SOUTHERN LITERARY MESSENGER. of humility and wretchedness, in the sighs of a contrite heart, and in the tears of penitential guilt. But how is it in the world of faseioat? What is fashion? Many attempts have been made to define what in truth is undefinable. It is an empty namine-a mere shadow, and yet is of substance sufficient to be felt and seen and understood almost every where. A popular English novelist, writing of his own country, says-" The middle classes interest themselves in grave matters: the aggregate of their sentiments is called OPINION. The great interest themselves in fiivolities, and the aggregate of their sentiments is termed FASHION. The first is the moral representative of the popular mind-the last of the aristocratic." But this definition is unsatisfactory. Fashion executes its decrees with as much energy and effect upon those who are excluded from its mystic circle, as upon them who reside within its pale; upon the popular mind as well as the aristocratic. Its frivolities bewilder and dazzle the multitude who abjure them, as well as the chosen fe.wv with whom they originate. Imagine this mysterious agent, or whatever it may be called, personified, and endowed witlh the majesty and power of a queen,-and lwhat are her attributes? A fickle, inconstant, inscrutable and unscrupulous being-selecting her subjects fiom every rank and condition, and with every diversity in morals and intellect-yet investing them with an uniform and exclusive badge of distinction; exacting fiom her followers the most unbounded homage, and repaying them often with the sacrifice of peace, health, fortune, selfrespect and virtue; instilling into those who throng around her throne the poison of impure and corrupting pleasures, and in those who are banished to the outer courts, awakening the worst passions of envy, discontent and hatred, added to a debasing sense of inferiority. Fortune is not more capricious in dispensing her favors than this empress of smiles and frowns. By her command, dullness is transformed into wit, and deformity into grace. The withered maiden of forty is arrayed in the matchless charms of blooming seventeen, and the notorious libertine becomes transmuted into the fascinating and agreeable companion. If a despot of bodily shape and form, were to cause his power and caprice to be felt in all the minute concerns and occupations of society; if he were to ordain laws regulating thedress-furniture-social intercourse and amusements of his subjects, and in so doing should levy anll oppressive tax upon their fortunes, time and comforts-the spirit of freedom would circulate like the electric fluid from one end of the community to the other; the tyrant would be resisted with fearless and determined perseverance. And yet doth fashion issue her imperial decrees equally as despotic and calamitous in their effects, without other aid than the influence and magic of her name-whilst her subjects, so far from opposing resistance, render an implicit and delighted obedience to her matidates. And what is this inexorable arbitress at last but a name? What is this capricious and mysteriolls intermeddler in human affairs but a vain shadow? a creature of imagination only, and yet as powerful as Caesar and Napoleon in all their glory! Shakspeare was wrong; there is much-there is every thing in itamues. In that great concern of human society-the structure and action of the political machine, how does the matter stand? Are the governed portion of mankind-I mean a majority of them-influenced by things or names? The recorded experience of past ages, and our own particular observation, will answer the question. The master spirits who have ruled mankind with success, have studied the genius of the people with whom they lived. National glory was at one time, if it be not now, the passion of the French, and Napoleon well knew how to avail himself of a moral lever of such tremendous force. Admninistering to that all devouring and never satiated appetite, he found it an easy task to wade through tears and blood to the goal of his ambition. Preceding the period of his nmeteor-like and almost micaculous career, the French nation had been intoxicated )y seraphic dreams of liberty and equality. Awakening, from a long and gloomy night of slavery, they became suddenly bewitched by the doctrines of a new philosophy, (to them at least new,) which proclaimed the sovereignty of the people-and it was long before the horrors of Revolution could dispel the enchantment. The leaders in that dark and bloody episode of hiuman history, retained their ascendancy