1.0bbot: or, " The IHermit of the Falls." sons who have visited the falls within a few years must know, is no fictitious one. But whether all the incidents connected with the history of the hero are true, I cannot vouch. They are doubtless much colored, but bear about them the marks of truth; but as the individual endeavored to wrap himself in secrecy, and had about him so much of mystery, Time alone will perhaps be able to discover his history and remove the veil which now covers it, and stamp the following sketch either as truth or falsehood. Who that has visited this stupendous and sublime sport of nature within five years, has not heard of the "Hermit of the Falls." After your guide has conducted you along the beautiful island which divides the torrent e'er it dashes into the abyss below, to " Hog Back" (as it is poetically called,) and then descended with you to the'Cave of T lEolus,' who with a monarch's daring has selected his abode half way down the rock under the tumbli n g waters, where he is continuously regaled with its unceasing thunder and wrapt up in the spray and winds which whirl up from the depths below in the wildest fury-after he has led you to "Terrapin Rock," over which you hung, clinging with a fixed grasp, and gazed into the awful depth, and then turned away ready to exclaim Thou lov'st th e rocking wave, The blossom border'd stream; Thou'rt wisely fitted to thy lot, Whatever thou may'st deem. I love the lonely cliff, The lightning shiver'd pine; 'o hover round the gate of Heaven And drink-the day is mine. "How fearful And dizzy'tis to cast one's eyes below! I'll look no more, Lest my brain tuirn and the deficient sight Topple down headlong;" OR, "THE HERMIT OF THE FALLS." Niagara! Name knitted with the grandest and loftiest thoughts of nature; associated with every thing that strikes the mind with terror and with beauty in the scenery of earth! Who that has seen thee-who that has heard thy tempest-voice, can ever forget thee! unrivalled as thou art in thy sublimity. Unrivalled! Ay, the lofty peaks of the Andes may tower and pile their icy tops with the Alps-the Classic Mounts of Pindus and Parnassus claim but sisterhood in beauty with Holyoke and Table Mount of my own Carolina. The Vale of Tempe invites not more temptingly than that of Shenandoah. Leman and Como, mirror not more loveliness than Lomond or Lake George. The Connecticut surpasses the yellow flow of the Tiber; and the Hudson, the beauty of the Modern Rhine. -Yes, mountain rivals mountain; ocean, ocean; river, river. Every other work of Nature has its counterpart which shares its beauty, save thee! Alone in thy grandeur-the only thing in nature which rejects contrast. Mighty, stupendous, evermoving, irresistible as Fate-image of thy Maker! But pardon me, Mr. Messenger; I did not intend, when I dipped my quill in ink, to waste it in such declamation; especially as the theme has been under the pencil of the painter, the imagination of the poet, and the graphic pens of so many masters in description. I happened, in turning over the leaves of my port feuille, to come across thle outlines of a tale which awakened much interest in my mind during my last visit to the North. The subject, as all per 1840.] 6S7 Thou hast no (!ause of grief, Fair empress of the flood; The green earth vields abundantly Thy pastime, and thy food. I scorn the treasul-'d earth, And soar toward Heaven in vain; No rest beyond my stick-built nest My wing could ever gain. Oh, Envy! vain and blind Still aiming at the great; Thou canst not see the writhing heart The home all desolate. The mightiest wing that soars With eagle flight toward Heaven, May shield an agonizing breast A breast by tempests riven. ABBOT: he will return with you by a charming path around the island. You will not go far before he will point out to you three beautiful little islets-"The Three Sisters,"-around which the river plunges and bolls as thouo-h it would root them from their foundations, but where they repose in calm beauty, heedless of the race which