Preaching and Preachers [pp. 454-483]

The Princeton review. / Volume 26, Issue 3

Preaching and Preachers. tion, he speaks with a solemnity and an unction, which explain to us the admiration felt for him by Boileau and other Jansenists. The manner in which Bourdaloue pronounced his discourses must have had a power of incantation to which even their greatness as compositions gives us no key. It was his remarkable custom to deliver his sermons with his eyes closed; and he is so represented in his portrait. On coming from the provinces, to preach in the Jesuit Chapel at Paris, he was at once followed by crowds of the highest distinction; and his popularity increased to the very close. For thirty-four years he was equally admired by the court, by men of letters, and by the people. To the Christian visitor in Paris, there is something solemn in the church of St. Paul and St. Louis, to approach the tablet with the simple inscription, IIc JACET BOURDALOUE. Bossuet was a greater man, but not a greater preacher, than his eloquent contemporary. The reputation derived from his vast learning, his controversial ability, his knowledge of affairs and his strength of will, we very naturally transfer to his preaching, which was nevertheless of consummate excellence. As an author, especially as a master of style, he surpasses them all, if indeed he does not surpass all who ever wrote in French. The power of that somewhat intractable language was never more fully brought out than by Bossuet, to whom the crown of eloquence is therefore given by Voltaire. He was the orator for courts, and we suppose no prince in ancient or modern times, ever had a nobler panegyrist. To learn his argumentative eloquence, we must look to his other works; but in his celebrated Funeral Orations, we have unequalled examples of sublime and original conceptions, arrayed in a diction majestically simple and yet triumphantly splendid. The term which characterizes the discourses of Bossuet, is magnificence. We believe it to be admitted by French critics, that his style is as faultless as that of any writer in any tongue. There are those who consider Massillon the greatest of French preachers; and the award is just, if we confine our regards to simple elegance of style, traits of nature, strokes of pathos, perfect contexture of the entire performance, and irresistible command of assemblies, and in elocution. Being thirty 1854.1 479

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Preaching and Preachers [pp. 454-483]
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The Princeton review. / Volume 26, Issue 3

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