THE LADIES' RI?EPOSITOR Y. woman when her sad life has been revealet[ to us, and so have forgiven the authors faults. Surely few human lives that have ever found a biographer are fuller of pathos than that of Charlotte Bront6. When a great modern preacher,* after telling of the " men and women waiting in the miarket-places in all sorts of ways, watching for the coming of the master to set them to work," casts about him for an illustration, he can find none more fitting than this " shrinking, timid, near-sighted woman, among the Yorkshire hills, saying to herself, WVhat shall I do?" He has spoken of the "weary, patient eyes," "the hungry look," "the tingle and beat in nerve and brain," "the eager wistfulness and readiness in the faces of the waiters," and in none of those he selects as typical of this weary, expectant waiting, do we find all the signs meet as in her. "It has been a long sore trial to wait and watch as she has done. In her life-time she has known not a few of her own age who have already solved that problem; some are wedded and happy in their honmes; others have found their true places, as teachers, writers, or artists, and are already crowned with honor. This woman has had great sorrows and sore losses, and her day is wearing on into the afternoon; still she has heard no voice bidding her go work in the vineyard. There is a letter written to Wordsworth t while she stands there in the market-place waiting for the master, that is, in my opinion, the most pathetic cry ever heard in our life-time.'Sir,' she says,'I earnestly entreat you to read and judge what I have sent you. From the day of my birth to this day I have lived in seclusion here among the hills, where I could neither know what I was nor what I could do. I have read, for the reason that I have eaten bread, because it was a real craving of nature, and have written on the same principle. But now *Robert Collier, of Chicago, in "The Life That Now Is." t Was not the letter addressed to Southey? I have arrived at an age when I must do something. The powers I possess must be used to a certain end, and, as I do not know them myself, I must ask others what they are worth; there is no one here to tell me if they are worthy; and if they are worthless, there is none to tell me that. I beseech you to help me.' What she sends to Wordsworth then is poor; she has written many volumes, all poor; has waited in the market-place and done no work; but at last the master walking there, sees her wistful face turned toward him, and says,'Go into my vineyard.' Then she bends over some small folded sheets of coarse paper till her face almost touches them, and in one book she storms the heart of England and America, and in the one hour that was left her she won her penny.'" Following this strange life, we forget to ask the value of the "penny" she won. We see the crotchety father, who, from principle, feeds his children exclusively on potatoes; who, horrified at what seems to him the sinfulness of worldly conformity burns "the pretty red shoes of the baby," and cuts his wife's silk dresses to pieces; we follow the little motherless group at their strangely precocious occupations, grow so indignant at the account of the Cowan Bridge School that we can almost forgive any exaggeration in the caricature to which she afterwards subjects it under the title of Lowood Institution; we grieve for the survivors after Maria's happy release; strive in vain to fathom the character of the enigmatical Emily; but our feelings rise to something akin to horror when the only brother, the talented and idolized Branwell, shows himself as an incarnate fienld. We no longer wonder at the strange knowledge of evil which Jane Eyre reveals when we hear of the infamous confessions which Branwell pours into his sister's ears,-confessions which the biographer but hints at, but which reappear in Charlotte's writings in all their prurient details. Vre find that the foul blasphemies they hear, are supposed by these girls, living a life of isolation, unused to the world's ways, I I18 [August,
Moral Influence of Charlotte Bronte's Writings [pp. 113-119]
The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 4, Issue 2
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- George Tabou, King of the Friendly Islands - Edward Barras - pp. 97-100
- Books in the Olden Time - Ella Rodman Church - pp. 101-104
- Consecration - Theodore Monod - pp. 104
- From Caen to Rotterdam, Chapter V - From the French of Madame De Witt (nee Guizot), Mrs. E. S. Martin (trans.) - pp. 105-113
- Moral Influence of Charlotte Bronte's Writings - Mrs. V. C. Phœbus - pp. 113-119
- The News Which Came to Asher's - Mary Hartwell - pp. 120-126
- A Sketch of Philosophy - Emma G. Wilbur - pp. 126-132
- Sounds of my Childhood - Jenny Burr - pp. 133-135
- Beyond the Hills - H. Bonar - pp. 135
- Soul Possibilities - Rev. W. K. Marshall - pp. 136-137
- Ancient Mosaics in the Churches of Rome - Sig. Sophia Bompiani - pp. 137-144
- A Song of "Drachenfels" - Mrs. Flora B. Harris - pp. 144-145
- Old and New Mackinaw - Mrs. E. S. Martin - pp. 146-151
- Princeton and Philadelphia in 1761 - pp. 151-156
- Only Hannah, Chapter I - Mrs. H. C. Gardner - pp. 156-162
- Lines to a Robin - pp. 162
- The Nameless Grave - Sadie Beatty - pp. 163
- Green Lake, Colorado - Rev. R. Weiser - pp. 164-165
- Old Aunt Clara - Mrs. Meriba B. Kelly - pp. 165-168
- The Secret of Unworldliness - pp. 168
- Our Foreign Department - pp. 169-171
- Women's Record at Home - pp. 172-173
- Note, Query, Anecdote, and Incident - pp. 174-175
- Sideboard for the Young - pp. 176-177
- Contemporary Literature - pp. 178-179
- Editor's Table - pp. 180-192
- Miscellaneous Back Matter - pp. 1b-2b
- John L. Smith, D. D. (Engraving) - pp. 191
- Among the Alleghanies (Engraving) - pp. 192
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- Moral Influence of Charlotte Bronte's Writings [pp. 113-119]
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"Moral Influence of Charlotte Bronte's Writings [pp. 113-119]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acg2248.3-04.002. University of Michigan Library Digital Collections. Accessed June 22, 2025.