Editor's Table. "The Hireling and the Slave" is a composition which will hold a permanent place in the country's literature and continue to call for the reader's admiration long after the truths it so gracefully embodies have been recognized by all the world, and this, because the work is no feeble imitation of English models, but a genuine offshoot of the soil of the palmetto and the cotton plant. Though the form of the versification is old and familiar, the imagery and thought are original and glow with the light and warmth of the Carolina sun. The following extract, presenting an outline of the industrial life of the slave, is as remarkable for its beauty as its fidelity And now, with sturdy hand and cheerful heart, He learns to master every useful art, T'o forge the axe, to mould the rugged share, The ship's brave keel for angry waves prepare; The rising wall obeys his plastic will, And the loom's fabric owns his ready skill. Where once the Indian's keen unerring aim With shafts of feed transfixed the forest game, Where painted warriors late in ambush stood, And midnight war-whoops shook the trembling wood, The negro wins, with well-directed toil, Its various treasures from the virgin soil; Swept by his axe the forests pass away, The dense swamp opens to the light of day; The deep morass of weeds and fetid mud, Now dry, now covered by the rising flood, Its squares arranged by lines of bank and drain, Smniles with rich harvests of the golden grain, That, wrought from ooze by nature's curious art, To pearly whiteness, cheers the negro's heart, Smokes on the master's board in goodly show, A mimnic pyramid of seeming snow, And borne by commerce to each distant shore, Supplies the world with one enjoyment more. On upland slopes, with jungle lately spread, The lordly maize uplifts its tasselled head; Broad, graceful leaves of waving green appear, And shining threads adorn the swelling earThe matchless ear, whose mnilky stores impart A feast that mocks the daintiest powers of art To every taste; whose riper bounty yields A grateful feast amid a thousand fields, And sent, on miercy's errand, from the slave, To starving hirelings, saves them from the grave. In broader limits by the loftier maize, The silk-like cotton all its wealth displays; T'hrough forked leaves, in endless rows unfold Gay blossoms tinged with purple dyes and gold; To suns autumnal bursting pods disclose Their fleeces, spotless as descending snows 'l'hese, a rice freight, a thousand ships receive, A thousand looms with fairy fingers weave; And hireling multitudes in other lands Are blessed with raiment from the negro's hands. Nor these alone they give, their useful toil Lures the rich cane to its adopted soilThe luscious cane, whose genial sweets diffuse More social joys than Hybla's honeyed dews Without whose help no civic feast is made, No bridle cake delights-without whose aid China's enchanting cup itself appears To lose its virtue, and no longer cheers; Arabia's fragrant berry idly wastes Its pure aroma on untutored tastes; Limes of delicious scent and golden rind Their pungent treasures unregarded find; Ices refiresh the languid belle no more, Anrid their lost coInfits infant worlds deplore. The weed's soft influence, too, his hands pre pare, That soothes the beggar's grief, the monarch's care, Cheers the lone scholar at his midnight work, Subdues alike the Russian and the Turk, The Saint beguiles, the heart of toil revives, Ennuti itself of half its gloomi deprives; In fragrant clouds involves the learned and great, In golden boxes helps the toils of state, And, with strange magic and mysterioss charm, Hunger can stay, and bores and duns disarm. These precious products, in successive years, Trained by a master's skill, the negro rears; New life he gives to Europe's busy marts, To all the world new comforts and newv arts Loom, spinner, merchant, from his hands de rive Their wealth, and mnyriads by his labor thrive While slothful millions, hopeless of relief, The slaves of pagan priest and brutal chief, Harassed by wars upon their native shore, Still lead the savage life they led before. Instructed thus, and in the only school Barbarians ever know-a master's rule, The negro learns each civilizing art That softens and subdues the savage heart, Assumes the tone of those with whom he lives, Acquires the habit that refinement gives, And slowly learns, but surely, while a slave, The lessons that his country never gave. The following versified letter details the White Sulphur and Sweet experiences of a young friend, fromn whom we extorted a promise, before his departure to the Springs, that he would correspond regularly with the S. L. M. during the season. Now that October has come and everybody 308 LOCTOBER
Editor's Table [pp. 306-314]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 23, Issue 4
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- The Duty of Southern Authors - W. R. A. - pp. 241-247
- Grey Bayard: An Ancient Story - James Barron Hope - pp. 247-248
- The Authorship of "My Life Is Like the Summer Rose" - J. Wood Davinson - pp. 249-253
- Leaves from a Portfolio in the Old Dominion - pp. 254-256
- Sonnet: To One Who Will Recognize Her Own Words - Henry Timrod - pp. 256
- Lilias, Chapters XI-XV - Lawrence Neville - pp. 257-269
- Les Beaux Yeux - pp. 269
- A Memory of Childhood - pp. 270-275
- A Birthday Offering: To M. B. W. - W. T. W. - pp. 275
- William and Mary College - pp. 276-281
- Biography - pp. 282-288
- Little Nell - Amie - pp. 289-290
- Sydney Smith's Spiritual Character - pp. 291-304
- Two Small Poems - Thomas Bailey Aldrich - pp. 305-306
- Editor's Table - John Reuben Thompson - pp. 306-314
- Notices of New Works - John Reuben Thompson - pp. 314-320
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- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 23, Issue 4
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"Editor's Table [pp. 306-314]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0023.004. University of Michigan Library Digital Collections. Accessed June 24, 2025.