SOUTHERN LITERARY MESSENGER. 105 Hist, the raven flaps his wing To the night-mares as they go, And the death-owl hoarse doth sing, From the briared dell below. My love is dead, Gone to his death-bed, All under the willow tree." I have little or no more to say of Thomas Chatterton; I have already said too much. But the heart rules the head when we look upon the wretched career-least wretched in its wretched end-of one fitted for the loftiest achievements. A rocket with " the wide sky" before it-the blaze and the flight of his genius was scarcely beyond the fogs that lie near earth. It fell, blackened, and scorched, and lightless, to the dust. Had "the marvellous boy" feared death more than he had been taught to fear life, the rocket would have been in "the wide sky," not in the dust-the wonder of men, not their pity. Thomas Chatterton died in 1770, aged seventeen years and nine months. VI. From the days of old Thomas the Rhymer the barren glens and bleak hills of Scotland have been holy earth. An essence strong and mystic, an invisible presence, a something undefined, but powerful, hangs above and rests upon them. "The mantle of historic poetry is upon her soil!" and the floating and fragmentary images on this mantle-in their influence, like those upon the Arras tapestry in the haunted chamber of Monkbarnsfashion the dreams of one looking upon it rarely. The dreamer dreams of Wallace wight, and of the deeds of the Bruce-of Douglas "tender and true," and of the hardy feats of the moss troopers, whose homes were from Inck Colm to the Solwvay. But the mantle of a milder poesy is too upon the Scottish valleys and hills! Shepherds have tuned the pipe to love among the hollows of Ettrick Wood-on the levels beside Yarrow-down by the shores of Loch Lomond, Loch Katrine, Loch Leven and Loch Apollo knows what! A poet has sat on Eildon hill, and forgotten the hand of Michael the conjurer in a vision of love. Move where you may you will see the marks of these. Their songs ring in your ears, as the voices of the musical doves of the Bahamas haunt him who visits their pebbly islets. I have now to speak of one who wound these two mantles together:-mingling the spirit of martialfiolic* with the softer one of Eros. Most readers are famniliar with the life as well as poetry of Robert Burns. The son of a gardener — brought up to "the plough, scythe and reap-hook"his mind took upon itself the sturdy simplicity of his occupation. Scarcely a moderate English scholar, unversed in "lore of books," he won himself a place as an author among the greatest men of his time. Burns, like Scott, was much indebted to the nursery tales of his childhood for his success in after life. The oak springs from an acorn-and an old crone's vagaries had a great share in making our ploughman a poet. "She had," he tells us in his brief autobiography, "the largest collection in the country of tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kedyers, elf-candles, dead-lights, wraiths, ap * There is a dash of merryrattl,igsomeness in the old Scottish spirit-that spirit which carried the Kerr and the Scott into the cattle lands South of the Tweed-rendering it a spirit rather of martialfrolic than of chivalry. paritions, cantraips, giants, enchanted towers, dragons, and other trumpery." The earliest composition that he read with pleasure was the Vision of Mirza, and a hymn of Addison's, beginning " How are thy servants blest, O Lord." These he met with in Mason's English Collection, one of his school-books. He next read the Life of Hannibal, which taught him to strut after the recruiting drum and bagpipe; and the Life of Wallace, which made "his veins boil with a Scottish prejudice." From fourteen to sixteen he lived after a most wretched fashiontoiling at the plough, and oppressed by poverty. At sixteen he fell in love, and his own description of the affair is so characteristic that I will quote it. "In my sixteenth autumn, my partner (in the harvest field) was a bewitching creature, a year younger than myself. She was a bonnie, sweet, sonsie lass. In short, she, altogether unwittingly to herself, initiated me into that delicious passion. which in spite of acid disappointments, gin-horn prudence, and book-worm philosophy, I