SOUTHERN LITERARY MESSENGER. We give a short extract from each of these sketches, although they canafford no idea of their collectivecharms. The conversational powers and social qualities of Sir Walter Scott, are thus described: "The conversation of Scott was frank, hearty, picturesque, and dramatic. During the time of my visit he inclined to the comic rather than the grave, in his anecdotes and stories, and such, I was told, was his general inclination. He relished a joke, or a trait of humor in social intercourse, and laughed with right good will. He talked not for effect or display, but from the flow of his spirits, the stores of his memory, and the vigor of his imagination. lHe had a natural turn for narration, and his narratives and descriptions were without effort, yet wonderfully graphic. He placed the scene before you like a picture; he gave the dialogue with the appropriate dialect or peculiarities, and described the appearance and characters of his personages with that spirit and felicity evinced in his writings. Indeed, his conversation reminded me continually of hi novels; and it seemed to me, that during the whole time I was with him, he talked enough to fill volumes, and that they could not have been filled more delightfully. "He was as good a listener as talker, appreciating every thing that others said, however humble nmight be their rank or pretensions, and was quick to testity his perception of any point in their discourse. He arrogated nothing to himself, but was perfectly unassuming and unpretending, entering with heart and soul into the business, or pleasure, or, I had almost said folly, of the hour and the company. No one's concerns, no one's thoughts, no one's opinions, no one's tastes and pleasures seemed beneath him. He made himself so thoroughly the companion of those with whom he happened to be, that they forgot for a time his vast superiority and only recollected and wondered, when all was over that it was Scott with whom they had been on familiar terms, and in whose society they had felt so perfectly at their ease. "It was delightful to observe the generous mode in which he spoke of all his literary cotemporaries, quoting the beauties of their works, and this, too, with respect to persons with whom he might be supposed to be at variance in literature or politics. Jeffrey, it was thought had ruffled his plumes in one of his reviews, yet Scott spoke of him in terms of high and warm eulogy, both as an author and as a man. "His humor in conversation, as in his works, was genial and free from all causticity. He had a quick perception of faults and foibles, but he looked upon poor human nature with an indulgent eye, relishing what was good and pleasant, tolerating what was frail, and pitying what was evil. It is this beneficent spirit which gives such an air of bonhommie to Scott's humor throughout all his works. He played with the foibles and errors of his fellow beings, and presented them in a thousand whimsical and characteristic lights, but the kindness and generosity of his nature would not allow him to be a satirist. I do not recollect asneer throughout his conversation any more than there is throughout his works." It is more difficult to fix upon an extract from the sketch of Newstead Abbey, but we take the following as coming within the limits of our notice: "I was attracted to this grove, however, by memorials of a more touching character. It had been one of the favorite haunts of the late Lord Byron. In his farewell visit to the abbey, after he had parted with the possession of it, he passed some time in this grove, in company with his sister; and as a last memento, engraved their names on the bark of a tree. "The feelings that agitated his bosom during this farewell visit, when he beheld around him objects dear to his pride, and dear to his juvenile recollections, but of which the narrowness of his fortune would not per mit him to retain possession, may be gathered from a passage in a poetical epistle, written