RAE ARBUTHNOT. humors and racy fancies that sometimes came tripping and laughing from her pen in delicious morsels of literature. I do n't think that Amy had ever thlought seriously of a man twice in her bus-, cheery life. I could never picture to myself how she would seem with a betrothal ring on her finger, and with her lips trembling under the "purple, perfect state" of that third kiss of Nlwhich iMrs. Browning speaks. We all knew that Dora looked at her future through the purple halo of an amethyst ring, and we often accused her of a particular partiality for ametlhystine tints in her pretty paintings. But Rae, dear, patient, womanly Rae! what hope there lurked for her in the years to come we none of us dared to guess. Of course, you understand from this that she suffered in some iway', but how or whiy the blow had fallen upon her we did not really know. My only clew to her story was a remark made by Cycle Lennox to her one evening as they paused in the moonlight on the veranda. I was waiting for Paul in my favorite place by the window, and I did not know they were near until he exclaimed, lifting her white face tip to the moon, "'0, Rae, I wonder how far down the future I must look before I see -our dear face comning up between the years to meet me again and bless my life!" I did not hear her answer, but he exclaimed again, "It maddens me to leave you so, to know that you love me and suffer for it! I wIish you had not loved me, Rae, poor child!" And then she stood apart firom him, white and still, like a breathing statue, only when she spoke her voice had the passion of a sufferingi soul in it: "Leave that to me, Cycle. I do not regret it; I glory in it! I want you to remember that I take this pain and loss on myself willingly, and until the burden is lifted I will never see your face again. The dear Lord bless you and help you for always, my king!" And then she had put up her hand and just touched his forehead, and had gone in and upstairs, and while I sat bewildered Cyde went down the steps and on through the shrubbery to the street, and next day Paul told us that he had gone from town. Well, that was years ago, and we had never seen him again nor heard of him, and somehow it had come to seem like a dream to me, save when I looked at Rae's patient mouth and mournful eyes. And so we had lived down to that rainy twilight in the parlor at La Retraite, where I began my story. "His face I ne'er shall see, And naught is left to me But bitter weeping, My lone watch keeping!" sang Rae, and all at once the clear, pure voice quavered and broke on the last word, and down dropped the stately head, hiding the quivering face upon her slender hands. I started to go to hler, and Amy roused herself suddenly and opened wide her great violet eyes, while Dora parted the curtains and came out from her nest with, "What is it, Rae, dear?" But Rae swept swiftly from the room, only saying softly, under her breath, "Don't mind, please; this weather makes me dreary." "Poor Rae!" we all said softly, and again, "Poor Rae!" and then, as if with an impulse to banish the chill that had fallen upon her, Dora went to the piano and sang with a tender pathos that was infinitely touching a little song of my own which she had taklen a fancy to, and which I sang sometimes of an evening for Paul's pleasure: Love, I am waiting for you, Here in the moonlight, that falleth so stilly On velvety pansy, and white-throated lily, And heliotrope, heavy with dew; Here in the shelter of vines trailing lowly, Here through the scented hours passing so slowly, Under the sky's fretted blue, Love, I am waiting for you. Love, I am longing for you! When will you come with your tender caresses, tlushling my heart with your passionate kisses? Come to me, tender and true! Come as my liege lord, I'm waiting to own you, Come as my king, for I wait to enthrone you! Kingly, and tender, and true, Love, I am longing for you! Just then Paul came up the steps, and I slipped into the hall to meet him. As he stooped to kiss me, sprinkling my face with a shower of raindrops firom his beard, I sawv behind him a str-anger, who watched our little home scene with an amused smile. "I see that you do not recognize me, IMrs. WVard," he said, coming forward with extended hand. "'Cyde Lennox, is n't it?" I asked, recalling the splendid voice and frank dark eyes. "I am very glad to welcome you to La Retraite after so many years." "Yes, it is a many years since I was here," he answered, a little sadly I fanciedcl, and then we all went into the parlor together, and Amy and Dora welcomed him warmly, for they had been true friends in the old days. I left them talking, and went to find Rae. She was sitting in the dark, her head bowed on her hands, her whole form drooping wearily. "Rae, darling, will you come down to the parlor? for Paul has come, and has brought a friend with him." "Is it Cyde Lennox, Ruth?" she asked me 445 I
Rae Arbuthnot [pp. 444-448]
The Ladies' repository: a monthly periodical, devoted to literature, arts, and religion. / Volume 8, Issue 6
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- The Eternity of Our Affections (from the French of Madame Gasparin) - Mrs. E. S. Martin - pp. 401-405
- Phillip de Commynes - W. P. Morras - pp. 405-411
- Up James' Peak - Mary L. Clough - pp. 411-414
- The Sin of Being Over Fifty - Meta Lander - pp. 414-415
- "By Their Fruits ye shall Know Them" - Mrs. J. E. M'Conaughy - pp. 415-416
- The Minstrel of the Sky - pp. 417-418
- The Two Worlds - pp. 418
- Beauty and Duty - Helen J. Wolfe - pp. 418
- Friction is Always Rhythmic - Sarah Hackett Stevenson - pp. 419-421
- The Giant Cities of Bashan - D. W. Freshfield - pp. 421-427
- A Wedding Outfit - Emily F. Wheeler - pp. 427-430
- Infusorial Animals - pp. 430-433
- A Little Resolution - Emer Birdsey - pp. 433-438
- Their Christmas - Luella Clark - pp. 438-439
- The Fabrication of Silk - pp. 440-444
- Rae Arbuthnot - Avanelle L. Holmes - pp. 444-448
- The Column of Trajan - pp. 448-449
- Luke Hitchcock, D. D. - pp. 449-451
- Oriental Literature, Part II - Rev. J. S. Van Cleve, A. B. - pp. 451-454
- The Rest of Faith - Mrs. Jennie F. Willing - pp. 454-457
- The Cypress Swamp - Augusta V. Hinckley - pp. 457-458
- Time - George D. Prentice - pp. 458
- Popping Corn - Adelaide Stout - pp. 458
- Modern Necromancy - Christian Treasury - pp. 459-462
- The Gates of Gold - Flora L. Best - pp. 462
- The Children's Repository—The Magic Nut-Cracker - Miss T. Taylor - pp. 463-465
- The Children's Repository—The Story of Jessie - pp. 465-466
- The Children's Repository—Company Manners - pp. 466
- Gatherings of the Month - pp. 467-468
- Contemporary Literature - pp. 469-470
- Editor's Table - pp. 471-472
- Miscellaneous Back Matter - pp. 473-482
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"Rae Arbuthnot [pp. 444-448]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acg2248.2-08.006. University of Michigan Library Digital Collections. Accessed June 24, 2025.