Devil's Gap. and beloved, and deep and bitter the muttered curses upon his destroyer, as the mutilated remains of Harry Duval were borne slowly toward the village by some of these rough, warm-hearted men, whilst those remaining separated into parties of two or three, and anxiously explored every nook and recess of the surrounding thicket. The day was far advanced when they returned, weary and depressed in spirit, to their homes. Long and diligently had they searched, but not a single trace of the murderer was to be found: not a circumstance had come to light which might lead to his identification, save that it was evident the deceased had met his death by a dastardly stroke from thee rear; his skull being fractured by repeated blows, and that the instrument with which the wound had been inflicted, a heavy knotted club, with the victim's blood still fresh upon it, had been found lineament. With hands clasped upon her beating heart, Blanche gazed upon his terror stricken face. "What is it? You bring me news of Harry,-is he sick! in danger? Speak man!-for the love of hteaven, tell me he is safe." But ere the name of her beloved could pass his trembling lips, she had read it in his face. It had come. Her dark forebodings were changed to worse reality; and si lently she sank, crushed beneath the weight of her overpowering grief, —un conscious in the arms of her attendant. Rapidly spedo the fearful news from mouth to mouth throughout the village; and in a shorter time than it occupies to relate, a dense group of every age and sex was assembled upon the roadside, near the centre of the village, from whose excited tones and gestures it was evident the atrocious crime just brought to light formed the topic of discussion. Conspicuous amidst the crowd towered the spare form of Ernest Moreton, in whose animated voice and wilder gestures the most intense excitement was apparent, as his vehement denunciation of the murderer rose above the general execration. Assenting to the proposition that they should at once proceed to the scene of the calamity, he joined a body of men, who, separating themselves from the increasing throng, moved rapidly forward, in the direction of the "Devil's Gap." Ere they had reached the fatal spot, Ernest, with a hasty suggestion that the murderer might still be lurking in the neighborhood, proposed that they should search the surrounding woods; and without awaiting their assent, he struck rapidly off from the road, and was lost to view in the depths of the forest beyond. The greater number of his companions, however, animated by the fearful curiosity a spectacle of horror so frequently excites in the uncultivated mind, held their o nward course and in a few moments stood upon the scene of the murder. Many were the-tears shed in tribute to the manaly virtues of him so well known near by. It was apparent, too, that he who did the deed, to procure this formidable weapon, had been obliged partly to wrench it from a stout sapling, close by the roadside, having in the attempt to cut it, broken his knife, ere it was severed from the stalk, where a fragment of the blade was found still fixed in the hard unyielding wood. Naught beside this trifling fact appeared which might lead to the detection of the criminal. Well might he deem himself secure. No living eye had seen-no tongue was there to tell who did the deed. But the all-seeing Providence was witness of the crime, in whose inscrutable ways, trifles the lightest, most unimportant, become the instruments of its unwavering justice. The almost unremitting syncope of Blanche, from the first moment she guessed the fatal truth, yielded at length only to the wild delirium of fe,er. Nothing of import could be gathered from her incoherent ravings, relative to the visit of her lover the preceding day, 1856.] 231 pedlar stood before her, breathless with baste, and with horror depicted in every X. 4.
Devil's Gap [pp. 225-233]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 22, Issue 3
-
Scan #1
Page 161
-
Scan #2
Page 162
-
Scan #3
Page 163
-
Scan #4
Page 164
-
Scan #5
Page 165
-
Scan #6
Page 166
-
Scan #7
Page 167
-
Scan #8
Page 168
-
Scan #9
Page 169
-
Scan #10
Page 170
-
Scan #11
Page 171
-
Scan #12
Page 172
-
Scan #13
Page 173
-
Scan #14
Page 174
-
Scan #15
Page 175
-
Scan #16
Page 176
-
Scan #17
Page 177
-
Scan #18
Page 178
-
Scan #19
Page 179
-
Scan #20
Page 180
-
Scan #21
Page 181
-
Scan #22
Page 182
-
Scan #23
Page 183
-
Scan #24
Page 184
-
Scan #25
Page 185
-
Scan #26
Page 186
-
Scan #27
Page 187
-
Scan #28
Page 188
-
Scan #29
Page 189
-
Scan #30
Page 190
-
Scan #31
Page 191
-
Scan #32
Page 192
-
Scan #33
Page 193
-
Scan #34
Page 194
-
Scan #35
Page 195
-
Scan #36
Page 196
-
Scan #37
Page 197
-
Scan #38
Page 198
-
Scan #39
Page 199
-
Scan #40
Page 200
-
Scan #41
Page 201
-
Scan #42
Page 202
-
Scan #43
Page 203
-
Scan #44
Page 204
-
Scan #45
Page 205
-
Scan #46
Page 206
-
Scan #47
Page 207
-
Scan #48
Page 208
-
Scan #49
Page 209
-
Scan #50
Page 210
-
Scan #51
Page 211
-
Scan #52
Page 212
-
Scan #53
Page 213
-
Scan #54
Page 214
-
Scan #55
Page 215
-
Scan #56
Page 216
-
Scan #57
Page 217
-
Scan #58
Page 218
-
Scan #59
Page 219
-
Scan #60
Page 220
-
Scan #61
Page 221
-
Scan #62
Page 222
-
Scan #63
Page 223
-
Scan #64
Page 224
-
Scan #65
Page 225
-
Scan #66
Page 226
-
Scan #67
Page 227
-
Scan #68
Page 228
-
Scan #69
Page 229
-
Scan #70
Page 230
-
Scan #71
Page 231
-
Scan #72
Page 232
-
Scan #73
Page 233
-
Scan #74
Page 234
-
Scan #75
Page 235
-
Scan #76
Page 236
-
Scan #77
Page 237
-
Scan #78
Page 238
-
Scan #79
Page 239
-
Scan #80
Page 240
- Mr. Bancroft at King's Mountain - pp. 161-165
- The Falls of Kanawha - Thomas Dunn English - pp. 166-167
- English Dictionaries, with Remarks upon the English Language - A. Roane - pp. 168-173
- I'm Alone - pp. 173
- The Kanawha Mountains - H. R. - pp. 174-178
- The Deaf and Dumb, and the Blind - John Collins McCabe - pp. 179
- Moral Tendency of Goethe's Writings - Thomas B. Holcombe - pp. 180-188
- Sonnet (written on one of the Blue Ridge Range of mountains) - Paul Hamilton Hayne - pp. 188
- The Pursuit of Truth, Part II - S. - pp. 189-198
- Sonnet - pp. 198
- The Philosophy of Dress - William Nelson Pendleton - pp. 199-211
- Forest Music - William Gilmore Simms - pp. 211-213
- Eudora Unhooped - pp. 214-220
- My Friend - Mary E. Nealy - pp. 221-222
- Winter Scenery - Cecilia - pp. 222-224
- Want - Edward Robert Bulwer Lytton - pp. 224
- Devil's Gap - pp. 225-233
- Margaret and Faust - G. P. - pp. 234
- Editor's Table - John Reuben Thompson - pp. 235-237
- Notices of New Works - John Reuben Thompson - pp. 238-240
Actions
About this Item
- Title
- Devil's Gap [pp. 225-233]
- Canvas
- Page 231
- Serial
- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 22, Issue 3
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/acf2679.0022.003
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/acf2679.0022.003/239:17
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:acf2679.0022.003
Cite this Item
- Full citation
-
"Devil's Gap [pp. 225-233]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0022.003. University of Michigan Library Digital Collections. Accessed June 24, 2025.