538 Boyhood. [SEPTEMBER, have been and ever will be the delight and admiration of mankind. To the earnest, sorrowful Dante, Poetry was that divine philosophy Musical as is Apollo's lute, which every where to the attentive ear discourses of Nature and the Divine intelligence*:-with the ardent, creative Schiller, "true art is not satisfied with a show of Truth. It rears its edifice on Truth itself, on the solid and deep foundations of Naturet"-whilst the serene and thoughtful Goethe-has thus recorded his ideas of art in "the golden cadences of poesy": As all Natutre's thousand changes But one changeless God proclairnm, So through Art's wide kingdom ranges One sole meaning still the same. This is Truth. eternal Reason, Which from Beauty takes its dress, And serene through time and season, Stands for aye in loveliness.t To mention Homer and Shakspeare, is to call to mind developments of man and man's character, which, in their depth, assume at times the appearance of revelation. And yet the wondrous book of man's nature is but partially unfolded by them. What need to go beyond it? Why not pore over its pages? Is there not enough of tenderness, of excitement, of no lty, of tragedyto be found there? Now grave, no6 gay; thoughtful and trifling; sublime and sensual; passionately struggling with life; sadly wrestling with doubt; thirsting for knowledge as for hid treasures, yet thereby only increasing sorrow vainly endeavoring to elucidate the eternal problem of his intellectual existence, the solution ever escaping him just as he seems qbout to grasp it; dimly realizing the complicated relations of his social existence, the mysterious action of mind upon mind; with passions, desires, and feelings that put him on a level with the beasts that perish; with hopes, fears and aspirations that render him but a little lower than angels; the mysterious link between the spiritual intelligences which minster round the throne of the Most High, and the creatures which are of the earth, earthy: such are some of the traits of human nature, and are there not materials enough here upon which to exercise the plastic hand of Art? We will, however, dismiss this book by saying, t Filosofia, mi disse, a chi l'attende, Nota non pure in una sola parte, Come Natura lo suo corso prende Dal Divino Intelletto. Inferno, Canto xi. 97-100. + Remarks on the use of Chorus in Tragedy. I Carlyle's Translation of Wilhelm Meister. that as a theological exposition, it is a slanderous caricature of Catholic christianity: as a moral treatise, it is licentious and corrupting in the extreme: as a work of art, professedly upholding a theory, it is a wretched failure. The Reverend Author and his friends will doubtless meet these censures by the assertion that the work has created a sensation and procured notoriety for its Author. We can only answer, that the same thing may be said of Judas Iscariot and a host of kindred spirits and their works. Lee Town, Va., July, 1849. BOYHOOD. Thou hast my better years Thou hast my earlier friends-the good-the kind." Bryant. "It was )but childish ignorance, Though now'tis little joy To know I'm farther off from Heaven, Than when I was a boy."- Thomas Hood. The bright, bright hours of boyhood! Of times their memories rise Like clouds of a golden and purple hue, Over Fancy's radianrt skies. The bounding p)ulse. and the joyous heart, The life untouched by pain, And the whispered tones of a glorious Hope, All rush to mind again. The Past! in its fairy realms I live, Its garden is filled with flowers, And my spirit inhaleth the incense sweet That ascends from its roseate bowers. As the wanderer lone on the desert sands, Looks back to his home with tears, So the wanderer,lone on the sands of life, Hails the light of his early years. I remember my bosom's first warm thrill, As a beautifuil form passed by The glossy folds of the waving hair, And the light of the beaming eye, And I deemned that woman's sweet, fair face, In its holy thought did seem Like the angel-features that on me shone, Each night, in my boyhood's dream. I remember her whose slightest tone, Bore with it a magic power, Whose warm glance beamed on my folded heart, Like the sun on his favorite flower Till the passionate thoughts that slumbered there, In a still sleep, deep and long, Burst forth, like waves from a woodland shade, To beauty and light and song. I remember the smile of one who loved, Her thoughtless and wayward boy, With a love that mocked all chance or clhange, And which Death could not derstoy. [SF,PTEMBER, 588 Boyhood.
