12 Inentoa oyigtLwJNAY free from foreign dominion, it matters little that our thoughts, our feelings, our souls, should still remain in bondage. The noble and emphatic sentiment, already quoted, of Dr. Channing,-" We say, let others spin and weave for us, but let them not think for us!"-suggesting, as it does, the only great, true and patriotic principle, upon which the opinions of a citizen should be moulded, in all that concerns such a relation, would have shocked the genius of the spinning Jenny, and caused the throes of a moral earthquake in every manufacturing mart from Passamaquoddy to Pittsburg. The slavish nature, however, which thus preferred the most ordinary interests of humanity, to those which are calculated to lift it into excellence, and to the rarer walks of achievement, was rebuked by the better genius of the nation; and, without any protection from government, without a tax on any other branch of business, that of American Literature was begun. To the genius of Fennimore Cooper, we feel confident in saying, we owe the first signs of a power, the first unfoldings of a. wing, which has since soared so famously, and which is destined to still higher flights, if not denied and delayed by untoward and unfriendly circumstance. The first writings of this author appeared in 1819. How closely upon the footsteps of war! How soon was the question of the British Reviewer —,' who reads an American book!"answered by the writer, whose works, but a few years after, were read in the language of every nation in Christendom! As if to illustrate the contest through which the nation had just gone, and to maintain the vigorous spirit which she had shown in dealing with an enemy equally insolent and powerful, the earliest work of his pen, which drew the eyes of the country upon him, was founded upon events in the great struggle, with the same enemy, in 1776! The publication of "The Spy," which was the work in question, had an effect upon the American people, infinitely beyond any pleasure which they might have gathered from its perusal, as a romance. It was contemporaneous, in publication, with "The Pirate" of Walter Scott — a work which did not give such ample development to the powers of its author, and thus afforded an additional opportunity to the American reader, to institute comparisons between them, not unfavorable to the native writer. Even as a suecessfuil imitation only of Walter Scott, it was an event to rejoice a youthful people, hitherto doubtful of their resources-nay, denying them-ashamed, for the first time, of their own previous unperfurmance, and solicitous of fame in new departments;-when they discovered, suddenly rising in their midst, a genius-until then unknown —full of vigor, and marching, with admirable bearing, upon the very track hitherto trodden only by the "Great Un known!" The event opened the eyes of the nation, already anxious to give the lie to the scornful re 12 International Copyright Law. [JANUARY, proacli of incapacity, urged, not more by the British reviewer, than the European reader. Her eyes suddenly be(-,ame unscaled, purged, like those of the eagle, whose michty youth had been mewed up; and the universal feeling of her people might be compared, without extravagance of figure, to that of the,.xplorer,-IODg despondina, wearied!in his search and hopeless of success,-wlio, at the-least expected moment, sees land!-sees the green slopes, the wild, gorgeous shrubbery, and the huge mountains of the UDkDown empire, suddenly standing out upon his sio,,ht! The " adch' io son pitt-ore!" of the niodest painter, was suddenly ours. We, too, could have our possessions in the intellectual, as in the natural world. All was not a blank in taste and Literature. Europe sball yet receive us, and we sliall have our word in her high places of politeness and refidement! The COIlViCtiOD, that we too might put in our claims to appear arnon(, those nations which had long before been endowed with the universal tongues of art and son,,, was one, of those convictions that Dever sleep until they have realized all the proofs which are necessary to the full establishment and recognition of their pre tensions. It does -not militate against the claim here advanced for Mr. Cooper to show that the novels of Charles Brockdon Brown-works in fiction of a rarely imaginative and highly oriainal complexion were published in America so far back, as 1798, 1801. We could show, with little difficulty, that there were other names of men of genius, at periods equally remote, by who.