SOUTHERN LITERARY MESSENGER. merely substituting things for words. There are many of our readers who will recognize in this imaginary interview between Mr. Yeadon and Mr. Simms, at least a fiamily likeness to the written Dedication of the latter. This Dedication is, nevertheless, quite as good as one half the antique and lackadaisical courtesies with which we daily see the initial leaves of our best publications disfigured. "The Partisan," as we are informed by Mr. Simms in his Advertisement, (Preface?) was originally contemplated as one novel of a series to be devoted to our war of Independence. "With this object," says the author, "I laid the foundation more broadly and deeply than I should have done, had I purposed merely the single work. Several of the persons employed were destined to be the property of the series-that part of it at least which belonged to the locality. Three of these works were to have been devoted to South Carolina, and to comprise three distinct periods of the war of the Revolution in that State. One, and the first of these, is the story now submitted to the reader. I know not that I shall complete, or even continue the series." Upon the whole we think that he had better not. There is very little plot or connexion in the book before us; and Mr. Simms has evidently aimed at neither. Indeed we hardly know what to think of the work at all. Perhaps, with some hesitation, we may call it an historical novel. The narrative begins in South Carolina, during the summer of 1780, and comprises the leading events of the Revolution from the fall of Charleston, to the close of that year. WVe have the author's own words for it that his object has been principally to give a fair picture of the province-its condition, resources, and prospects-during the struggle between Gates and Cornwallis, and the period immediately subsequent to the close of the campaign in the defeat of the Southern defending army. Mr. S. assures us that the histories of the time have been continually before him in the prosecution of this object, and that, where written records were found wanting, their places have been supplied by local chronicles and tradition. Whether the idea ever entered the mind of Mr. Simms that his very laudable design, as here detailed, might have been better carried into effect by a work of a character purely historical, we, of course, have no oppor tunity of decidihg. To ourselves, every succeeding page of "The Partisan" rendered the supposition more plausible. The interweaving fact with fiction is at all times hazardous, and presupposes on the part of general readers that degree of intimate acquaintance with fact which should never be presupposed. In the present instance, the author has failed, so we think, in confining either his truth or his fable within its legitimate, indi vidual domain. Nor do we at all wonder at his failure in performing what no novelist whatever has hitherto performed. Some pains have been taken in the preface of "The Partisan," to bespeak the reader's favorable decision in regard to certain historical facts-or rather in regard to the coloring given them by Mr. Simms. WVe refer particularly to the conduct of General Gates in South Carolina. We would, generally, prefer reading an au thor's book, to reading his criticism upon it. But letting this matter pass, we do not think Mr. S. has erred in attributing gross negligence, headstrong obstinacy, and overweening self-conceit to the conqueror at Saratoga. These charges are sustained by the best authoritiesby Lee, by Johnson, by Otho Williams, and by all the histories of the day. No apology is needed for stating the truth. In regard to the "propriety of insisting upon the faults and foibles of a man conspicuous in our history," Mr. Simms should give himself little uneasiness. It is precisely because the man is conspicuous in our history, that we should have no hesitation in condemning his errors. With the events which are a portion of our chronicles, the novelist has interwoven such fictitious incidents and characters as might enable him to bind up his book iii two volumes duodecimno, and call it "The Partisan." The Partisan himself, and the hero of the novel, is a Major Robert Singleton. His first introduction to the reader is as follows. "It was on a pleasant afternoon in June, that a tall, well-made youth, probably twentyfour or five years of age, rode up to the door of the "George," (in the village of Dorchester,) and throwing his bridle to a servant, entered the