SOUTHERN LITERARY MESSENGER. The adventure beneath the sheet is now detailed. The party descend to the bottom of the precipice at the side of the Fall-equip themselves in dresses of coarse linen-and proceed. The guide going first, takes the right hand of Miss -, Mr. Slingsby is honored with the left, and Job brings up the rear. The usual difficulties of wind and water are encountered and surmounted, and the chamber behind the sheet finally attained in safety. The same medley of tone, however, still prevails. For example-"Whatever sister of Are thusa inhabits there," says Mr. Slingsby, "we could but congratulate her on the beauty of her abode. A lofty and well lighted hall, shaped like a long pavilion, extended as far as we could see through the spray, and with the two objections, that you could not have heard a pistol at your ear for the noise, and that the floor was somewhat precipitous, one could scarce imagine a more agreeable retreat for a gentleman who was dis gusted with the world, and subject to dryness of the skin. In one respect it resembled the enchanted dwelling of the Witch of Atlas, where Shelley tells us, Th, invisible rain did ever sing A silver music on the mossy lawn. It is lucky for Witches and Naiads that they are not subject to rheumatism." It will not be difficult to foretell, from the general air of the narration (as observed up to this date) in what manner Mr. Slingsby will think it incumbent upon him to wind it up. He will give it a melo-dramatic finale? Most assuredly. The lady is adventurous, and has walked over a narrow ledge, which has broken with her weight. The guide seizes Mr. Slingsby by the shoulder. He turns-and "what is his horror" at beholding Miss standing far in behind the sheet, upon the last visible point of rock, with the water pouring over her in torrents, and a "gulf of foam" between the lady and the gentleman, which the gentleman "can in no way understand how she has passed over." This gulf is six feet across, and, of course, says Mr. Slingsby, "it was impossible to jump it." [WVe have jumped one and twenty feet six inches ourselves, but then we are no Mr. Slingsby, and never could make a joke about Niagara.] That gentleman does not jump, but he does something nevertheless. He "fixes his eyes upon the lovely form standing like a spirit in the misty shroud of the spray," and endeavors "to sustain her upon her dangerous foot-hold-by the intensity of his gaze." He may possibly, however, with this end in view, have made use of an eyeglass. There being nothing better to be done, the guide having absconded, and the lady being upon the eve of destruction, our friend Job, and his legs, are brought into requisition. He stands upon one edge of "the foaming gulf," and stretches himself across to the other. M iss is so kind as to make use of him as a bridge. The guide returns with a rope, pulls up the bridge by means of a running-noose around one of its legs-and the "Visit to Niagara" terminates with an lo Pean in honor of the "foaming gulf," the "supernatural strength" of Mr. Smith, and the "intensity of the gaze" of the devoted Mr. Slingsby. The paper of which we have just given an outline will afford a very fair conception of the usual merits and demerits of the sketches of Mr. Willis. Here are many comparatively long passages of a force, or deli cacy, or beauty-shall we say unsurpassed by any similar passages in any writer of English? We shall not say too much if we do. The bantering humor interspersed is of the best order. Who can read the endeavor (quoted above) of Mr. Slingsby to get Mr. Smith to his breakfast, without feeling at once impressed with a keen sense of the mingled wit, broad drollery, dra matic effect, and gentlemanly insouciance of the whole affair? The final question of Mr. S. (after amusing his friend with the idea of a junction, some hundred years hence, between Ontario and Erie)-" Do you intend to wait and see it, or will you come to break fast?"