hold to be first of human joys-our dearest blessing here below. How she caught the contagion I cannot tell. Yet medical people talk much of infection from breathing the same air, the touch, &c.; but I never expressly said I loved her. Indeed, I did not know myself why I liked so much to loiter behind with her when returning in the evening from our labors; why the tones of her voice made my heart-strings thrill like an JEolian harp; and particularly why my pulse beat such a furious ratan, when I looked and fingered over her little hand, to pick out the cruel nettle stings and thistles. Among her other love-inspiring qualities, she sung sweetly-and it was her favorite reel which I attempted giving an imbodied vehicle in rhyme. I was not so presumptuous as to imagine I could make verses like printed ones, composed by men who had Greek and Latin: but my girl sung a song which was said to be composed by a country laird's son on one of his father's maids with whom he was in love; and I saw no reason why I might not rhyme as well as he-for excepting he could shear sheep and cast peats, his father living in the moorlands, he had no more scholar-craft than myself. Thus with me began love and poetry, which at times have been my only, and till within the last twelve months my highest enjoyment." His nineteenth summer was spent on a smuggling coast, where he learned "mensuration, surveying, dialling," &c. and improved in his knowledge of love and Iwhiskey-drinking. "Yet early ingrained piety and virtue kept him for several years afterward rather within the line of innocence," notwithstanding that Vive l',lnour et Vive la Bagoatelle was his sole principle of action. Harassed at length by pecuniary difficulties, and driven to the border of despair, Burns determined on running off to Jamaica to avoid "the horrors of a jail." Before putting this resolve into execution, he published a small edition of his poems by subscription. tHe cleared by this 201. and gained some reputation. This sum came very seasonably, as without it he would have been compelled to indent himself for want of money to pay his passage. He had taken his place in a ship about to sail from the Clyde, when a letter from Dr. Blacklock, by "opening new prospects to
English Poetry [pp. 101-106]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 2, Issue 2
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- Sketches of the History and Present Conditions of Tripoli, No. X - Robert Greenhow - pp. 69-71
- A Pæan - Edgar Allan Poe, Signed E. A. P. - pp. 71
- Charlot Tayon - Nathaniel Beverley Tucker [Unsigned] - pp. 71-74
- Linnæus and Wilson - T. B. Balch [Unsigned] - pp. 74-76
- Love and Poetry - Eliza White [Unsigned] - pp. 76
- A Fairy Tale - Miss Mercer [Unsigned] - pp. 77-78
- The Wagoner - St. Leger Landon Carter [Unsigned] - pp. 78
- Sacred Melody - pp. 78
- Sensibility - Harriet G. Storer, Signed S. H. - pp. 79-87
- To — - Nathaniel Beverley Tucker, Signed B. T. - pp. 87-88
- Popular Education - pp. 88-93
- Translation - Nathaniel Beverley Tucker - pp. 93
- Verses Written During an Excursion Among the Alleghany Mountains - pp. 93-94
- Lionel Granby, Chapter VII - Julia Putnam Henderson, Signed Theta - pp. 94-96
- Unknown Flowers - Morna - pp. 96
- Sonnet to — - Alexander Lacey Beard [Signed] - pp. 96
- Metzengerstein: a Tale in Imitation of the German - Edgar Allan Poe - pp. 97-100
- The Fountain of Oblivion - William Murray Robinson, Signed a Virginian - pp. 100-101
- English Poetry - Philip Pendleton Cooke [Unsigned] - pp. 101-106
- Scenes From an Unpublished Drama, Politian - Edgar Allan Poe - pp. 106-108
- Virginia: Extracts from an Unpublished Abridgment of the History of Virginia - pp. 108-109
- Lady Lenore and Her Lover - Philip Pendleton Cooke, Signed L. L. - pp. 109-110
- English Language in America - James Waddell Alexander, Signed Borealis - pp. 110-111
- To the Woodnymphs - Lanier [Unsigned] - pp. 111-112
- Critical Notices - Edgar Allan Poe - pp. 112-128
- Supplement - pp. 133-140
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"English Poetry [pp. 101-106]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0002.002. University of Michigan Library Digital Collections. Accessed June 23, 2025.