lashes them. At the brink of the river between these isles is a ledge of rocks which form a cascade, and you are, told that this is the bathing place of the Hermit! And who is the Hermit! Ali, your guide says, he was a poor fellow that came here a few years ago, from nobody knows where, and who, charmed with the, beauty of the place, formed the foolish notion of takino- up his residence upon the island. He spent his time alone, confinin(y himself nearly all day, and at night, especially when the moon, that goddess of insanzty and love, was bright, roving about apparently lost in the magnificence and beauty of the scene. He had no fellowship with any who were around him-but, says the guide, interrupting himself and pointing to a little hut-let us go and see the room in which he lived. He leads you to a small tenement, which time with a slow finger is pulling to pieces, and, splinter by splinter, he tells you that if you wish to enter as the Hermit did, it must be through the window, as he bad an aversion 'to entering in any other way. You find the room
Abbot [pp. 687-699]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 6, Issue 9
Annotations Tools
1.0bbot: or, " The IHermit of the Falls." sons who have visited the falls within a few years must know, is no fictitious one. But whether all the incidents connected with the history of the hero are true, I cannot vouch. They are doubtless much colored, but bear about them the marks of truth; but as the individual endeavored to wrap himself in secrecy, and had about him so much of mystery, Time alone will perhaps be able to discover his history and remove the veil which now covers it, and stamp the following sketch either as truth or falsehood. Who that has visited this stupendous and sublime sport of nature within five years, has not heard of the "Hermit of the Falls." After your guide has conducted you along the beautiful island which divides the torrent e'er it dashes into the abyss below, to " Hog Back" (as it is poetically called,) and then descended with you to the'Cave of T lEolus,' who with a monarch's daring has selected his abode half way down the rock under the tumbli n g waters, where he is continuously regaled with its unceasing thunder and wrapt up in the spray and winds which whirl up from the depths below in the wildest fury-after he has led you to "Terrapin Rock," over which you hung, clinging with a fixed grasp, and gazed into the awful depth, and then turned away ready to exclaim Thou lov'st th e rocking wave, The blossom border'd stream; Thou'rt wisely fitted to thy lot, Whatever thou may'st deem. I love the lonely cliff, The lightning shiver'd pine; 'o hover round the gate of Heaven And drink-the day is mine. "How fearful And dizzy'tis to cast one's eyes below! I'll look no more, Lest my brain tuirn and the deficient sight Topple down headlong;" OR, "THE HERMIT OF THE FALLS." Niagara! Name knitted with the grandest and loftiest thoughts of nature; associated with every thing that strikes the mind with terror and with beauty in the scenery of earth! Who that has seen thee-who that has heard thy tempest-voice, can ever forget thee! unrivalled as thou art in thy sublimity. Unrivalled! Ay, the lofty peaks of the Andes may tower and pile their icy tops with the Alps-the Classic Mounts of Pindus and Parnassus claim but sisterhood in beauty with Holyoke and Table Mount of my own Carolina. The Vale of Tempe invites not more temptingly than that of Shenandoah. Leman and Como, mirror not more loveliness than Lomond or Lake George. The Connecticut surpasses the yellow flow of the Tiber; and the Hudson, the beauty of the Modern Rhine. -Yes, mountain rivals mountain; ocean, ocean; river, river. Every other work of Nature has its counterpart which shares its beauty, save thee! Alone in thy grandeur-the only thing in nature which rejects contrast. Mighty, stupendous, evermoving, irresistible as Fate-image of thy Maker! But pardon me, Mr. Messenger; I did not intend, when I dipped my quill in ink, to waste it in such declamation; especially as the theme has been under the pencil of the painter, the imagination of the poet, and the graphic pens of so many masters in description. I happened, in turning over the leaves of my port feuille, to come across thle outlines of a tale which awakened much interest in my mind during my last visit to the North. The subject, as all per 1840.] 