Boyhood [pp. 538-539]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 15, Issue 10
Annotations Tools
538 Boyhood. [SEPTEMBER, have been and ever will be the delight and admiration of mankind. To the earnest, sorrowful Dante, Poetry was that divine philosophy Musical as is Apollo's lute, which every where to the attentive ear discourses of Nature and the Divine intelligence*:-with the ardent, creative Schiller, "true art is not satisfied with a show of Truth. It rears its edifice on Truth itself, on the solid and deep foundations of Naturet"-whilst the serene and thoughtful Goethe-has thus recorded his ideas of art in "the golden cadences of poesy": As all Natutre's thousand changes But one changeless God proclairnm, So through Art's wide kingdom ranges One sole meaning still the same. This is Truth. eternal Reason, Which from Beauty takes its dress, And serene through time and season, Stands for aye in loveliness.t To mention Homer and Shakspeare, is to call to mind developments of man and man's character, which, in their depth, assume at times the appearance of revelation. And yet the wondrous book of man's nature is but partially unfolded by them. What need to go beyond it? Why not pore over its pages? Is there not enough of tenderness, of excitement, of no lty, of tragedyto be found there? Now grave, no6 gay; thoughtful and trifling; sublime and sensual; passionately struggling with life; sadly wrestling with doubt; thirsting for knowledge as for hid treasures, yet thereby only increasing sorrow vainly endeavoring to elucidate the eternal problem of his intellectual existence, the solution ever escaping him just as he seems qbout to grasp it; dimly realizing the complicated relations of his social existence, the mysterious action of mind upon mind; with passions, desires, and feelings that put him on a level with the beasts that perish; with hopes, fears and aspirations that render him but a little lower than angels; the mysterious link between the spiritual intelligences which minster round the throne of the Most High, and the creatures which are of the earth, earthy: such are some of the traits of human nature, and are there not materials enough here upon which to exercise the plastic hand of Art? We will, however, dismiss this book by saying, t Filosofia, mi disse, a chi l'attende, Nota non pure in una sola parte, Come Natura lo suo corso prende Dal Divino Intelletto. Inferno, Canto xi. 97-100. + Remarks on the use of Chorus in Tragedy. I Carlyle's Translation of Wilhelm Meister. that as a theological exposition, it is a slanderous caricature of Catholic christianity: as a moral treatise, it is licentious and corrupting in the extreme: as a work of art, professedly upholding a theory, it is a wretched failure. The Reverend Author and his friends will doubtless meet these censures by the assertion that the work has created a sensation and procured notoriety for its Author. We can only answer, that the same thing may be said of Judas Iscariot and a host of kindred spirits and their works. Lee Town, Va., July, 1849. BOYHOOD. Thou hast my better years Thou hast my earlier friends-the good-the kind." Bryant. "It was )but childish ignorance, Though now'tis little joy To know I'm farther off from Heaven, Than when I was a boy."- Thomas Hood. The bright, bright hours of boyhood! Of times their memories rise Like clouds of a golden and purple hue, Over Fancy's radianrt skies. The bounding p)ulse. and the joyous heart, The life untouched by pain, And the whispered tones of a glorious Hope, All rush to mind again. The Past! in its fairy realms I live, Its garden is filled with flowers, And my spirit inhaleth the incense sweet That ascends from its roseate bowers. As the wanderer lone on the desert sands, Looks back to his home with tears, So the wanderer,lone on the sands of life, Hails the light of his early years. I remember my bosom's first warm thrill, As a beautifuil form passed by The glossy folds of the waving hair, And the light of the beaming eye, And I deemned that woman's sweet, fair face, In its holy thought did seem Like the angel-features that on me shone, Each night, in my boyhood's dream. I remember her whose slightest tone, Bore with it a magic power, Whose warm glance beamed on my folded heart, Like the sun on his favorite flower Till the passionate thoughts that slumbered there, In a still sleep, deep and long, Burst forth, like waves from a woodland shade, To beauty and light and song. I remember the smile of one who loved, Her thoughtless and wayward boy, With a love that mocked all chance or clhange, And which Death could not derstoy. [SF,PTEMBER, 588 Boyhood.
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- Fremont's First and Second Expeditions (review) - Charles Campbell - pp. 521-529
- Lines Suggested by the Conversation with a Friend - Julia Mayo Cabell - pp. 529
- Lady Alice, or The New Una (review) - pp. 529-538
- Boyhood - Paul Hamilton Hayne - pp. 538-539
- The Tablet of the Theban Cebes - J. Jones Smyth - pp. 539-546
- Epigram - pp. 546
- The Instinct of Immortality - L. - pp. 547
- Rome: Papal and Republican - W. R. H. - pp. 547-551
- The Inch Cape Bell - C. C. L. - pp. 552
- Lays of the Scottish Cavaliers (review) - pp. 553-561
- National Lyrics: Battle of Bunker Hill - James W. Simmons - pp. 561-562
- Moore's Anacreon - pp. 562-568
- The Chevalier Merlin, Chapters X-XII - Philip Pendleton Cooke - pp. 569-578
- Maria Edgeworth - John Blair Dabney - pp. 578-585
- Dr. Green's Inaugural Address - pp. 585-587
- Manzoni - Henry Theodore Tuckerman - pp. 587-593
- Paris Correspondence - William W. Mann - pp. 593-600
- Marginalia, Part V - Edgar Allan Poe - pp. 600-601
- A Bachelor's Reverie - Ik Marvel - pp. 601-609
- Song - Paul Hamilton Hayne - pp. 609
- The Old Swan - pp. 609-611
- Sonnet - Elizabeth Jessup Eames - pp. 611
- The Seldens of Sherwood, Chapters VI-IX - Martha Fenton Hunter - pp. 612-622
- The Ode of Regner Lodborg - Mary Elizabeth Moore Hewitt - pp. 623
- A Plea for Art - B. - pp. 624-626
- Fredrick Jerome - William Ross Wallace - pp. 627-628
- Camp Life of the Hon. William Wirt - pp. 628-630
- To Miss Amelie Louise Rives on Her Departure from France - John Reuben Thompson - pp. 630
- What's in a Name? - pp. 630-632
- A Peep Into Futurity - pp. 632-634
- The Marseilles Hymn - J. E. Leigh [trans.] - pp. 634-635
- A Few Reflections on the Conquest of Mexico by Cortez - H. - pp. 635-637
- Notices of New Works - pp. 638-640
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"Boyhood [pp. 538-539]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0015.010. University of Michigan Library Digital Collections. Accessed June 22, 2025.