to his sister in after years. "'I did remind you of our own dear lake By the old hall, which may be mine no more; Lemans is fair; but think not I forsake The sweet remembrance of a dearer shore: Sad havoc Time must with my memory make Ere that or thou can fade these eyes before; Though, like all things which I have loved, theyare Resign'd for ever, or divided far. I feel almost at times as I have felt In happy childhood; trees, and flowers, and brooks, Which do remember me of where I dwelt Ere my young mind was sacrificed to books, Come as of yore upon me, and can melt My heart with recognition of their looks, And even at moments I would think I see Some living things I love-but none like thee.' "I searched the grove for sometime, before I found the tree on which Lord Byron had left his frail memorial. It was an elm of peculiar form, having two trunks, which sprang from the same root, and after growing side by side, mingled their branches together. He had selected it doubtless, as emblematical of his sister and himself. The names of BYRON and AUGUSTA were still visible. They had been deeply cut in the bark, but the natural growth of the tree was gradually rendering them illegible, and a few years hence, strangers will seek in vain for this record of fraternal affection. * * * * * *: "At a distance on the border of the lawn, stood another memento of Lord Byron; an oak planted by him in his boyhood, on his first visit to the abbey. With a superstitious feeling inherent in him, he linked his own destiny with that of the tree.'As it fares,' said he,'so will fare my fortunes.' Several years elapsed, many of them passed in idleness and dissipation. He returned to the abbey a youth scarce grown to manhood, but as he thought with vices and follies beyond his years. He found his emblem oak almost choked by weeds and brambles, and took the lesson to himself. "' Young oak, when I planted thee deep in the ground, I hoped that thy days would be longer than mine, That thy dark waving branches would flourish around, And ivy thy trunk with its mantle entwine. Such, such was my hope-when in infancy's years On the land of my fathers I reared thee with pride; They are past, and I water thy stem with my tears Thy decay not the weeds that surround thee can hide.' "I leaned over the stone ballustrade of the terrace, and gazed upon the valley of Newstead, with its silver sheets of water gleaming in the morning sun. It was a Sabbath morning, which always seems to have a hallowed influence over the landscape, probably from the quiet of the day, and the cessation of all kinds of week day labor. As I mused upon the mild and beautiful scene, and the wayward destinies of the man whose stormy temperament forced him from this tranquil paradise to battle with the passions and perils of the world, the sweet chime of bells from a village a few miles distant, came stealing up the valley. Every sight and sound this morning, seemed calculated to summon up touching recollections of poor Byron. The chime was from the village spire of Hucknall Torkard, beneath which his remains lie buried! "I have since visited his tomb. It is in an old gray country church, venerable with the lapse of centuries. He lies buried beneath the pavement, at one end of the principal aisle. A light falls upon the spot through the stained glass of a gothic window, and a tablet on the adjacent wall announces the family vault of the Byrons. It had been the wayward intention of the poet to be entombed with his faithful dog in the monument erect 647 0
Literary Notices [pp. 646-651]
Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 1, Issue 11
-
Scan #1
Page 597
-
Scan #2
Page 598
-
Scan #3
Page 599
-
Scan #4
Page 600
-
Scan #5
Page 601
-
Scan #6
Page 602
-
Scan #7
Page 603
-
Scan #8
Page 604
-
Scan #9
Page 605
-
Scan #10
Page 606
-
Scan #11
Page 607
-
Scan #12
Page 608
-
Scan #13
Page 609
-
Scan #14
Page 610
-
Scan #15
Page 611
-
Scan #16
Page 612
-
Scan #17
Page 613
-
Scan #18
Page 614
-
Scan #19
