SOUTHERN LITERARY MESSENGER. adventure for which few others now before the public have either the courage or the qualifications. Because some great poets have occasionally written like fools, there are persons who seem to argue and act on the principle, that to write foolishly is presumptive evidence of poetic talent. Now, one of the ablest critics that the world ever saw, has said, that "good sense is the foundation of all good poetry."* To suppose that good sense is incompatible with the decorations of fancy, is as idle, as to imagine that a Corinthian entablature may not surmount a column of strength and durability. Lord Byron writes to Tom Moore in the following remarkable strain: "We of the present age may flatter ourselves wnith surpassing the poets of the preceding century, —but we are deceived, —we are infinitely inferior." And what was it that chiefly distinguished the poets of the preceding century from those with whom we have the honor to be contemporary? —WhIy, it was judgment, freedom from German affectation, and the abominable heresies of the Lakists. Since the appearance of Goethe and Schiller, two-thirds of our authors, British and American, have adopted more or less of their fooleries; they do not consider that it requires the genius of a Goethe to make his absurdities tolerable. But Mr. Brooks is a writer of the old school;-he deals not in the incomprehensible; he delights not in presenting distorted images of human nature; he has chosen for his models those great masters whose fame is not based on the whims and temporary predilections of any country or generation. In speaking of poets, and of authors in general, it is a proper mode of inquiry, to ask, not if they have any faults, but what those faults are. The golden opinions which the author of "Scriptural Anthology" has won from us, shall not dazzle our eyes so as to disable us from answering the above question. Mr. Brooks' faults are those of a young writer-, and from which no young writer is free. Occasionally, but not frequently, we detect a want of originality, both in thought and expression, and sometimes his figures may perhaps be considered too bold. But this latter fault, (if fault it may be called,) is one which we are happy to see in the young aspirant for literary fame; —it is an indication of that adventurous spirit which is evermore the concomitant of genius. Of the style ofMr. Brooks' writings, we can judge only from the specimens now before us; and this mode of making up an opinion is liable to some objections. An author's style frequently varies with his subject, and the materials with which he has to work. We think it will generally be found that a poet's writings exhibit more fluency of language, when his only resources are those of imagination; for facts place him under a constraint, which will always be more or less communicated to his forms of expression. Some constraint of this kind is discernible in the Scriptural Anthology;-the construction of the verse, in places, is broken and somewhat harsh;-though in general the versification is harmonious, and, in many instances, exceedingly so. But wlhile we are in the carping humor, we must take exception to a few words which Mr. Brooks has taken the liberty of introducing, not only into this book, but, as we think, into the language. We refer to such words as opalled, centi-portal, charactery, and several others which we cannot now recollect. But we can well afford to pardon such trifling misdemeanors, when we consider the promise of the writer, and what he has already accomplished. The author of "Scriptural Anthology" came before the public, subject to many of the disadvantages to which we have reference at the beginning of this ar ticle. He is not one of those who are capriciously puffed into notoriety, who are hurried onward for a while by the gale of popular acclamation, and are then left stranded and abandoned as objects of accumulated contempt; his, we trust, is that species of fame, which though slower in its progress, bids fair to advance pros perously to the end of the voyage. His reputation as an author has been steadily on the increase, and the obstacles he has surmounted are among the strongest proofs of his merit. By exercising his talents in the sacred cause of religion, he has undoubtedly made some sacrifice, as far as popularity is concerned. But his re fusal to minister to the depraved appetite of the times, and to prostitute his noble faculties in the service of folly and immorality, is a circumstance that must remu nerate him with the good opinion of all whose good opinion is valuable. We are given to understand that this work was pro duced in moments of relaxation from severer scholastic duties,-this, with the further consideration that the author is yet quite a young man, justifies us in expect ing much from the future emanations of his intellect. That he has not been taken under the auspices of a cer tain clique, who would fain constitute themselves the literary divan of the country, speaks much in his favor — for it is a part of the policy of this body to neglect, or sneer at, a new writer whose pretensions, they may think, bid fair to eclipse their own, or those of their friends and favorites. The name of Nathan C. Brooks, however, has often beeni presented to the public in very advantageous circumstances, and he will be extensively recognized as a valued correspondent of several of the best periodicals in the country. We deem it a commendable trait to be interested for those whom we know to be unfairly treated; —and on this ground we are called to become the advocate of those writers of. merit, (and such there are,) who are most unjustly neglected,-that others may be exalted with equal injustice. We have seldom been accused of an inordinate taste for eulogy, and we have ever been disposed to say, with the appropriate motto of the Edinburgh Review, " osdex damnatur cum nocens absol vitur;"-so that we may indulge a reasonable hope of having our commendations regarded with more respect than the panegyrics of the press are usually entitled to receive from the public. The adaptation of the "Scriptural./lthology" for a Christmas or birth day present is a good idea, and very * creditable to the judgment of the publishers. We wish it no better chance for success than to be compared with other books designed for similar purposes. There is a catalogue of the names and works of * Dr. Jolhnson —Llfe of Pope. bards before Homer. a 0 t t I t 599
Scriptural Anthology [pp. 594-599]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 3, Issue 10
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- Spheeksphobia; or The Adventures of Abel Stingflyer - Joseph Holt Ingraham - pp. 585-593
- Kosciusko - G. B. Singleton - pp. 593
- Scriptural Anthology - pp. 594-599
- Conjectural Reading of a Passage in Hamlet - pp. 600
- Dull Neighborhood: Impromptu - E. - pp. 600
- The Lady Arabella - T. H. E. - pp. 601-608
- Authorities on Antiquities - pp. 608
- To A Hummingbird - King and Queen - pp. 608
- The Deserter, Chapters III-VII - pp. 609-619
- To a Winter Flower - William Gilmore Simms - pp. 619
- Scenes from Paul de Kock, Part II - pp. 620-628
- To M—G— - S. W. Inge - pp. 628
- Notes and Anecdotes, Political and Miscellaneous - pp. 629-634
- The Fisherman of Venice - T. H. E. - pp. 635-637
- Constantine, or The Rejected Throne, Chapter X - Mrs. Harrison Smith - pp. 637-639
- To Leila - James M. Cox (translator) - pp. 639
- To Memory - pp. 639-640
- Legislative Epigram - Philosteno - pp. 640
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"Scriptural Anthology [pp. 594-599]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0003.010. University of Michigan Library Digital Collections. Accessed June 23, 2025.