German Hymnology [pp. 574-602]

The Princeton review. / Volume 22, Issue 4

German liymnology. eral and popular use of lively gospel hymns in England does not date mnuch further back, than the labours of Watts and Doddridge, and the great revival of religious feeling under Hervey, Whitefield and the Wesleys: and it is remarkable how large a portion of the hymns now current among ourselves is derived from these very collections. In the Anglican Church, which best represented the English mind, the prevalent psalmody was first that of Sternhold and Hopkins, and then that of Tate and Brady. There are thousands of Presbyterian worshippers who to this very day content themselves with the rough, bald and scarcely metrical prose of Rous; and some, though their number is happily decreasing, who think it a sin against God to use any praises in his worship which contain the name of Jesus. How greatly in contrast with this has been the state of things in Germany, we have sufficiently shown, Long before the Reformation, German Christians possessed a store of spiritual songs, partly from the Latin hymns of the Breviary, and partly the product of original pious feeling; since that time, we have attempted to trace the progress. We have seen in Luther himself a prince among Christian poets; and none can tell how much the great religious movement of the sixteenth century owed to those strains of his, of which one might say, as did Sir Philip Sydney, concerning Chevy Chace, that they "stir up the soul like the sound of a trumpet." There has been no time for three hundred years, in which German Christians have not been praising God in the words of original hymns. These have passed from mouth to mouth, and from father to son, and being connected with the freshness and dearest experiences of a most vital Christianity, as yet untainted by rationalism, have become part and parcel of the national inheritance. In this respect, they possess all the traits and influence of the English or the Spanish ballad. Indeed they bear a close resemblance to those popular and soul-stirring compositions, in vigour of thought, simplicity of structure, and homely raciness of diction.* * In addition to the works named at the head of the article, and others noted in the margin, there are two to which our debt is so great that we cannot omit their titles; viz. ffagenbach'#' Kirchengeschichte des 18 u. 19, Jahrh, and.it's 4 Christlicher Cultus.' [OCTOBF,R 602

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German Hymnology [pp. 574-602]
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The Princeton review. / Volume 22, Issue 4

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"German Hymnology [pp. 574-602]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf4325.1-22.004. University of Michigan Library Digital Collections. Accessed June 24, 2025.
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