6S7 Thou hast no (!ause of grief, Fair empress of the flood; The green earth vields abundantly Thy pastime, and thy food. I scorn the treasul-'d earth, And soar toward Heaven in vain; No rest beyond my stick-built nest My wing could ever gain. Oh, Envy! vain and blind Still aiming at the great; Thou canst not see the writhing heart The home all desolate. The mightiest wing that soars With eagle flight toward Heaven, May shield an agonizing breast A breast by tempests riven. ABBOT: he will return with you by a charming path around the island. You will not go far before he will point out to you three beautiful little islets-"The Three Sisters,"-around which the river plunges and bolls as thouo-h it would root them from their foundations, but where they repose in calm beauty, heedless of the race which lashes them. At the brink of the river between these isles is a ledge of rocks which form a cascade, and you are, told that this is the bathing place of the Hermit! And who is the Hermit! Ali, your guide says, he was a poor fellow that came here a few years ago, from nobody knows where, and who, charmed with the, beauty of the place, formed the foolish notion of takino- up his residence upon the island. He spent his time alone, confinin(y himself nearly all day, and at night, especially when the moon, that goddess of insanzty and love, was bright, roving about apparently lost in the magnificence and beauty of the scene. He had no fellowship with any who were around him-but, says the guide, interrupting himself and pointing to a little hut-let us go and see the room in which he lived. He leads you to a small tenement, which time with a slow finger is pulling to pieces, and, splinter by splinter, he tells you that if you wish to enter as the Hermit did, it must be through the window, as he bad an aversion 'to entering in any other way. You find the room
-
Scan #1
Page 585
-
Scan #2
Page 586
-
Scan #3
Page 587
-
Scan #4
Page 588
-
Scan #5
Page 589
-
Scan #6
Page 590
-
Scan #7
Page 591
-
Scan #8
Page 592
-
Scan #9
Page 593
-
Scan #10
Page 594
-
Scan #11
Page 595
-
Scan #12
Page 596
-
Scan #13
Page 597
-
Scan #14
Page 598
-
Scan #15
Page 599
-
Scan #16
Page 600
-
Scan #17
Page 601
-
Scan #18
Page 602
-
Scan #19
Page 603
-
Scan #20
Page 604
-
Scan #21
Page 605
-
Scan #22
Page 606
-
Scan #23
Page 607
-
Scan #24
Page 608
-
Scan #25
Page 609
-
Scan #26
Page 610
-
Scan #27
Page 611
-
Scan #28
Page 612
-
Scan #29
Page 613
-
Scan #30
Page 614
-
Scan #31
Page 615
-
Scan #32
Page 616
-
Scan #33
Page 617
-
Scan #34
Page 618
-
Scan #35
Page 619
-
Scan #36
Page 620
-
Scan #37
Page 621
-
Scan #38
Page 622
-
Scan #39
Page 623
-
Scan #40
Page 624
-
Scan #41
Page 625
-
Scan #42
Page 626
-
Scan #43
Page 627
-
Scan #44
Page 628
-
Scan #45
Page 629
-
Scan #46
Page 630
-
Scan #47
Page 631
-
Scan #48
Page 632
-
Scan #49
Page 633
-
Scan #50
Page 634
-
Scan #51
Page 635
-
Scan #52
Page 636
-
Scan #53
Page 637
-
Scan #54
Page 638
-
Scan #55
Page 639
-
Scan #56
Page 640
-
Scan #57
Page 641
-
Scan #58
Page 642
-
Scan #59
Page 643
-
Scan #60
Page 644
-
Scan #61
Page 645
-
Scan #62
Page 646
-
Scan #63
Page 647
-
Scan #64
Page 648
-
Scan #65
Page 649
-
Scan #66
Page 650
-
Scan #67
Page 651
-
Scan #68
Page 652
-
Scan #69
Page 653
-
Scan #70
Page 654
-
Scan #71
Page 655
-
Scan #72
Page 656
-
Scan #73
Page 657
-
Scan #74
Page 658
-
Scan #75
Page 659
-
Scan #76
Page 660
-
Scan #77
Page 661
-
Scan #78
Page 662
-
Scan #79
Page 663
-
Scan #80
Page 664
-
Scan #81
Page 665
-
Scan #82
Page 666
-
Scan #83
Page 667
-
Scan #84
Page 668
-
Scan #85
Page 669
-
Scan #86
Page 670
-
Scan #87
Page 671
-
Scan #88
Page 672
-
Scan #89
Page 673
-
Scan #90
Page 674
-
Scan #91
Page 675
-