so long as the names of liberty and equality could be skilfitlly employed for their purposes. An appeal to the people, or a comnpliment to their sovereign power, wisdom and virtue, was the daily prologue to those scenes of hulntan butclhery, which posterity will regard as incredible fictions. "Oh liberty!" said the beautiful Madame Rolan(l, is she bowed her neck to the guillotinte-"what crimes are committed in thy name!" Are we free in our day firom these disastrous influences? Iave names no fatal magic with us-sufficiently fatal to unloose the bands of society-to subvert institutions, long cherished and venerated, and finally to dissolve the fairest fabric which ever realized the visions of hope, or the speculations of philosophy? Alas! have we not studied human nature enough to know, that all men are not honest and patriotic, and that some are sufficiently selfish, cunning, cruel and ambitious to work out their own designs, and accomplish their own evil desires, although calamity should overspread society, and millions go supperless to bed? Are there not hundi-eds of demagogues who are willing to flatter and wheedle and delude the people into final enslavement, if in the whirlwinds of their own creation they can ride into power and office? With what calm and shameless effrontery do such men constantly exert before our eyes a controlling power over the yet doubtful destinies of this infant republic! To fulfil the purposes of ambition, the vilest appeals are made to the lowest and basest passions of the multitude. The pride of democracy is a never failing chlord to be skilfully touched, when some wicked design or atrocious mischief is meditated. The popular good-the welfare of the deal people-is the favorite string played upon by worn out political hacks and corrupt aspirants to office. Does a well tried and virtuous patriot stand in the way, and refuse his sanction to the bold assaults, or disgttised and no less dangerous encroachments of power? He is instantly denounced as an odious and insidious aristocrat, and is forthwith delivered over to the tender mercies of the faithful-the great democratic repnblican ftmtily-the selfstyled conservators of the only true and genuine priuciples of liberty-whose peculiar province it is to keep the republic pure, by a patriotic monopoly of all its 551
Influence of Names [pp. 549-552]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 9
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- The Ruler's Faith - Lydia Howard Huntley Sigourney [Signed] - pp. 525
- Sketches of the History and Present Condition of Tripoli, No. XI - Robert Greenhow [Unsigned] - pp. 525-530
- Stanzas - William Gilmore Simms [Signed] - pp. 530
- The Right of Instruction - Judge Joseph Hopkinson [Signed] - pp. 530-535
- To— - William Gilmore Simms [Signed] - pp. 535
- A Reminiscence - Dr. Francis Lieber - pp. 535-538
- The Old Man's Carousel - James Kirke Paulding [Signed] - pp. 538
- Piscatory Reminiscences - pp. 538-539
- Israfel - Edgar Allan Poe [Signed] - pp. 539
- Judgment of Rhadamanthus - James Kirke Paulding [Signed] - pp. 539-540
- Scenes in Campillo - Lieutenant A. Slidell [Signed] - pp. 540-541
- The Pine Wood—A Song Written in Georgia - Robert Montgomery Bird - pp. 541
- The Battle of Lodi - Major Henry Lee - pp. 541-545
- Marcus Curtius - Omega - pp. 545-546
- British Parliament in 1835, No. II - pp. 547-549
- To a Tortoise Shell Comb - Elizabeth Fries Lummis Ellet [Signed] - pp. 549
- Influence of Names - H - pp. 549-552
- The City of Sin - Edgar Allan Poe [Unsigned] - pp. 552
- A Hint: Touching the Greek Drama - James Waddell Alexander, Signed Borealis - pp. 552-554
- Sacred Song - William Maxwell [Signed] - pp. 554
- A Tour of the Isthmus - A Yankee Dauber - pp. 554-557
- Lines - Philip Pendleton Cooke, Signed P. P. Cooke - pp. 557
- The Learned Languages - Mathew Carey [Signed] - pp. 557-561
- Fourth Lecture - James Mercer Garnett - pp. 561-568
- A Case not to be Found in any of the Books - pp. 568
- MSS. of John Randolph, Letter IV - Nathaniel Beverley Tucker [Unsigned] - pp. 568-571
- A Polite Struggle - pp. 571
- A Profession for Ladies - Mrs. Sarah Josepha Buell Hale [Signed] - pp. 571-572
- Right of Instruction - pp. 573
- Pinakidia - Edgar Allan Poe [Unsigned] - pp. 573-582
- Critical Notices - pp. 582-600
- Autography - Edgar Allan Poe [Unsigned] - pp. 601-604
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"Influence of Names [pp. 549-552]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0002.009. University of Michigan Library Digital Collections. Accessed June 21, 2025.