THE LADIES' REPOSITORY. books is evident at a glance. One little volume before us has thirty pieces chorused after this fash ion, and, in another, fifty tunes out of a hundred and twenty are peppered with this puerile musical con ceit. Bradbury, and several other writers of popular melodies, have written airs that are singable; though, like the words set to these melodies, the best of them savor of a sweetness that is at once luscious and ephemeral. Listening to them over and over is like suckinig a stick of candy-a process of which even the candy-loving child soon tires. Satiety is soonest found in sweets, and satiety is next-door neighbor to disgust. Some of these popular songs do a sort of service for the child-minid of the Church; but their excessive and indiscriminate use can not but be hurtful. Their use should certainly be limited to the earliest period of childhood-to the period when Mother Goose's tales are taken for veritable history, and should be entirely supplanted and replaced by real music by the time that the child begins to question the truthfulness of the "Arabian Nights" and "RobisonII Crusoe." The Church is no l)lace for musical display-it is no place for musical puerilities. Right here is one 9f the points at which the Churclh and the modern Sunday-school diverge. Thlere is a style of music that is instinctively felt to be fit for the worship) of God in the sanctuary. Most of the Sunday-schlool music is not of this character. Children trained to love the flash music of the Stunday-schlool room find the solemn songs of the sanctuary insufferal)ly dull. The musical gap is wide between the Su(nday-school and the sanctuary, and there is nothing to bridge it. Thousands of youtls brought up on Sunday-school songs pause onl the hither side, and find the songs of the saloons and minstrelshows more nearly akin to their taste and education than the songs of Christian worship. In this day there is no excuse for treating Sunday-scholars to musical slops and draff. Music is rapidly becoming a branch of common-school, high-school, and collegiate education. Every house has its piano or melodeon, every church its organ, every village its musical association and military band. The books furnished for the use of common and high schools are in striking contrast with those furnished to the same scholars in their Sunday training. The poetry and musical airs adopted by the schools are selected from the best masters of the twin lyres; the sentiment is healthful, the musical notation classic. There is no use in grading downwardleaving the master originators for third-rate and fifthl-rate imitators. Set a high standard, and educate youth up to it. The weird slave-music of the South was useftil in its day-the only thing possible for those who made it, and found comfort for their tribulation in its grotesque strains; but it is passing away. Those who made and used it have heard somethiing better, and are already ashamed of it; and it is passing into oblivion. The strains that dlelighted our youth, except as memories, delight no more-the tras',y Is transient, the solid endures. The object of all education, of highest Christian culture, is to lead the soul in qtuest of that which is highest, purest, best. The world's greatest poets have been Christian poets; the world's greatest musicians have reveled in Christian strains. The highest harmonies of earth are but a faint reflection of those of heaven. "OUR BABY."-" This is our baby," said Will R. as he presented his first-born, a bouncing boy, sport ing a brace of pink cheeks, an alabaster forehead, soft blue eyes, dimpled hands, chubby feet, and fo)ur months' acquaintance with fussy nurses, four months' fight with morning ablutions, and four months' im prisonmelit in swathings that fetter the free play of the limbs, and fit to smother an Egyptian mummy! All babies are dressed in this absurd way, and \Vill's baby was no exception to the general style. "Our baby!" "Whose baby?" "Father's pride and mothler's joy, Yours alone this darling boy?" "No, indeed! lie is our baby." A wide partnership claims ownership in this little bundle of cambric and flannel, smiles and tears! No single member of the firm pretends to say, "This is may baby! " Papa does not say it; mamma can not say it. When they look at it with their souls gushing out of their eyes, and baptizing the little new-found treasure all over with streams of parental love, their lips quiver with the phrase, "Our baby!" Grandpa and grandma feel their right of ownershlip and call the little laughing pet, "Our baby." Great-grandma goes a gossi)ing among the neighbors about "Our baby." Uncle Fred treats his bachelor friends to stories about the wonderful feats and cunning ways of" our baby." Uncles and aunts on the mother's side call this little rosebud, opening in their family midst, "Our baby." We also, in virtue of a dozen years' intimacy with the l)arents, feel it to be our right to call this little wonder, "Our baby." And who does not claim the same right? The Spartans held that children were not the property of their