hotel. His person had been observed, and his appearance duly remarked upon, by several persons already assembled in the hall which he now approached. The new comer, indeed, was not one to pass unnoticed. His person was symmetry itself, and the ease with which he managed his steed, and the" but we spare our readers any farther details in relation to either the tall, wvell-made youth, or his steed, which latter they may take for granted was quite as tall, and equally well made. We cut the passage short with the less hesitation, inasmuch as a perfect fac-simile of it may be found near the commencement of every fashionable novel since the flood. Singleton is a partisan in the service of Marion, whose disposition, habits, and character are well painted, and vell preserved, throughout the Tale. A Mr. Walton is the uncle of Singleton, and has been induced, after the surrender of Charleston (spelt Charlestown) to accept of a British protection, the price of which is neutrality. This course he has been led to adopt, principally on account of his daughter Katharine, who would lose her all in the confiscation of her fiither's property-a confiscation to be avoided by no other means than those of the protection. Singleton's sister resides with Col. Walton's family, at "The Oakls," near Dorchester, where the British Col. Proctor is in command. At the instigation of Singleton, who has an eye to the daughter of Col. Walton, that gentleman is induced to tear up the disgraceful protection, and levy a troop, with which he finally reaches the army of Gates. Most of the book is occupied with the ambuscades, bush fighting, and swamp adventures of partisan warfare in South Carolina. These passages are all highly interesting-but as they have little connexion with one another, we mustdismiss them en masse. The history of the march of Gates' army, his foolhardiness, and consequent humiliating discomfiture by Cornwallis, are as well told as any details of a like nature can be told, in language exceedingly confused, ill-arranged, and ungrammatical. This defeat hastens the denoteemeal, or rather the leading incident, of the novel. Col. Walton is made prisoner, and condemned to be hung, as a rebel taken in arms. He is sent to Dorchester for the fulfilment of the sentence. Singleton, urged by his own affection, as well as by the passionate 118
Critical Notices [pp. 112-128]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 2
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- Sketches of the History and Present Conditions of Tripoli, No. X - Robert Greenhow - pp. 69-71
- A Pæan - Edgar Allan Poe, Signed E. A. P. - pp. 71
- Charlot Tayon - Nathaniel Beverley Tucker [Unsigned] - pp. 71-74
- Linnæus and Wilson - T. B. Balch [Unsigned] - pp. 74-76
- Love and Poetry - Eliza White [Unsigned] - pp. 76
- A Fairy Tale - Miss Mercer [Unsigned] - pp. 77-78
- The Wagoner - St. Leger Landon Carter [Unsigned] - pp. 78
- Sacred Melody - pp. 78
- Sensibility - Harriet G. Storer, Signed S. H. - pp. 79-87
- To — - Nathaniel Beverley Tucker, Signed B. T. - pp. 87-88
- Popular Education - pp. 88-93
- Translation - Nathaniel Beverley Tucker - pp. 93
- Verses Written During an Excursion Among the Alleghany Mountains - pp. 93-94
- Lionel Granby, Chapter VII - Julia Putnam Henderson, Signed Theta - pp. 94-96
- Unknown Flowers - Morna - pp. 96
- Sonnet to — - Alexander Lacey Beard [Signed] - pp. 96
- Metzengerstein: a Tale in Imitation of the German - Edgar Allan Poe - pp. 97-100
- The Fountain of Oblivion - William Murray Robinson, Signed a Virginian - pp. 100-101
- English Poetry - Philip Pendleton Cooke [Unsigned] - pp. 101-106
- Scenes From an Unpublished Drama, Politian - Edgar Allan Poe - pp. 106-108
- Virginia: Extracts from an Unpublished Abridgment of the History of Virginia - pp. 108-109
- Lady Lenore and Her Lover - Philip Pendleton Cooke, Signed L. L. - pp. 109-110
- English Language in America - James Waddell Alexander, Signed Borealis - pp. 110-111
- To the Woodnymphs - Lanier [Unsigned] - pp. 111-112
- Critical Notices - Edgar Allan Poe - pp. 112-128
- Supplement - pp. 133-140
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- Poe, Edgar Allan
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- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 2
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"Critical Notices [pp. 112-128]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0002.002. University of Michigan Library Digital Collections. Accessed June 22, 2025.