SOUTHERN LITERARY MESSENGER. SENSIBILITY. "Still in tears!" said Margarette Claremont, as she entered the parlor after a walk. "Which is it now, my dear Alice, Werther or Madam de Stael's Co rinna?" "Neither," answered Alice. Margarette looked over her shoulder, and saw that the book her cousin held was a volume of Kotzebue's plays, and that "Self-Immola tion" was the one that engrossed her attention. "How prodigal you are of your tears, dear cousin!" said Margarette,-and how you waste your sensibili ties on these high-wrought, and ultra-sentimental fic tions! Will not your health be impaired, and your mind enervated by such excess of indulgence?" "I fear no such results," said Alice,-" and should blush at the obduracy of my heart, should it fail of being moved when reading works in which such deep feeling is portrayed." "Weep as much for legitimate sorrow as you will, Alice-even when portrayed in fictitious narrative, but do not expend your sympathies on scenes such as never did, and never will occur in the world." Alice made no reply, as Mlargarette turned and ran utip stairs, but the thought of her heart was-" I am thankful I am not a stoic! thankful that my feelings are not con gealed." Alice Lansdale and Margarette Claremont were both orphan neices of the wealthy bachelor Mr. Claremont, with whom they resided. The formner was the daughter of his only sister. Her parents died when she was quite young, and consigned her, destitute of property, to the care of her uncle, with whom she had now resided several years. Margarette was the daughter of his only brother. She had been an orphan but few months, during which period she had been domesticated in the family of Mr. Claremont, to whom had been committed the guardianship of herself, and her ample fortune. "Have you nearly got through with your play, Alice?" said Margarette, as she re-entered the parlor. Alice made no answer, as she sat with her head leaning on one hand, her book spread on the table before her,while the other hand held a handkerchief that was ever and anon applied to her eyes. Margarette advanced, and leaned on the back of her chair. "How much longer are you going to read, Alice?" asked Margarette. "Why can'tyou be quiet, and leave me undisturbed?" said Alice. "Because I have something to tell you," answered Margarette. "About goody Mason's lame finger, I suppose," said Alice. "No-about two elegant looking young men I saw in the street an hour since,"-said Margarette. "Who were they?" enquired Alice, without raising her eyes from her book. "I do not know,-but from your description, I conjectured them to be your cousin Hubert and the Black Prince, as you call him." "WVhy did not you tell me this before?" said Alice, springing on her feet. They will be here immediately; cousin Hubert at least,-and here I am, looking like a fright, with eyes as red as a toper's! Why could you not have told me when you first came in?" "1 had been talking with Susan Hall, and forgot it," said Margarette. "And after all, perhaps it is not them." " O0, I know it is!-they were expected very soon. But tell me how the one you took to be the Black Prince looked, and I shall know at once if it was him." "Tall-yet hardly as tall as his companion-with black hair, black eyes, and an acre of black whiskers; and-pardon me-a dash of impudence in his expres sion-at least I thought so, as I passed him." " 0, it must be him," said Alice, "though if it be, the latter part of your description is only your own imagination. But why do I linger here, when I must try to make myself look decent to see them? for cousin Hubert, at least, will come,"-and she left the room with a sigh. Scarcely half an lour had passed ere Alice was summoned, according to her expectations, to meet her cousin, and Mr. Gordon, the Black Prince. The young men made a long call,-for Alice had much to ask them of what they had seen and learned, during their absence; and they had much that was inte resting to communicate. They had scarcely closed the door behind them, after taking leave, ere Alice ex claimed "Is he not a divine creature, cousin Margarette?" " Which of them?" asked Margarette. "Whichl! you stupid creature!-as if you knew not which I meant!-Butwlhich of themdo you like best?" "I was most pleased with your cousin's conversa tion," Margarette replied. "Why?" asked Alice. "I am sure Gordon con verses elegantly." "He has words enough at command," said Marga rette,-"but a scarcity of ideas; and those he has are not weighty. While listening to him I could not help thinking it was like dressing a little four-penny doll, in a large robe of silver tissue. Mlr. Montague's conver sation was really entertaining and instructive." "I expected you to be severe, of course," said Alice, "yet I think you can find no fault with his nianners." "He is quite at his ease, and appears a gentleman, certainly," said Margarette, "yet his manners did not please me. There was too much show-he was too easy-has too much manner; and, if I may judge from one interview, he is not at all wanting in self-complacency." "Cousin Hubert's quiet way suited your singular taste better, I dare say," said Alice. "It certainly did-for he did not appear to be thinking of himself. His manners to-day were truly polished and refined; and if they arise fi-om his heart, as I hope they did, I should judge very favorably of the man." "I suppose you think him best looking, too!" said Alice-" best dressed and all!" "In person they are both elegant young men," said Margarette, "but Mr. Montague's dress certainlysuited me best,-as I doubt whether to be comfortable is not his first object in the choice of his apparel. As for Mr. Gordon, he must make dress a study. You see, Alice as I had nothing to do but look and listen, I could learn a good deal of them in the hour and a half that they were here." "Well, as you studied them, do let me know what you think of their faces*" 79
Sensibility [pp. 79-87]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 2
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- Sketches of the History and Present Conditions of Tripoli, No. X - Robert Greenhow - pp. 69-71
- A Pæan - Edgar Allan Poe, Signed E. A. P. - pp. 71
- Charlot Tayon - Nathaniel Beverley Tucker [Unsigned] - pp. 71-74
- Linnæus and Wilson - T. B. Balch [Unsigned] - pp. 74-76
- Love and Poetry - Eliza White [Unsigned] - pp. 76
- A Fairy Tale - Miss Mercer [Unsigned] - pp. 77-78
- The Wagoner - St. Leger Landon Carter [Unsigned] - pp. 78
- Sacred Melody - pp. 78
- Sensibility - Harriet G. Storer, Signed S. H. - pp. 79-87
- To — - Nathaniel Beverley Tucker, Signed B. T. - pp. 87-88
- Popular Education - pp. 88-93
- Translation - Nathaniel Beverley Tucker - pp. 93
- Verses Written During an Excursion Among the Alleghany Mountains - pp. 93-94
- Lionel Granby, Chapter VII - Julia Putnam Henderson, Signed Theta - pp. 94-96
- Unknown Flowers - Morna - pp. 96
- Sonnet to — - Alexander Lacey Beard [Signed] - pp. 96
- Metzengerstein: a Tale in Imitation of the German - Edgar Allan Poe - pp. 97-100
- The Fountain of Oblivion - William Murray Robinson, Signed a Virginian - pp. 100-101
- English Poetry - Philip Pendleton Cooke [Unsigned] - pp. 101-106
- Scenes From an Unpublished Drama, Politian - Edgar Allan Poe - pp. 106-108
- Virginia: Extracts from an Unpublished Abridgment of the History of Virginia - pp. 108-109
- Lady Lenore and Her Lover - Philip Pendleton Cooke, Signed L. L. - pp. 109-110
- English Language in America - James Waddell Alexander, Signed Borealis - pp. 110-111
- To the Woodnymphs - Lanier [Unsigned] - pp. 111-112
- Critical Notices - Edgar Allan Poe - pp. 112-128
- Supplement - pp. 133-140
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"Sensibility [pp. 79-87]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0002.002. University of Michigan Library Digital Collections. Accessed June 22, 2025.