parents alone; they were the property of the State. They are, indeed, the property of the State, and the property of the Church as well. In eachl new-born child the State sees a new citizen, the Church a new member, promoter, and defender. Fond parents say, "Our baby;" society says, "Our baby;" God and heaven and angels say, "Our bably;" the whole universe claims proprietorship in "our baby." Even death has a lien on "our baby," and earth, from which these mortal beauties were borrowed, may assert her maternal rights to pillow "our baby's" head on her soft lap, or to lay its fluttering pulses to rest in her still, calm bosom! In the agony of bereavement the young mother bends over the waxen form of her first-born, laid away by the deathangel to sleep its everlasting sleep, shrieking, "My baby! my baby!" The echo comes softly back fr'om all the sweet sympathizing voices of God's wide universe, "My baby! my baby!" Earth echoes, "My baby!" Heaven echoes, "My baby!" and the many "my's" make up the single "our." Not yours, O sorrowing father; not yours, O shrieking mother! but "ours." "Ours," say all the forces of nature, all the denizens of heaven. Lent to earth for a 76 I I
Editor's Table [pp. 75-80]
The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 14, Issue 1
-
Scan #1
Page R001 - Title Page
-
Scan #2
Page R002
-
Scan #3
Page R003 - Comprehensive Index
-
Scan #4
Page R004 - Special Index
-
Scan #5
Page R005
-
Scan #6
Page R006
-
Scan #7
Page R007
-
Scan #8
Page R008
-
Scan #9
Page R009
-
Scan #10
Page R010
-
Scan #11
Page 1
-
Scan #12
Page 2
-
Scan #13
Page 3
-
Scan #14
Page 4
-
Scan #15
Page 5
-
Scan #16
Page 6
-
Scan #17
Page 7
-
Scan #18
Page 8
-
Scan #19
Page 9
-
Scan #20
Page 10
-
Scan #21
Page 11
-
Scan #22
Page 12
-
Scan #23
Page 13
-
Scan #24
Page 14
-
Scan #25
Page 15
-
Scan #26
Page 16
-
Scan #27
Page 17
-
Scan #28
Page 18
-
Scan #29
Page 19
-
Scan #30
Page 20
-
Scan #31
Page 21
-
Scan #32
Page 22
-
Scan #33
Page 23
-
Scan #34
Page 24
-
Scan #35
Page 25
-
Scan #36
Page 26
-
Scan #37
Page 27
-
Scan #38
Page 28
-
Scan #39
Page 29
-
Scan #40
Page 30
-
Scan #41
Page 31
-
Scan #42
Page 32
-
Scan #43
Page 33
-
Scan #44
Page 34
-
Scan #45
Page 35
-
Scan #46
Page 36
-
Scan #47
Page 37
-
Scan #48
Page 38
-
Scan #49
Page 39
-
Scan #50
Page 40
-
Scan #51
Page 41
-
Scan #52
Page 42
-
Scan #53
Page 43
-
Scan #54
Page 44
-
Scan #55
Page 45
-
Scan #56
Page 46
-
Scan #57
Page 47
-
Scan #58
Page 48
-
Scan #59
Page 49
-
Scan #60
Page 50
-
Scan #61
Page 51
-
Scan #62
Page 52
-
Scan #63
Page 53
-
Scan #64
Page 54
-
Scan #65
Page 55
-
Scan #66
Page 56
-
Scan #67
Page 57
-
Scan #68
Page 58
-
Scan #69
Page 59
-
Scan #70
Page 60
-
Scan #71
Page 61
-
Scan #72
Page 62
-
Scan #73
Page 63
-
Scan #74
Page 64
-
Scan #75
Page 65
-
Scan #76
Page 66
-
Scan #77
Page 67
-
Scan #78
Page 68
-
Scan #79
Page 69
-
Scan #80
Page 70
-
Scan #81
Page 71
-
Scan #82
Page 72
-
Scan #83
Page 73
-
Scan #84
Page 74
-
Scan #85
Page 75
-
Scan #86
Page 76
-
Scan #87
Page 77
-
Scan #88
Page 78
-
Scan #89
Page 79
-
Scan #90
Page 80
-
Scan #91
Page 80A
-
Scan #92
Page 80B
-
Scan #93
Page 80C
-
Scan #94
Page 80D
- Index - pp. iii-iv
- Engravings - pp. v-x
- Augusta Clark Cole - R. M. Hatfield, D. D. - pp. 1-5
- The Future Life - William Cullen Bryant - pp. 5
- The Black Tulip - Mrs. E. S. Martin - pp. 6-10
- The Rights of Woman - Rev. W. H. Withrow - pp. 10-13
- The Bible in the Light of Oriental Usages - Mrs. Fannie Roper Feudge - pp. 14-17
- Decision - Fred. Myron Colby - pp. 17-19
- The Last Independent Prince of Wales - Elizabeth Heywood - pp. 19-21
- Pleasant Pathways Round the World - Mrs. J. P. Newman - pp. 21-23
- The Model Woman - Mrs. O. W. Scott - pp. 24-27
- The Soldiers of the Church Militant - Professor William Wells - pp. 27-32
- The Wren - George S. Burleigh - pp. 32
- Shavings From the Capital - Charles T. Murray - pp. 33-35
- The Iphigenia of Euripides - Pamela Helen Goodwin - pp. 35-40
- Cremation - Rev. William H. Haskell - pp. 40-42
- Love - Mrs. Chauncey Hobart - pp. 42-44
- Life Viewed from Four Standpoints - Luther Lee, D. D. - pp. 44-49
- The Bird of the Air - pp. 49
- Ingraban - H. Edward Krehbiel - pp. 49-54
- Celestial Memories - Editor - pp. 55-58
- A Little Bird I Am - Madame Guyon - pp. 58
- Our Foreign Department - pp. 59-61
- Art Notes - pp. 61-63
- Current History - pp. 63-65
- Scientific - pp. 66-68
- Note, Query, Anecdote, and Incident - pp. 68-69
- Sideboard for the Young - pp. 70-71
- Contemporary Literature - pp. 72-75
- Editor's Table - pp. 75-80
Actions
About this Item
- Title
- Editor's Table [pp. 75-80]
- Canvas
- Page 76
- Serial
- The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 14, Issue 1
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/acg2248.2-14.001
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/acg2248.2-14.001/86:31
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:acg2248.2-14.001
Cite this Item
- Full citation
-
"Editor's Table [pp. 75-80]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acg2248.2-14.001. University of Michigan Library Digital Collections. Accessed June 14, 2025.