A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.

948 SUSARION. SYAGER. to the command of the Mithridatic war, Sura was the first who so regulated this species of quitted Boeotia, and returned to his commander in amusement, as to lay the foundation of Comedy, Macedonia. (Appian, Mithr. 29; Plut. Sull. 11.) properly so called. The time at which this imSURA, P. CORNE'LIUS LE'NTULUS. portant step was taken can be determined within [LENTULUS, No. 18.] pretty close limits. The Megaric comedy appears SURA, L. LICI'NIUS, was three times consul to have flourished, in its full developement, about under Trajan, first suffectus in A.D. 98, in which 01. 45 or 46, B. C. 600 and onwards; and it was year Trajan succeeded to the empire, and twice introduced by Susarion into Attica between 01. ordinary consul in A. D. 102 and 107. He was 50and 54,B.C. 580-564. (Plut. Sol. 10; Martn, one of the most intimate friends of Trajan, and by Par. Ep. 39; Meineke, Hist. Crit. Corn. Graec. his strong recommendation of the latter to Nerva, pp. 19, 20.) had a great share in gaining for him the empire. The Megaric comedy appears to have consisted He likewise employed his influence with Trajan chiefly in coarse and bitter personal jests, and to gain for Hadrian more of the emperor's favour, broad buffoonery, and this character it retained and he may be said thus to have placed two em- long after its offspring, the Attic comedy, had beperors on the throne. Trajan continued to cherish come more refined. (Meineke, pp. 20-24.) That an undiminished regard for Sura as long as he the comedy of Susarion partook of a like rudeness lived. He frequently employed Sura to write his and buffoonery might reasonably be supposed, even orations; and on the death of the latter he honoured if it were not expressly asserted by ancient writers him with a public funeral, and erected baths to (Anon. de Corn. p. xxxii.; Diomed. Gramniat. iii. perpetuate his memory. Dion Cassius relates that p. 486); but there can be no doubt that, in his Sura was sent as ambassador to Decebhalus in the hands, a great and decided advance was made in Dacian war. Two of Pliny's letters are addressed the character of the composition, which now in to him. (Dion Cass. lxviii. 9, 15; Aurel. Vict. fact, for the first time, deserved that name. One Caes. 13. ~ 8, EJpit. 13. ~ 6; Spartian. Hadr. 2, 3; change, which he introduced, is alone sufficient to Julian, Caes. p. 846, Syvlb.; Plin. Ep. iv. 30, vii. mark the difference between an unregulated exer27.) cise of wit and an orderly composition; he was the SURA, PALFU'RIUS. [PALFURIUS.] first who adopted the metrical form of language for SURDI'NIUS GALLUS. [GALLUS.] comedy (T IS iA-sApouv Kcoacp8as a&pXrEybss EYE'veo, SURDI'NUS. 1. A person spoken of in the Schol. Dion. Thrac. p. 748; Tzetzes, ap. Cramer. consulship of Mam. Aemilius Lepidus, B. C. 77. Anecd. vol. iii. p. 336; Schol. Hermog. ap. Reisk. (Val. Max. vii. 7. ~ 6.) Orat. Graec. vol. viii. p. 959; Bentley, Phal.) It 2. A rhetorician and a contemporary of the elder is not, however, to be inferred that the comedies Seneca, elegantly translated some Greek plays into of Susarion were written; Bentley has shown that the Latin language. (Senec. Suas. 8, Controv. 20, the contrary is probably true. They were brought 21.) forward solely through the medium of the chorus, SURDI'NUS, L. NAE'VIUS, a triumvir of which Susarion, doubtless, subjected to certain the mint under Augustus, whose name occurs on rules. (Marm. Par. vv. 54, 55, as restored by coins, of which a specimen is annexed. The head Bbckh, Corp. Inscr. vol. ii. p. 301.) It seems of Augustus is on the obverse. most probable that his plays were not acted upon waggons. (Meineke, p. 25.) Of the nature of his subjects we know nothing for certain; but it can hardly be conceived that his comedies were made up entirely of the mere jests which formed the staple of the Megaric comedy; although there could only have been a very imperfect approach to anything like connected argument or plots, for c= 1~, t> k> ~~ ~ Aristotle expressly tells us that Crates was the first \~ ~ _/.~j 9 A who made ohd'ovs X /uL'Oovs. (Poh't.v. 6; CRATES.) The improvements of Susarion, then, on the Megaric comedy, which he introduced into Attica, may be said to have consisted in the substitution COIN OF L V U of premeditated metrical compositions for irregular SURE'NAS, the general of the Parthians, who extemporaneous effusions, and the regulation of the defeated Crassus in B. C. 54. [CRassvs, p. 878.] chorus to some extent. It was long before this SUSA'RION (2ovrapiwv), to whom the origin new species of composition took firm root in Atof the Attic Comedy is ascribed, is said to have tica; for we hear nothing more of it until eighty been the son of Philinus, and a native of Tripo- years after the time of Susarion, where the art discus, a village in the Megaric territory, whence revived in the hailds of Euetes, Euxenides, and he removed into Attica, to the village of Icaria, a Myllus, at the very time when the Dorian comedy place celebrated as a seat of the worship of Dio- was developed by Epicharmus in Sicily. (Meineke, nysus. (Ath. ii. p. 40, b.; Schol. II. xxii. 29.) Hist. Crit. Cornm. Graec. pp. 18-26.) [P. S.] This account agrees with the claim which the SYADRAS. [CHARTAS.] Megarians asserted to the invention of comedy, SYAGER (:ia-ypos), a Lacedaemonian, was and which was generally admitted. (Aristot. Poet. the deputy from his state in the embassy which the iii. 5; Aspasius, ad A ristot. Eth. Nic. iv. 2; Diet. Greeks sent to Gelon, to ask his assistance against of Antiq. art. Comoedia, p. 342, 2d ed.) Before Xerxes. [GELON.] Syager indignantly rejected, the time of Susarion there was, no doubt, practised, on behalf of Sparta, the condition insisted on by at Icaria and the other Attic villages, that extem- the tyrant, that he should have the supreme compore jesting and buffoonery which formed a marked mand of the allied armament. (Herod. vii. 153, feature of the festivals of Dionysus; but Susarion 159.) [E. E.]

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A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.
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Smith, William, Sir, ed. 1813-1893.
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Page 948
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Boston,: Little, Brown and co.,
1867.
Subject terms
Classical dictionaries
Biography -- Dictionaries.
Greece -- Biography.
Rome -- Biography.

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