English Poetry in the Eighteenth Century [pp. 30-50]

The Princeton review. / Volume 2, 1881

ENGLISH POET7Y IN THEEIGHTEENTH CLNT'URY. 31 to cultivate all the graces of style which are in keeping with these qualities. The name that stands out conspicuous as the leader in this movement is that of Dryden, and Pope only carried on in the eighteenth century what Dryden had begun during the last decades of the seventeenth. Dryden was forty-three years old when Milton died; yet in thought and feeling there is a gap between these two poets as of two centuries. The violent enthusiasms which had stirred the souls of Milton and his compeers had all burnt themselves out long before Dryden died. The enthusiasm of religion and of republicanism, which during Milton's prime had animated a large portion of the people, entirely disappeared with the Restoration. The stern heroism and self-sacrifice which these had kindled gave place to an age of dissolute manners and reckless self-indulgence, which are only too faithfully reflected in the literature of the time. The pendulum of human nature, which had been strained too far towards severity, had gone full swing in the opposite direction. It was a century and more before England recovered that glow of religious zeal which had been extinguished by the Restoration. By the beginning of the eighteenth century and the reign of Queen Anne (A.D. I702 — I714), the enthusiasm of patriotism and the enthusiasm of liberty had gone the same way as the enthusiasm of religion. These three enthusiasms all stood like extinct volcanoes, dreaded no longer, but jeered at as puritanism and fanaticism. In politics, the absolutism which had been triumphant during the reigns of Charles II. and James II., and which is reflected in the works of Dryden, disappeared in I688, the year in which Pope was born. That year fixed for the first time the system of parliamentary government as we know it. The will of the nation as expressed through Parliament became supreme. and the kingly power as confined within the limitations which Par liament imposed. The throne was now, according to the Whig idea, founded not on divine right, but on a parliamentary title. The right of the nation to depose a monarch who violated the constitution was asserted. This, which is the essence of Whiggery, was the regime which began with Pope's birth and kept growing in strength throughout his whole life, notwithstanding the violent struggles of the Jacobites to upset it. But when

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English Poetry in the Eighteenth Century [pp. 30-50]
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Shairp, Principal John C., University of St. Andrews
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Page 31
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The Princeton review. / Volume 2, 1881

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