Solitude [pp. 358]

The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 1, Issue 4

THE LADIES' REPOSITORY. ent to my mind. But these altars were to "unknown gods," or lacked the sacrifice. They are square stone structures, large enough to contain the statues or pictures, and kneeling-boards for two or four persons. But more frequently the kneeling-boards are outside-but always a kneeling-board —the face of the stone structure, shut off half-way up by wooden or iron lattice. Some have the crucifix over the altar, but most Maria, as she is at Mariazell. In one was a large family of Marys, all the way from a foot tall, to no larger than the little finger. In another, to the right of the crucifix, Peter stood, with the cock roosting at his elbow. But most of the stone structures are solid, and have only recesses on the outside for statues or pictures. Many shrines are red boxes, nailed to pine-trees, full of cheap pictures and artificials. Some are squares in the tree trunk itself, containing images and odds and ends, covered by glass, and the trunk stuck full of little pine crosses. Tapers are kept burning before many of these all night. The knees of Christ are always represented as bleeding, and are black with the kisses of the people. Toward Bruck, from Mariazell, on a green mound, were three crosses and two standing female figures, of wood, painted. The thieves were in a most un comfortable position. Five shrines led up to these, all supplied with kneelingboards. Further on was a great shrine with two kneeling-boards, thirty feet long each, and very slight accommodations at that, for a procession. At Wegscheid, where we spent our last night before taking post to Bruck, our sleeping-room was not only, as is usual, supplied with a crucifix, but also a kneeling-board, cushioned. When we went down for supper, all the household were chanting prayers before a Mary in the eating-room. Just as at Mariazell, all the faithful gathered at night round a ghastly Christ on the wall, and in loud, monotonous tones, made their repetitions. It does not seem to be so hard a matter to hold prayers here, in a public-house, as in America. The next day, at noon, down off of the mountains, through snow standing six feet high, while the peasants carried sun umbrellas, we had the pleasure of taking dinner at the quaint little dorf Aflenz; and, as a kind of dessert, walked in the church-yard and entered the bone-chamber, two-thirds full of human bones, piled in regular order, in ricks, destined to be used in making sugar, the ultimatum of all common human bones, in this part of the world. SUE M. D. FRY. SOLITUDE. EAR, solitary groves, where peace doth dwell, Sweet harbors of pure love and innocence, How willingly could I forever stay Beneath the shade of your embracing greens! Listening the harmony of warbling birds, Tuned with the gentle murmur of the streams; Upon whose bank, in various livery, The fragrant offspring of the early year, Their heads, like graceful swans, bent proudly down, See their own beauties in the crystal flood. 358 [April,


THE LADIES' REPOSITORY. ent to my mind. But these altars were to "unknown gods," or lacked the sacrifice. They are square stone structures, large enough to contain the statues or pictures, and kneeling-boards for two or four persons. But more frequently the kneeling-boards are outside-but always a kneeling-board —the face of the stone structure, shut off half-way up by wooden or iron lattice. Some have the crucifix over the altar, but most Maria, as she is at Mariazell. In one was a large family of Marys, all the way from a foot tall, to no larger than the little finger. In another, to the right of the crucifix, Peter stood, with the cock roosting at his elbow. But most of the stone structures are solid, and have only recesses on the outside for statues or pictures. Many shrines are red boxes, nailed to pine-trees, full of cheap pictures and artificials. Some are squares in the tree trunk itself, containing images and odds and ends, covered by glass, and the trunk stuck full of little pine crosses. Tapers are kept burning before many of these all night. The knees of Christ are always represented as bleeding, and are black with the kisses of the people. Toward Bruck, from Mariazell, on a green mound, were three crosses and two standing female figures, of wood, painted. The thieves were in a most un comfortable position. Five shrines led up to these, all supplied with kneelingboards. Further on was a great shrine with two kneeling-boards, thirty feet long each, and very slight accommodations at that, for a procession. At Wegscheid, where we spent our last night before taking post to Bruck, our sleeping-room was not only, as is usual, supplied with a crucifix, but also a kneeling-board, cushioned. When we went down for supper, all the household were chanting prayers before a Mary in the eating-room. Just as at Mariazell, all the faithful gathered at night round a ghastly Christ on the wall, and in loud, monotonous tones, made their repetitions. It does not seem to be so hard a matter to hold prayers here, in a public-house, as in America. The next day, at noon, down off of the mountains, through snow standing six feet high, while the peasants carried sun umbrellas, we had the pleasure of taking dinner at the quaint little dorf Aflenz; and, as a kind of dessert, walked in the church-yard and entered the bone-chamber, two-thirds full of human bones, piled in regular order, in ricks, destined to be used in making sugar, the ultimatum of all common human bones, in this part of the world. SUE M. D. FRY. SOLITUDE. EAR, solitary groves, where peace doth dwell, Sweet harbors of pure love and innocence, How willingly could I forever stay Beneath the shade of your embracing greens! Listening the harmony of warbling birds, Tuned with the gentle murmur of the streams; Upon whose bank, in various livery, The fragrant offspring of the early year, Their heads, like graceful swans, bent proudly down, See their own beauties in the crystal flood. 358 [April,

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Solitude [pp. 358]
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The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 1, Issue 4

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