Beyond the Hills [pp. 135]

The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 4, Issue 2

BEYOND THE HILLS. It was at nightfall, and I was at my grandmother's in the valley. The dusk was fast wrapping the hills and settling down over the June fields. A golden glow lingered in the west, and shone through the tree-tops. All sounds repeated themselves with startling distinctness. In the silence, some bovine from beyond the hills set up his deep roar, and in a minute the shadowy, slumbering valley was alive with it. Beginning with a deep, heavy thunder, the voice gradually rose higher, swelling out in long, lingering cadences, curiously half pathetic in character, then vanishing in a perspective of sound, until they almost died away,-again rising still higher, and repeating themselves in breathless succession, weirdly among the hills. I remember that my grandmother was much impressed also, and readily fell in with my idea of the immense distance the sound proceeded from. Her casual remark that the animal might be three or four miles away made a powerful impression on me, and my imagination started at once on a journey over the rough hillroad to the wvest, through lonely woods, past green meadows, by farm-houses and barns, and through the long, long covered bridge, which I well remembered, and which was a wonder of architecture to me. I do not know how long this mu sical entertainment lasted, but it was of the rarest sort, and my literal appreciation of the distance connected with it fixed it indelibly in my memoe ry. The peculiarly beautiful song of the wood-thrushl is well known to lovers of birds and country scenes. This thriush is of shy, secluded habit, seldom singing in open fields. On my way home through the pastures with the cows one Summer evening, I probably made my first acquaintance with this rare singer. Hurrying down a steep slope edging deep woods, where the shadows were already getting b)lack, a strain of such wild sweetness broke upon my ear as I had never heard. It was the very soul of simple pathos filling the twilight woods. It seemed almost like a human voice, clear, mlellow, penetrating, exquisitely delicate in quality. I well remember the ecstasy of emotion it stirred in me. I forgot my errand, letting the cows loiter as they would, and stopped to listen. I was ignorant of the name of the bird, and it was not until many years after that I learned to associate that wildwood song with the thrush. Some noise in the woods must have startled the singer, for suddenly as it had broken out, the divine melody came to an end, and my heart fairly ached with the passion of regret I felt. JENNY BURR. BEYOND THE HILLS. EYOND the hills where suns go down And brightly beckon as they go, I see the land of fair renown, The land which I so soon shall know. Above the dissonance of time, And discord of its angry words, I hear the everlasting chime, The music of unjarring chords. I bid it welcome; and my haste To join it can not brook delay. O song of morning, come at last! And ye who sing it, come away! O song of light and dawni and bliss, Sound over earth and fill these skies! Nor ever, ever, ever cease Thy soul-entrancing melodies! Glad song of this disburdclened earth, Which holy voices then shall sing; Praise for creation's second birth, And glory to creation's King! H. BONAR. i876.] I35


BEYOND THE HILLS. It was at nightfall, and I was at my grandmother's in the valley. The dusk was fast wrapping the hills and settling down over the June fields. A golden glow lingered in the west, and shone through the tree-tops. All sounds repeated themselves with startling distinctness. In the silence, some bovine from beyond the hills set up his deep roar, and in a minute the shadowy, slumbering valley was alive with it. Beginning with a deep, heavy thunder, the voice gradually rose higher, swelling out in long, lingering cadences, curiously half pathetic in character, then vanishing in a perspective of sound, until they almost died away,-again rising still higher, and repeating themselves in breathless succession, weirdly among the hills. I remember that my grandmother was much impressed also, and readily fell in with my idea of the immense distance the sound proceeded from. Her casual remark that the animal might be three or four miles away made a powerful impression on me, and my imagination started at once on a journey over the rough hillroad to the wvest, through lonely woods, past green meadows, by farm-houses and barns, and through the long, long covered bridge, which I well remembered, and which was a wonder of architecture to me. I do not know how long this mu sical entertainment lasted, but it was of the rarest sort, and my literal appreciation of the distance connected with it fixed it indelibly in my memoe ry. The peculiarly beautiful song of the wood-thrushl is well known to lovers of birds and country scenes. This thriush is of shy, secluded habit, seldom singing in open fields. On my way home through the pastures with the cows one Summer evening, I probably made my first acquaintance with this rare singer. Hurrying down a steep slope edging deep woods, where the shadows were already getting b)lack, a strain of such wild sweetness broke upon my ear as I had never heard. It was the very soul of simple pathos filling the twilight woods. It seemed almost like a human voice, clear, mlellow, penetrating, exquisitely delicate in quality. I well remember the ecstasy of emotion it stirred in me. I forgot my errand, letting the cows loiter as they would, and stopped to listen. I was ignorant of the name of the bird, and it was not until many years after that I learned to associate that wildwood song with the thrush. Some noise in the woods must have startled the singer, for suddenly as it had broken out, the divine melody came to an end, and my heart fairly ached with the passion of regret I felt. JENNY BURR. BEYOND THE HILLS. EYOND the hills where suns go down And brightly beckon as they go, I see the land of fair renown, The land which I so soon shall know. Above the dissonance of time, And discord of its angry words, I hear the everlasting chime, The music of unjarring chords. I bid it welcome; and my haste To join it can not brook delay. O song of morning, come at last! And ye who sing it, come away! O song of light and dawni and bliss, Sound over earth and fill these skies! Nor ever, ever, ever cease Thy soul-entrancing melodies! Glad song of this disburdclened earth, Which holy voices then shall sing; Praise for creation's second birth, And glory to creation's King! H. BONAR. i876.] I35

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Beyond the Hills [pp. 135]
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Bonar, H.
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The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 4, Issue 2

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