Scan #92
Page 676
-
Scan #93
Page 677
-
Scan #94
Page 678
-
Scan #95
Page 679
-
Scan #96
Page 680
-
Scan #97
Page 681
-
Scan #98
Page 682
-
Scan #99
Page 683
-
Scan #100
Page 684
-
Scan #101
Page 685
-
Scan #102
Page 686
-
Scan #103
Page 687
-
Scan #104
Page 688
-
Scan #105
Page 689
-
Scan #106
Page 690
-
Scan #107
Page 691
-
Scan #108
Page 692
-
Scan #109
Page 693
-
Scan #110
Page 694
-
Scan #111
Page 695
-
Scan #112
Page 696
-
Scan #113
Page 697
-
Scan #114
Page 698
-
Scan #115
Page 699
-
Scan #116
Page 700
-
Scan #117
Page 701
-
Scan #118
Page 702
-
Scan #119
Page 703
-
Scan #120
Page 704
-
Scan #121
Page 705
-
Scan #122
Page 706
-
Scan #123
Page 707
-
Scan #124
Page 708
-
Scan #125
Page 709
-
Scan #126
Page 710
-
Scan #127
Page 711
-
Scan #128
Page 712
- Song - By a Lady of Ohio - pp. 585
- Virginia Dare - Louisa Cornelia Tuthill, Signed Miss C. L. Tuthill - pp. 585-595
- Poetic Musings - Robert Howe Gould - pp. 595-598
- To *** - John Collins McCabe - pp. 598
- Midsummer Fancies - George D. Strong - pp. 598-600
- Intercepted Correspondence, Number II - A. D. G. - pp. 600-601
- Lines on an Eagle Soaring among the Mountains - Dewitt C. Roberts - pp. 601
- The Dying Poet - pp. 601-602
- Michigan - Charles Lanman - pp. 602-605
- Historic Speculations - C. - pp. 606-608
- Desultory Thoughts - Thomas H. Shreve - pp. 608
- Summer Morning - Charles Lanman - pp. 609-611
- To My Mother - pp. 611-612
- The Motherless Daughters, Number III - George E. Dabney, Signed by a Virginian - pp. 612-622
- To the Moon: Almeeta - Egeria - pp. 622-624
- Mysteries of the Bible - W. G. Howard - pp. 624-628
- The Voice of Music - Mrs. Mary Elizabeth Hewitt - pp. 628
- Literary Recreations, Number I - Henry Ruffner, Signed Anagram Ferran - pp. 628-640
- The Change of the Violet - Mrs. A. M. F. Buchanan Annan, Signed Miss A. M. F. Buchanan - pp. 640
- Poetical Specimens - pp. 641
- Song - By a Young Lady of 14, of Kentucky - pp. 641
- To a Friend - pp. 641
- The Grave of Laura - pp. 641
- She Is Leaving the Land - pp. 641
- To a Poetess - Thomas H. Shreve - pp. 641-642
- Mr. Jefferson - Abel Parker Upshur [Unsigned] - pp. 642-650
- The Skeptic - Payne Kenyon Kilbourn - pp. 650-651
- Address - A. B. Longstreet - pp. 651-652
- Characteristics of Lamb - Henry Theodore Tuckerman - pp. 652-660
- The Quakeress, Number II - pp. 660-665
- The Dying Exile - R. A. P. - pp. 665-666
- The Prophetic Tapestry - pp. 666-675
- Lines on the Sudden Death of a Very Dear Friend - L. L. - pp. 675
- Harriet Livermore - pp. 675-676
- To the Constellation Lyra - William Ross Wallace - pp. 676-677
- The Island and Its Associations - Edward Parmele - pp. 677-680
- The Remains of Napoleon - Lewis Jacob Cist - pp. 680-681
- A Tale of the Revolution - By a Lady of Pennsylvania - pp. 681-686
- The Eagle and the Swan - Mrs. Lydia Jane Wheeler Pierson - pp. 686-687
- Abbot - W. C. P. - pp. 687-699
- Literary and Intellectual Distinction - pp. 699
- Formation of Opinions - pp. 699
- Our Country's Flag - J. W. Matthews - pp. 699-700
- Desultory Speculator, Number VII - George Watterston, Signed G. W—n - pp. 700-702
- To Her of the Hazel-Eye - Lewis Jacob Cist - pp. 702-703
- Ancient Eloquence - W. G. Howard - pp. 703-706
- By the Rivers of Babylon - George B. Wallis - pp. 706-707
- The Inferiority of American Literature - pp. 707
- The Inferiority of American Literature - pp. 707-710
- Song - Carl - pp. 710
- Anburey's Travels in America - C. Campbell - pp. 710-712
Actions
About this Item
- Title
- Abbot [pp. 687-699]
- Author
- W. C. P.
- Canvas
- Page 687
- Serial
- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 6, Issue 9
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/acf2679.0006.009
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/acf2679.0006.009/695:40
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:acf2679.0006.009
Cite this Item
- Full citation
-
"Abbot [pp. 687-699]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0006.009. University of Michigan Library Digital Collections. Accessed June 21, 2025.