-n-the mere date of their publication being alone considered-the writings of Mr. Cooper.were anticipated. But, so far as their effect upon the public taste and spirit is concerned, they might as well have remained unpublished to this day. Their works bad no circulation, did-T6t, in the least degree, affect the popular feelingf and prompted no farther search after a vein which was equally rich in quantity and kind. It is to their misfortune and'to the reproach of the country that this was the case. But the truth is, the nation was not then vrepa?,ed to recognize its own geni,.us-had not then the couraoe to assert a genius at all, without first sectiring the British imprimatur. lier training for this, from necessity, the hands of the foe-defeat, shanie, foreian arid domestic reproach-was yet to come. The genius (,f American Literature was born and could only be born, when the American people were prepared to receive and entertain her, to acknowledge her charms anti to assert her vretensions. Such seed is seldom wasted-it comes with the occasion that demands it, and is very apt to come, broad cast,",Lvhen the soil is ready for its growth. There is a potential significance in this last little paragraph, upon whicli we have need to linger. The, Literature of a'nation, having but the single audience, cannot long exist, or must exist under
International Copyright Law, Part I [pp. 7-17]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 10, Issue 1
-
Scan #1
Page R001 - Title Page
-
Scan #2
Page R002
-
Scan #3
Page R003 - Comprehensive Index
-
Scan #4
Page R004 - Special Index
-
Scan #5
Page 1
-
Scan #6
Page 2
-
Scan #7
Page 3
-
Scan #8
Page 4
-
Scan #9
Page 5
-
Scan #10
Page 6
-
Scan #11
Page 7
-
Scan #12
Page 8
-
Scan #13
Page 9
-
Scan #14
Page 10
-
Scan #15
Page 11
-
Scan #16
Page 12
-
Scan #17
Page 13
-
Scan #18
Page 14
-
Scan #19
Page 15
-
Scan #20
Page 16
-
Scan #21
Page 17
-
Scan #22
Page 18
-
Scan #23
Page 19
-
Scan #24
Page 20
-
Scan #25
Page 21
-
Scan #26
Page 22
-
Scan #27
Page 23
-
Scan #28
Page 24
-
Scan #29
Page 25
-
Scan #30
Page 26
-
Scan #31
Page 27
-
Scan #32
Page 28
-
Scan #33
Page 29
-
Scan #34
Page 30
-
Scan #35
Page 31
-
Scan #36
Page 32
-
Scan #37
Page 33
-
Scan #38
Page 34
-
Scan #39
Page 35
-
Scan #40
Page 36
-
Scan #41
Page 37
-
Scan #42
Page 38
-
Scan #43
Page 39
-
Scan #44
Page 40
-
Scan #45
Page 41
-
Scan #46
Page 42
-
Scan #47
Page 43
-
Scan #48
Page 44
-
Scan #49
Page 45
-
Scan #50
Page 46
-
Scan #51
Page 47
-
Scan #52
Page 48
-
Scan #53
Page 49
-
Scan #54
Page 50
-
Scan #55
Page 51
-
Scan #56
Page 52
-
Scan #57
Page 53
-
Scan #58
Page 54
-
Scan #59
Page 55
-
Scan #60
Page 56
-
Scan #61
Page 57
-
Scan #62
Page 58
-
Scan #63
Page 59
-
Scan #64
Page 60
-
Scan #65
Page 61
-
Scan #66
Page 62
-
Scan #67
Page 63
-
Scan #68
Page 64
- Index - pp. iii-iv
- The Editor to His Patrons - Benjamin Blake Minor - pp. 1-2
- Iphigenia at Tauris: A Dramatic Poem, Act I (Translated from the German of Goëthé.) - Nathaniel Beverley Tucker (trans.) [Unsigned] - pp. 2-6
- International Copyright Law, Part I - William Gilmore Simms - pp. 7-17
- Night - Anna Maria Hirst - pp. 17-18
- Donna Florida. A Tale (review) - Benjamin Blake Minor [Unsigned] - pp. 18-22
- Chaos - William Oland Bourne - pp. 22
- Proverbial Philosophy (review) - Benjamin Blake Minor [Unsigned] - pp. 22-24
- The Two Warriors - Nathan Covington Brooks - pp. 25
- Mr. Webster's Bunker Hill Oration (concl.) - pp. 25-30
- Not Again - Judge Alexander Beaufort Meek - pp. 30
- Blindness and the Blind - pp. 30-33
- The Coming on of Night - Henry Beck Hirst - pp. 33
- Cheap Literature - Edwin De Leon, Signed Southron - pp. 33-39
- The Axe of the Settler - Mary Elizabeth Moore Hewitt - pp. 39
- The "Stone House" - Charles Campbell, Signed C. C. - pp. 40-43
- To E.—With a Withered Rose Bud - Henry Beck Hirst - pp. 43
- Georgia Scenes. Darby Anvil - Augustus Baldwin Longstreet - pp. 43-52
- Widowed Grief; A Pair of Portraits - pp. 52
- De Mortier; A Tale of the French Revolution - pp. 52-60
- Sonnet Writing - D. H. Robinson - pp. 60
- Heroes in America - Benjamin Blake Minor, Signed Ed. Mess. - pp. 60
- Editor's Table - pp. 61-64
Actions
About this Item
- Title
- International Copyright Law, Part I [pp. 7-17]
- Author
- Simms, William Gilmore
- Canvas
- Page 12
- Serial
- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 10, Issue 1
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/acf2679.0010.001
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/acf2679.0010.001/16:5
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:acf2679.0010.001
Cite this Item
- Full citation
-
"International Copyright Law, Part I [pp. 7-17]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0010.001. University of Michigan Library Digital Collections. Accessed June 25, 2025.