A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.

HOM ERUS. IHOMERUS. 50i The whole of'antiquity unanimously vieu ed the Greeks. Wood, lead, brass, stone, are not proper Iliad and the Odyssey as the productions of a cer- materials for writing down poems consisting of tain individual, called Homer. No doubt of this fact twenty four books. Even hides, which were used ever entered the mind of any of the ancients; and by the Ionians, seem too clumsy for this purpose, even a large number of other poems were attributed and, besides, we do not know whlen they were first to thesameauthor. This opinion continued unshaken in use. (Herod. v. 58.) It was not before the down to the year 1795, when F. A. Wolf wrote sixth century B. c. that papyrus became easily his famous Prolegomena, in which he endeavoured accessible to the Greeks, through the king Amato show that the Iliad and Odyssey were not two sis, who first opened Egypt to Greek traders. complete poems, but small, separate, independent The laws of Lycurgus were not committed to epic songs, celebrating single. exploits of the heroes, writing; those of Zaleucus, in Locri Epizephyrii, and that these lays were for tlte first time written in the 29th 01. (B. C. 664), are particularly,. redown and united, as the Iliad and Odyssey, by corded as the first laws that were written down. Peisistratus, the tyrant of Athens. This opinion, (Scymn. Perieg. 313; Strab. vi. p. 259.) The laws startling and paradoxical as it seemed, was not en- of Solon, seventy years later. were written on wood tirely new. Casaubon had already doubted the and eovUcrpo~bln60. Wolf allows that all these concommon opinion regarding Homer, and the great siderations do not prove that no use at all was Bentley had said expressly "1 that Homer wrote a made of the art of writing as early as the seventh sequel of songs and rhapsodies. These loose songs and eighth centuries B. c., which would be parwere not collected together in the form of an ticularly improbable in the case of the lyric poets, epic poem till about 500 years after." (Letter such as Archilochus, Alcman, Pisander, and Arion, by Phileleuthlerus Lipsiensis, ~ 7.) Some French but that before the time of the seven sages, that is, writers, Perrault and Hedelin, and the Italian the time when prose writing first originated, the art Vico, had made similar conjectures, but all these was not so common that we can suppose it to have were forgotten and overborne by the common been -employed for such extensive works as the and general opinion, and the more easily, as these poems of Homer. Wolf (Prol. p. 77) alleges the bold conjectures had been thrown out almost at testimony of Josephus (c. Apion. i. 2):'O4e ical hazard, and without sound arguments to support dO'Ais eyYwo-av oi "EAh 4ves QP'v?ypaAyc'owv... Kai them. When therefore WVolf's Prolegomena ap- Qa-tv ovsE'OTOV (i.e. Homerum) EV ypzpa4a. peared, the whole literary world was startled by rmv a'oro e7rsosfv KtaaAn7rstv, cAahd 8Lagtv7uovyevothe boldness and novelty of his positions. His /piev V C aCV'yscwv'oepov ovPTrOieav. (Bebook, of course, excited great opposition, but no sides Schol. ap. Villois. Anecd. Gr. ii. p. 182.) But one has to this day been able to refute the principal Wolf draws still more convincing arguments from arguments of that great critic, and to re-establish the poems themselves. In II. vii. 175, the Grecian the old opinion, which he overthrew. His views, heroes decide by lot who is to fight with Hector. hlowever, have been materially modified by pro- The lots are marked by each respective hero, and tracted discussions, so that now we can almost all thrown into a helmet, which is shaken till one venture to say that the question is settled. We lot is jerked out. This is handed round by the will first state Wolf's principal arguments, and the herald till it reaches Ajax, who recognises the chief objections of his opponents, and will then en- mark he had made on it as his own. If this mark deavour to discover the most probable result of all had been any thing like writing, the herald would these inquiries. have read it at once, and not have handed it round. In 1770, R. Wood published a book On the ori- In Ii. vi. 168, we have the story of Bellerophon, ginal Genius of h1om2er, in which he mooted the whom Proetus sends to Lycia, question whether the Homeric poems had originally r, been wzritten or not. This idea was caught up by pOprrv 8' OC Guava Avepp, Wolf, and proved the foundation of all his inquiries. rpaI/s Tv'O TK 6Odopp d rAd. But the most important assistance which he ob- Ae7ar 8' qvo6ye z v -7reP6Ep y, OP a/7r, tained was from the discovery and publication of Wolf shows that o'rj~Iaa?hvrpd are a kind of conthe famous Venetian scholia by Villoison (1788). ventional marks, and not letters, and that this story These valuable s cholia, in giving us some insight into is far from proving the existence of writing. the studies of the Alexandrine critics, furnished Throughout the whole of Homer every thing is calmaterials and an historical basis for -Wolf's in- culated to be heard, nothing to be read. Not a quiries. The point from which VWolf started was, single epitaph, nor any other inscription, is menas we have said, the idea that the Homeric poems tioned; the tombs of the heroes are rude mounds were originally not written. To prove this, he of earth; coins are unknown. In Od. viii. 163, an entered into a minute and accurate discussion con- overseer of a ship is mentioned, who, instead of cerning the age of the art of writing. He set aside, having a list of the cargo, must remember it; he is as groundless fables, the traditions which ascribed poprov 1AvYtzIeL. All this seemed to prove, without the invention or introduction of this art to Cadmus, the possibility of doubt, that the art of writing was Cecrops, Orpheus, Linus, or Palamedes. Then, entirely unknown at the time of the Trojan war, allowing that letters were known in Greece at a and could not have been common at the time when very early period, he justly. insists upon the great the poems were composed. difference which exists between the knowledge of'Among the opponents of Wolf, there is none the letters and their general euse for works of lite- superior to Greg. W. Nitzsch, in zeal, perseverance, rature.'Writing is first applied to public monu- learning, and acuteness. He wrote a series of mnents, inscriptions, and religious purposes, centuries monographies (Quaestion. HIomeric. Specimn. i. 1824; before it is employed for the common purposes of indcagandae per Odyss. Inteopplationis Praeparatio, social life. This is still more certain to be the case 1828; De Hist. Homeri, fascic." i. 1830; De when the common ordinary materials for writing Aristotele contra Wolfianos, 1831; Patria'et Aetas are wanting, as they were among the ancient iiom.) to refute Wolf'and his supporters, and he ~K i 3

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A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.
Author
Smith, William, Sir, ed. 1813-1893.
Canvas
Page 501
Publication
Boston,: Little, Brown and co.,
1867.
Subject terms
Classical dictionaries
Biography -- Dictionaries.
Greece -- Biography.
Rome -- Biography.

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"A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood." In the digital collection Making of America Books. https://name.umdl.umich.edu/acl3129.0002.001. University of Michigan Library Digital Collections. Accessed April 27, 2025.
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