International Copyright Lavw. echasers for themn. For this was the period, ren dered somewhat famous by the contemptuous sneer of the British critic, contained in the phrase, since made proverbial by the noble commentary which American Literature has passed upon it " Who reads an American book?" Verily, up to this period, writers of American books were few indeed. The national mind, in every thing that belonged to the fine arts, belles-letteses and the supe rio r sciences, seems to have acknowledged its incapacity, and to have surrendered itself, passively, to the foreign teacher, which had so recently been its tyrant. No works of art issued from the native press-no fancy, no fiction, no humor, no romance! The ima gination of the nation-the resources of which are, in reality, wondrous and uinsurpassable,* crouching in shadow, with wing folded, and head drooping upon its bosom,-was not even conjectured to have an existence! It was natural enough that, in the newly-born passion for thorouch independence, which distinguished the feelings of our people at the close of the war of 1812,- and which led to the adoption of a government system for the protection of domestic manufactures, —tbe poliev which this feeling declared, should also extend itself to other objects than those which concerned the physical being only. The policy which declared for making our own woollens, necessarily gave some thought to books., But no such protection was afforded by government to this branch of domestic industry. The notion seems to have been, if our bodies are tive of ad mirable effects, in impressing upon us, even through shame an d s tripes, a better sense of na tional dignity than we seemed before to entertain. Our ocean-v ictories followed, a t the happy moment, to confirm in us the new-born sense of pride and patriotism. That war, so equally distinguished by humiliating disasters and exhilarating successes, did very much to sever the links that bound the mind of the nation to its old colonial faith. A gene ral intellectual awakening seemed to follow it, and we suspect that the records of our patent of fice, (taken as one of the signs of intellectual pro gress, though in matters merely utilitarian,) will show a more remarkable advance in the history of domestic inventions, from the year 1815 to that of 1835-a term of twenty years-than can be shown by any other country, of similar population, in the same space of time. The arts are kindred. Those of mere utility and those of beauty and refinement, however dissimilar in their uses and habiliments, belong yet to the same great famnily. They are not hostile, though the one presides at the piano, while to the other is deputed the humbler duties of put ting the household in proper order. The physical wants of the individual supplied, those of his intel lect clamor for their dues. It is a sufficient proof of the natural intellectual tendencies of the Ame rican people, that their anxiety for their mental supplies did not linger and wait upon those which concerned the animal nature only. The non-inter course with Great Britain, which had cut off the supplies of blankets, woollens and other commodi ties of'like nature, had been far more decidedly beneficial in cutting off the supply of books. It was in the very midst of the conflict that Ameri can Literature, such as it is, first sprang into exis tence. The Port-Folio, by Dennie, one of our best period icals, was first published in 1812. This was n ot the only instan ce. Th e laws l dem and and supply did not fail to pro duc e their effects, and the sa me n a tion al spirit, which clamored for our own manufactures, w a s equally busy, if less clamorous, in strivi ng to supply the lack of Literature. The preparation of school and classical books, which h as since bec ome one of the most extensive businesses of the American publisher, may be said to hav e begu n at this period. At all events, we shall be p erfectly saf e in s ay ing that, prior to 1815, the issues fron th e American press were not only reprints wholly from foreignl sources, but seere confined chiefly to works of science and education. 7e need make no special exception in behalf of the domeustic histories? which, in small editions, were generally so many appeals to local patriotism, and accordingly, most usually, were published by subscription. As little may be said of the young poet, who, here and there, in some one or other city, sent fo~rth his slender vo~lume at his own expense, rather with the view to seeing his verses in print, than with any sanguine hope of findinga per-' I * This remark may surprise those, who, not regarding the thousand circumstances which have tended to discourage the progress of the American imagination, in its legitimate direction, infer its absence, from the deficiency of its ima ginative Literature-a deficietncy, which, we hope to show, exists only in the ignorance of our critics as to what the nation has really (lone. But the proofs of the most vigorous imaginative presence are every where around us-in the boldness of our public and social designs-in the rapid and vehement energies of our people,-in the very extrava gance of their contemplations, the unfamiliar elevation and novelty of their modes of speech, their swelling cl-haracter, and really remarkable progress. The history of tlhe people of the United States is itself a great and astonishing rominiiance. It is a history belonging to that school of which Robinson Crusoe is an admirable example. Here is a nation, like the individual, cast naked upon the desert, ignoranrt, unlettered, poor, desolate, yet, out of themselves and the wondrous resources of their nature, contriving means against all enemies, without and within-shaking themselves free'from the " old man of the sea"-no inappropriate term for the mother country-founding a great empire, building great cities, sending forth noble fleets,-penetrating the wildest regions-winning the mastery every where, and now confronting the masters of the old world and challenging them to a fair field and no favor. This is the cause of qparrel and vexation, of sneer, and hate, atnd disparagement. And all this the work of fifty years! Verily, if' this do not prove the presence of a daritng wing,.then never nation possessed one. The imagination has more to do with the ordinary works of utilitarianism, than ordinary people seem lo imagine. II 1844.]
International Copyright Law, Part I [pp. 7-17]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 10, Issue 1
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- Index - pp. iii-iv
- The Editor to His Patrons - Benjamin Blake Minor - pp. 1-2
- Iphigenia at Tauris: A Dramatic Poem, Act I (Translated from the German of Goëthé.) - Nathaniel Beverley Tucker (trans.) [Unsigned] - pp. 2-6
- International Copyright Law, Part I - William Gilmore Simms - pp. 7-17
- Night - Anna Maria Hirst - pp. 17-18
- Donna Florida. A Tale (review) - Benjamin Blake Minor [Unsigned] - pp. 18-22
- Chaos - William Oland Bourne - pp. 22
- Proverbial Philosophy (review) - Benjamin Blake Minor [Unsigned] - pp. 22-24
- The Two Warriors - Nathan Covington Brooks - pp. 25
- Mr. Webster's Bunker Hill Oration (concl.) - pp. 25-30
- Not Again - Judge Alexander Beaufort Meek - pp. 30
- Blindness and the Blind - pp. 30-33
- The Coming on of Night - Henry Beck Hirst - pp. 33
- Cheap Literature - Edwin De Leon, Signed Southron - pp. 33-39
- The Axe of the Settler - Mary Elizabeth Moore Hewitt - pp. 39
- The "Stone House" - Charles Campbell, Signed C. C. - pp. 40-43
- To E.—With a Withered Rose Bud - Henry Beck Hirst - pp. 43
- Georgia Scenes. Darby Anvil - Augustus Baldwin Longstreet - pp. 43-52
- Widowed Grief; A Pair of Portraits - pp. 52
- De Mortier; A Tale of the French Revolution - pp. 52-60
- Sonnet Writing - D. H. Robinson - pp. 60
- Heroes in America - Benjamin Blake Minor, Signed Ed. Mess. - pp. 60
- Editor's Table - pp. 61-64
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"International Copyright Law, Part I [pp. 7-17]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0010.001. University of Michigan Library Digital Collections. Accessed June 24, 2025.