a o eminence. It is in relation to this argument that Quintilian remarks with some bitterness, that those who have written against Rhetoric have required the aid of rhetoric to do 80so. The date of the piece is supposed by Stallbaum to have been shortly after A. C. 413, though this opinion has not been universally assented to. It is evidendtly written with the same intention which impelled Aristophanes to the composition of his Nubes, and which instigated the production of some of the Orations of Isocrates. Socrates, or Plato under his mask, observes the deplorable state of the Athenians, flowing from the Peloponnesian War, and the depraved morals introduced, as he asserts, during the supremnacy of Pericles:-he notices further the injurious tendency of the doctrines of the Sophists and Rhetoricians, both of which classes he very properly regards as identical:-he perceives how greedily their doctrines are swallowed, what admiration they excite, and how eagerly those who are destined to be the rulers of the State flock to their fashionable schools. He remarks further that the arts of the demagogue are rapidly becoming the sole pathway to political.ascendancy;-that rhetorical ability and reckless sophistry are, from the growing corruption of the populace, acquiring such distinction as to furnish the principal instruments of political warfare; and he endeavors to check the spreading of the ulcer by undermining the authority of the rhetoricians. With this view, he successively engages Gorgias, Polus, and Callicles, and entangles them in the web of falsehoods and contradictions which he makes them weave for-themselves. He shows that the arts of rhetoric and sophistry, as then practised and understood, were founded upon erroneous and debasing views of society, of virtue, and of justice: that they were calculated to mislead the multitude to their own destruction, for the sake of giving a temporary elevation to their treacherous guides; and that, so fir from conserving the State, or improving the character of the citizens, all notions of right and wrong, of justice and injustice, would only be rendered unsettled and confused, till the people would in the end come to act unscrupulously on the sophistical doctrines advocated by Polus, to the utter ruin and the everlasting degradation of the Athenian Republic. The future condition of Athens under her rhetorical demagogues, Antiphon, Andocides, Pheax, Alcibiades, Therameues,./Eschiues, Demades, Dinarchus, &c., manifests the eorrectness of Plato's apprehensions, and the justice of his attack on the SophisticaRhetorie of the day. It may be worthy of remark that Plato, throughout this Dialogue, is evidently combating his rampant radicalism of the Atheaiau Demus; atnd, by-denying that might makes right, is endeavoring to subvert the dangerous dogma that all power rightfully belongs to the majority, and maybe legitimately exercised or resumed by them at pleasure. It is in this Dialogue that Plato makes that comparison of Rhetoric to cookery which offends Lord Bacon so much. [De Augm. Sci. lib. vi.) We must remember, however, the evident scope of the piece-that Plato is not so much writing against eloquence in general, as against the form which Rhetoric had assumed at Athens in his day. And we may regard this forced analogy as merely a specimen of the itpotia —the quiet, but pointed jesting of Socrates. The Gorgias is; characterized by a grave and earnest spirit. There is little of that playfulness which runs through most of the Dialogues of Plato. A point is to be proved, and every thing is rendered subservient to that object, though it must be confessed the chain of the argument fiequently escapes our notice. There is no disquisition,-none of that luxuriant grace proceeding from an exuberance of fancy. The style is condensed, urgent, and often sarcastic-it is of a more resolute and indignant tone than is usual with Plato. It may be divided into two parts: the first the colloquial and eristic, in which Plato oppugns the notions of the Sophists and Rhetoricians with equal sophistry and greater ingenuity. The second part from C. LXI, to the end, contains an exposition of the views of Plato, set down in a connected discourse, and ends after the manner of the Phsedon, with a beautiful allegory on the future condition of the righteous and the wicked. 4. WHEWELL'S HISTORY OF THE INDUCTIVE SCIENCES. This is a work of a very different stamp and orderof genius from what might have beenexpected from the high representation and ample opt portunities of the author. It remindsme forcibly of Rahel's observation in regard to Schleiermacher: he strikes at the highest, but is not the highest." The work is very well executed and, so far as it goes, is worthy of all praise: but it neither assumes that high and commanding position which should be occupied by any modern intellect approaching such a subject, nor does it answer either the promises of its name, or the requisitions of the motto which Prof. Whewell has culled for it from Bacon. You feel, as you peruse the beautifully printed volumes, that there is none of that giant mastery and full apprecia. tion-I would say, absorption of the whole subject and all its bearings, at one glance of an eagle eye, which is manifested by the great sage of Verulam when he enters upon a kindred top. The author starts with a few elements i a I'M.], Schediaindt(i -Criticcti' No., L 351-'
Schediasmata Critica, Part I [pp. 349-354]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 16, Issue 6
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- The Code of Virginia - pp. 321-326
- A Threefold Song - G. G. - pp. 327
- Thoughts Upon English Poetry, Part I - S. L .C. - pp. 327-329
- The Adventurer - Susan Archer Talley - pp. 329
- Thomas Carlyle and His "Latter-Day Pamphlets" (review) - John Esten Cooke - pp. 330-340
- Enlighten Our Darkness - pp. 340-341
- The Seldens of Sherwood, Chapters XXIX-XXXI - Martha Fenton Hunter - pp. 341-349
- Stanzas - Paul Hamilton Hayne - pp. 349
- Schediasmata Critica, Part I - pp. 349-354
- Translation of Horace's Epistle to Lollius - J. E. Leigh [trans.] - pp. 354
- The Burnt Prairie - pp. 355-358
- Midnight - A. R. Fort - pp. 358
- Paris Correspondence - William W. Mann - pp. 358-365
- The Lost Pleiad - Richard Henry Stoddard - pp. 365
- Reminiscences of Patrick Henry - Archibald Alexander - pp. 366-368
- Just Fourteen Years Ago - Sidney Dyer - pp. 369
- To A House-Plant - J. Clement - pp. 369
- A Letter about "Florence Vane" - J. Hunt - pp. 369-370
- Song: The Page's Serenade of Mary, Queen of Scots - Julia Mayo Cabell - pp. 370
- Letters from New York - Park Benjamin - pp. 371-375
- Good Verses of a Bad Poet - pp. 375
- Sonnet - Henry Timrod - pp. 376
- A Few Thoughts on the Death of John C. Calhoun - Lucian Minor - pp. 376-381
- Notices of New Works - John Reuben Thompson - pp. 381-384
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"Schediasmata Critica, Part I [pp. 349-354]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0016.006. University of Michigan Library Digital Collections. Accessed June 15, 2025.