elegance of hands that do not work. Master Nicless recounted this magnificence of the fair skin with the blue veins, that neck, those shoulders, those arms, that rouge everywhere, those pearldrops, that head-dress of powdered gold, that profusion of precious stones, those rubies, those diamonds. — Less brilliant than the eyes, muttered Ursus. Gwynplaine was silent. Dea listened. - And do you know, said the innkeeper, what is most astonishing? - What? demanded Ursus. — It is that I saw her get into her carriage. - What of that? -She did not get in alone. APPLETO2NS' TO UTRNAL OF POPUtLAR 362 [JUNE 19,

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Title
The Man Who Laughs, Book XI [pp. 361-367]
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Hugo, Victor
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Appletons' journal: a magazine of general literature. / Volume 1, Issue 12

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