Pinakidia [pp. 573-582]

Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 9

SOUTHERN LITERARY MESSENGER. immediate cotemporaries. If the Lacon of Mr. Colton is any better, its superiority consists altogether in a deeper ingenuity in disguising his stolen wares, and in that prescriptive right of the strongest vwhlich, time out of mind, has decided upon calling every Napoleon a conqueror, and every Dick Turpin a thief. Seneca; MIaclliavelli;* Balzac, the author of "La Maniere de bien Penser;" Bielfceld, the Germnan, who wrote, in Frenchl, "Les Premiers Traits de L'Eriudition Utiverselle;" Rochefoucault; Bacon; Bolingbroke; and especi lly Burcden, of" Materials for Thinking" memory, possess, amnong them, indisputable claims to the ownership of nearly every thing worth ow ninig in the book. Of the latter species of theft, we see frequent specimens in the continental magazines of Europe, arnd occasionally meet with them even in the lower class of periodicals in Great Britain. These specimens are usually extracts, by wholesale, from such wvorks as the " Bibliothlque des Memorabilia Literaria," the "Recueil des Bons Pensecs," the "Lettres Edifiates et Cucieuses," the "Literary Memoir," of Silleiigr6, the "Melanges Literaires" of Stard and Andre, or the "Pieces [nterressantes et peu Conllues" of La Place. D'Israeli's "Curiosities of Literature," " Literary Character," and "Calamities of Authors," have, of' late years, proved exceedingly convenient to some little American pilferers in this line, but are nows becomingi, too generally known to allow much hope of their good things being any longer appropriated with impunity. Such collections, as those of which we have been speaking, are usually entertaining in themselves, and, for the most part, we relish every thing about them save their pretensions to originality. In offering, ourselves, something of the kind to the readers of the Messenger, we wish to be understood as disclaimini, in a great degree, every such pretension. Most of the following article is original, and will be readily recognized as such by the ciassical and genteral readler-some portions of i, may have been written down in the vwords, or nearly in the wvords, of the primitive authorities. The whlole is taken from a conftused mass of margional notes, and entries in a common-place-book. No cer tain arrangement has been considered necessary; and, indeed, so heterogeneous a farrago it would have been an endless task to methodize. We have chosen the heading Piliakidia, or Tablets, as one sufficiently comprehensive. It was used, foria sormewhat similar purpose, by Dionysius of Harlicarnassus. The whole of Bulwer's elaborate argument on the immortality of the soul, wvhich he has put into the mouth of the" Ambitious Student," may be confuted thlroulgh the authlor's omission of one particular point in his summary of the attributes of Deity-a point which we cannot believe omitted altogether thlrough accident. A single link is deficient in the chain-but the chain is worthless wvitliout it. No man doubts the immortality of the soul-yet of all truths this truth of immortality is the most difficult to prove by any mere series of syl * It is remarkable that much of what Colton has stolen from Machiavelli,was previously stolen by Machiavelli from Plutarch. A MS. book of the.pophthegms of the dncients, by this latter writer, having fallen into Machiavelli's hands, he put them near]ly all into the mouth of his hero, Castrucio Castricani. logisms. We would refer our readers to the argument here mentioned. The rude rough wild waste has its power to please, a line in one Mr. OCdiorne's poem, "The Progress of Refinement," is pronounced by the American author of a book entitled "Ante-Diluvian Antiquities," "the very best alliteration in all poetry." The Turkish Spy is the original of many similar works-among the best of which are Montesquieu's Persian Letters, and the British Spy of our own WVirt. It was written undoubtedly by John Paul M\arana, an Italian, ins Italian, but probably was first published in French. Dr. Johnson, who saw only an English translation, supposed it an English work. Marana died in 1693. The hnter and the deer a shade is a much admired line in Campbell's Gertrude of Wyoniing-buit the identical line is to be found in the poems of the American Freneau. Corneille's celebrated,Moi of Medea is borrowed from Seneca. Racine, in Plicedra, has stolen nearly the whole scene of the declaration of love firom the same puerile writer. The peculiar zodiac of the comets is comprised in these verses of Cassini Antinous, Pegasusque, Andromeda, Taurus, Orion, Procyon, atque Hydrus, Centaurus, Scorpius, Arcus. Speaking of the usual representation of the banquetscene in Macbeth, Von Rautner, the German historian, mentions a shadowy figure thrown by optical means into the chair of Banquo, and producing intense effect upon the audience. Erislen, a German optician, conceived this idea, and accomplished it without difficulty. A religious hubbub, such as the world has seldom seen, was excited, during the reign of Frederic II, by the intagined virulence of a book entitled " lThe Three Imnpostors." It was attributed to Pierre des Vignes, clhacellor of the king, who was accused by the Pope of having treated the religions of Moses, Jesus, and Mahomet as political fables. The workl in question, however, which was squabbled about, abused, defended, and familiarly quoted by all parties, is well proved never to have existed. The word TvXn, or Fortune, does not appear once in the whole Iliad. The "Lamentations" of Jeremiah are written, with the exception of the last chapter, in acrostic verse: that is to say, every line or couplet begins, in alphabetical order, with some letter in the Hebrew alphabet. In the third chapter each letter is repeated three times suecessively. The fullest account of the Amazons is to be found in Diodorus Siculus. Theophrastus, in his botanical works, anticipated the 574

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Pinakidia [pp. 573-582]
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Poe, Edgar Allan [Unsigned]
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Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 9

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