Page 615
-
Scan #20
Page 616
-
Scan #21
Page 617
-
Scan #22
Page 618
-
Scan #23
Page 619
-
Scan #24
Page 620
-
Scan #25
Page 621
-
Scan #26
Page 622
-
Scan #27
Page 623
-
Scan #28
Page 624
-
Scan #29
Page 625
-
Scan #30
Page 626
-
Scan #31
Page 627
-
Scan #32
Page 628
-
Scan #33
Page 629
-
Scan #34
Page 630
-
Scan #35
Page 631
-
Scan #36
Page 632
-
Scan #37
Page 633
-
Scan #38
Page 634
-
Scan #39
Page 635
-
Scan #40
Page 636
-
Scan #41
Page 637
-
Scan #42
Page 638
-
Scan #43
Page 639
-
Scan #44
Page 640
-
Scan #45
Page 641
-
Scan #46
Page 642
-
Scan #47
Page 643
-
Scan #48
Page 644
-
Scan #49
Page 645
-
Scan #50
Page 646
-
Scan #51
Page 647
-
Scan #52
Page 648
-
Scan #53
Page 649
-
Scan #54
Page 650
-
Scan #55
Page 651
-
Scan #56
Page 652
- Professor Beverley Tucker's Valedictory Address to His Class - Professor Beverley Tucker - pp. 597-602
- Letters on the United States of America, by a Young Scotchman, Part II - George Watterston, Signed a Young Scotchman Now No More - pp. 602-604
- Fine Passage in Hooker - Edward Vernon Sparhawk [Unsigned] - pp. 604
- To —: "The dial marks the sunny hour" - John Walker Wilde [Unsigned] - pp. 604
- Paraphrase of a Figure in the First Volume of Eugene Aram - John Walker Wilde [Unsigned] - pp. 604
- To My Sisters - Rosicrucius - pp. 604
- Lines: "Sleep on, thou dear maiden" - J. M. C. D. - pp. 604
- Grayson Griffith - William Swan Plumer [Unsigned] - pp. 605-611
- Lines Written in Mrs. —'s Album - John Walker Wilde [Unsigned] - pp. 611
- The Diamond Chain - Questus - pp. 611
- Where Shall the Student Rest?: A Parody of Constance's Song in Marmion "Where Shall the Lover Rest" - pp. 612
- The Age of Reptiles - pp. 612
- Answer to Willis's "They may talk of your Love in a Cottage" - John Walker Wilde [Unsigned] - pp. 612
- Epigram - pp. 612
- Visit to the Virginia Springs - James Ewell Heath [Unsigned] - pp. 613-616
- Extracts from the Autobiography of Pertinax Placid: My First Night in a Watch-house, Chapter I - Edward Vernon Sparhawk, Signed Pertinax Placid - pp. 617-621
- Dissertation on the Characteristic Differences between the Sexes, and Woman's Position and Influence in Society, No. II - Thomas Roderick Dew [Unsigned] - pp. 621-632
- Lionel Granby, Chapter IV - pp. 632-634
- To H. W. M. - Morna - pp. 634-635
- Lines Written on Being Accused of Coldness of Character - E. A. S. - pp. 635
- On the Deaf, Dumb, and Blind Girl of the Asylum at Hartford, Connecticut (Julia Bruce) - Mrs. Lydia Howard Huntley Sigourney - pp. 635-636
- An Elegy - Frederic Speece - pp. 636
- Sonnet - Alexander Lacey Beard - pp. 636
- To Mary - Edgar Allan Poe, Signed E. A. P. - pp. 636
- The Visionary—A Tale - Edgar Allan Poe - pp. 637-640
- Peter's Mountain - pp. 641
- The Duel - Dr. Egan, Signed E. - pp. 641-644
- Lines: "The dove of my bosom lies bleeding" - Morna - pp. 644
- My Native Home - George Watterston - pp. 644
- Memoir of the Ambitious Lawyer - Narrator - pp. 645-646
- Literary Notices - pp. 646-651
- Editorial Remarks - pp. 652
Actions
About this Item
- Title
- Literary Notices [pp. 646-651]
- Canvas
- Page 647
- Serial
- Southern literary messenger; devoted to every department of literature and the fine arts. / Volume 1, Issue 11
Technical Details
- Collection
- Making of America Journal Articles
- Link to this Item
-
https://name.umdl.umich.edu/acf2679.0001.011
- Link to this scan
-
https://quod.lib.umich.edu/m/moajrnl/acf2679.0001.011/651:31
Rights and Permissions
The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection, please contact Digital Content & Collections at [email protected]. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
DPLA Rights Statement: No Copyright - United States
Related Links
IIIF
- Manifest
-
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moajrnl:acf2679.0001.011
Cite this Item
- Full citation
-
"Literary Notices [pp. 646-651]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/acf2679.0001.011. University of Michigan Library Digital Collections. Accessed June 22, 2025.