-is inimitably brought about-very quiet, and very quizzical. The catastrophe of the two waiters, and the arrival in a great rage, but with a good appe tite, of Mr. Smith, is a palpable hit not to be attained, and not to be appreciated by the rabble. Of force, we have abundant specimens in such sentences, as "Job flounced up, like a snake touched with a torpedo, and sprang to the window"-" I can imagine the surprise of the gentle element, after sleeping away a se'nnight of moonlight in the peaceful bosom of Lake Erie, at finding itself of a sudden in such a coil"-or "As far down towards Lakle Ontario as the eye can reach, the immense volumes of water rise like huge monsters to the light, boiling and flashing out in rings of foam, with an appearance of vexation and rage that I have seen in no other cataract of the world." The little sentence, "Whatever sister of Arethusa inhabits there, we could but congratulate her upon the beauty of her abode," is, among many other similar things, sufficient evidence of a rare delicacy of expression-and we feel at once that writer to be a poet-an Idealist-who tells us "that Miss in her uncouth habiliments, looked like a fairy in disguise," and that the sheet of Niagara is "what a child might imagine the arch of the sky to be where it bends over the edge of the horizon." The minor defects are few. Among these few it is sufficient to specify a too frequent allusion to the "axis of the world," and the absurdities, gravely narrated, which go to make up the catastrophe of the sketch, in the rescue of the young lady. Upon the whole, we may speak of the mere wording as in every respect worthy of a man of taste and a scholar. With the exception of "soiebriquet," written for sobriquet, (a very common error) it would be difficult to find any verbal fault, in the present instance, to which a critic would be pardoned for alluding. But the whole narrative is disfigured, and indeed utterly ruined, by the grievous sin of affectation. It is this sin, and not, we are convinced, any imbecility in the conceptions of Mr. Willis, (with our readers' leave we will drop Mr. Slingsby) which has beguiled him into the egregious folly of writing a long article, in a jocular manner, about the cataract of Niagara. He may say, a pleasant sketch is intended, no more-and that the intention is fulfilled. But the utter want of keeping, consequent upon handling such subject in such manner, is sufficient to convince us at a glance, that his intention, even such as it is, is not, in any due degree, fulfilled. The question is not whether the thing pleases, (one who writes as well as Mr. Willis will please in spite of a thousand faults,) but whether, if otherwise handled, it might not have pleased the more. While laughing at the mystification of our friend Job, we are in no proper 599
Critical Notices [pp. 582-600]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 9
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- The Ruler's Faith - Lydia Howard Huntley Sigourney [Signed] - pp. 525
- Sketches of the History and Present Condition of Tripoli, No. XI - Robert Greenhow [Unsigned] - pp. 525-530
- Stanzas - William Gilmore Simms [Signed] - pp. 530
- The Right of Instruction - Judge Joseph Hopkinson [Signed] - pp. 530-535
- To— - William Gilmore Simms [Signed] - pp. 535
- A Reminiscence - Dr. Francis Lieber - pp. 535-538
- The Old Man's Carousel - James Kirke Paulding [Signed] - pp. 538
- Piscatory Reminiscences - pp. 538-539
- Israfel - Edgar Allan Poe [Signed] - pp. 539
- Judgment of Rhadamanthus - James Kirke Paulding [Signed] - pp. 539-540
- Scenes in Campillo - Lieutenant A. Slidell [Signed] - pp. 540-541
- The Pine Wood—A Song Written in Georgia - Robert Montgomery Bird - pp. 541
- The Battle of Lodi - Major Henry Lee - pp. 541-545
- Marcus Curtius - Omega - pp. 545-546
- British Parliament in 1835, No. II - pp. 547-549
- To a Tortoise Shell Comb - Elizabeth Fries Lummis Ellet [Signed] - pp. 549
- Influence of Names - H - pp. 549-552
- The City of Sin - Edgar Allan Poe [Unsigned] - pp. 552
- A Hint: Touching the Greek Drama - James Waddell Alexander, Signed Borealis - pp. 552-554
- Sacred Song - William Maxwell [Signed] - pp. 554
- A Tour of the Isthmus - A Yankee Dauber - pp. 554-557
- Lines - Philip Pendleton Cooke, Signed P. P. Cooke - pp. 557
- The Learned Languages - Mathew Carey [Signed] - pp. 557-561
- Fourth Lecture - James Mercer Garnett - pp. 561-568
- A Case not to be Found in any of the Books - pp. 568
- MSS. of John Randolph, Letter IV - Nathaniel Beverley Tucker [Unsigned] - pp. 568-571
- A Polite Struggle - pp. 571
- A Profession for Ladies - Mrs. Sarah Josepha Buell Hale [Signed] - pp. 571-572
- Right of Instruction - pp. 573
- Pinakidia - Edgar Allan Poe [Unsigned] - pp. 573-582
- Critical Notices - pp. 582-600
- Autography - Edgar Allan Poe [Unsigned] - pp. 601-604
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"Critical Notices [pp. 582-600]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0002.009. University of Michigan Library Digital Collections. Accessed June 21, 2025.