Men and Women of the Eighteenth Century [pp. 63-77]

The Southern quarterly review. / Volume 6, Issue 11

76 ~I,en and Women of tlte Figitteentlt Century. [July, sades, had brought these shells to France from Syria. It took a naturalist like Buffon to mistake this joke for serious. At first he got angry, and then afterwards acknowl~dged that lie was wrong Ia so doing. This little quarrel was soon settled; each of the two opponents settled it in his peculiar way: Voltaire by a stroke`I do not wish to remain at sword's point with M. de Buffon for a cockleshell;' and Bnffon by an elegant phrase,`It may he thought, as I think myself, that I have not treated ~I. de Voltaire with sufficient seriousness. I acknowledge that it would have been better not to liave uttered this opinion at all, than to have uttered it with a joke. I declare so much for M. de Voltaire, myself, and posterity.' This interchange of courtesies did not stop here. Bnffi~n presented Voltaire with a copy of his works; Voltaire wrote him a letter of thanks, in which lie spoke of Archimedes the first, as the predecessor of Buffon. Buffon, in reply, remarked that a second Voltaire would never be spoken of." It would not do to pass over Wattean; he, perhaps, is the truest representative of the age among its painters. "~Vhat a beautiful romance could be made out of a landscape of Wattean The romance is, however, ready made; there is but one page; all that is needed for the romance of happiness. Mark those ever-verdant trees, on which the sun throws all its brilliancy; advance under their shadow, where are scattered the most beautifl~l of women and most ardent of lovers. Listen: it is an intoxicating concert: the breeze shakes the roses and violets the fountain spreads its crystals on the moss in so beautiful a place the dove flaps her wings in passing; the turtle-dove coos near by. Listen yet here those rosy lips are singing of love; the charming mouth promises happiness! Do you hear, farther of'; those gentle words, that kiss taken ere granted Do you perceive tlie eloquent silence? The grass is fresh and covered with flowers; come forward again, to admire the ornaments of these beautiful ladies they have none other than their smile and their glance! Find me a diamond as sparkling as that eye, a rose as fresh as that smiling mouth They are covered with nothing, as if from the love of God! An indiscreet bodice, where a hand is somet?mes placing a bouquet, a rumpled pettico~, a scarf which plays in the wind and plays with love; more frequenfly a domino, satin slippers, and a fan, that is all, but quite enough, I ian~v. It, however, often happens that this dress is doffed for a bath in the river. What capriuous naiads! We have then no other veil than the waves, the foliage, the evening mist, the atmosl~here. The landscape is alwaya a master-piece. A statue stands near the old elm tree, art amid nature. The vapoury distances attract, the brilliancy of the foreground dazzles you I regret,

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Men and Women of the Eighteenth Century [pp. 63-77]
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The Southern quarterly review. / Volume 6, Issue 11

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