A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.

100 EUPHRANOR..'EUPHRON.: adorantem): Alexander and Philip'riding in four- praeceptis symmetriarum. (Vitruv.'vii. Praef. ~ horsed chariots, and other quadrigae and bigae. 14.) [P. S.] (Plin. xxxiv. 8. s. 19, ~ 16.) - The statue.of Apollo EUPHRA'SIUS (Edfppalos), a New Platonist PatroUis, in his temple in the Cerameicus at Athens, and a disciple.of Iamblichus. (Eunap. Vit. Soph. p, was by Euphranor. (Paus. i. 3. ~ 3.) Lastly, his 21. ed. Hadrian. Junius.) [L. S.] statue of Hephaestus, in which the god was not EUPHRA'TES (EbppdTrs), an eminent Stoic lame, is mentioned by Dion Chrysostom. (Orat. philosopher of the time of Hadrian. According to p. 466, c.) Philostratus (Vi{. Soph. i. 7, Vit. Apoll. i. 13), he As a painter, Euphranor executed many great was a native of Tyre, and according to Stephanus works, the chief of which were seen, in the time of Byzantium (s. v.'EirrirveLa), of Epiphaneia in of Pausanias, in a porch in the Cerameicus. On Syria; whereas Eunapius (p. 3, ed. Boissonade) the one side were the twelve gods; and on.the op- calls him an Egyptian.. At the time when Pliny posite wall, Theseus, with Democracy and Demos the younger served in Syria, he became acquainted (Aloicpar'ta r'e Kat Aiijuos), in which picture with Euphrates, and seems to have formed an intiTheseus was represented as the founder of the mate friendship with him. In one of his letters equal polity of Athens. In the same place was (Epist. i. 10) he gives us a detailed account of the his picture of the battle between the Athe- virtues and talents of Euphrates. His great power nian and Boeotian cavalry at Mantineia, contain- as an orator is acknowledged also by other conteming portraits of Epaminondas and of Gryl- poraries (Arrian, Dissert. Epictet. iii. 15, iv. 8; lus, the Son, of Xenophon. (Paus. i. 3. ~ 2, 3.) M. Aurel. x. 31), though Apollonius of Tyana There were also some celebrated pictures by him charges him with avarice and servile flattery. at Ephesus, namely, Ulysses, in his feigned mad- When he had arrived at an advanced age, and ness, yoking an ox with a horse (it is difficult to was tired of life, he asked and obtained from Haunderstand the next words of Pliny, "et palliati drian the permission of putting an end to himself cogitantes"); and a commander sheathing his by poison. (Dion Cass. lxix. 8.) [L. S.] sword. (Plin. xxxv.'ll s. 40. ~ 25.). EUPHRON (E{~pwv), a citizen of Sicyon,.Euphranor also wrote works on proportion and who held tile chief power there during the period on colours (de Symmetria et Coloribus, Plin.. e.), of its subjection to Sparta. In B. C. 368 the city the two points in which his own excellence seems was compelled by Epameinondas to join the Theban chiefly to have consisted. Pliny says that he was alliance; and, though its constitution appears to the first who properly expressed the dignity of have remained unchanged, the influence of Euheroes, by the proportions he gave to their statues; phron was no doubt considerably diminished. In and Hirt observes that this statement is confirmed order, therefore, to regain it, he took advantage of by the existing copy of his Paris. (Gesch. d. Bild. the dissatisfaction of the Arcadians and Argives Kinst, p. 208.) H-Ie made the bodies somewhat with the moderation of Epameinondas, in leaving more slender, and the heads and limbs larger. His the old oligarchical' governments undisturbed system of proportion wvas adopted, with some varia- [EPAMEINONDAS], and, representing to them that; tion, by his great contemporary, Lysippus: in the supremacy of Lacedaemon would surely be painting, Zeuxis had already practised it. It was, restored in Sicyon if matters continued as they no doubt, with reference to proportion, as well as were, he succeeded, through their assistance, in colouring, that he.used to say that the Theseus of establishing democracy. In the election of geneParrhasius had been fed on roses, but his on flesh. rals which followed, he himself was chosen, with (Plin. /. c.-; Plut. de Glor, Ath. 2.) In his great four colleagues. He then procured the appointpicture of the twelve gods, the colouring of the meAt of his own son, Adeas, to the command of hair:of Hera was particularly admired. (Lucian, the mercenary troops in the service -of the reImag. 7.) Of the same picture Valerius Maximus public; and he further attached these to his'cause relates that Euphranor invested Poseidon with by an unsparing use, not only of the public money such surpassing majesty, that he was unable to and the sacred treasures, but of the wealth also of give, as he had intended, a nobler expression to many whom he drove into banishment on the Zeus. (viii. 11, ext. 5.) It is said that the idea charge of Laconism. His next step was to rid of his Zeus was at length suggested by his hearing himself of his colleagues; and having effected this a.scholar recite the description in Homer: —'Ap- by the exile of some and the murder of the rest, gp6olat P' dpa Xa7'rat, &c. (Eustath. ad II. i. 529.) he became tyrant of Sicyon. He was not, howMiiller believed that Euphranor merely copied the ever, entirely independent, for the citadel was Zeus of Phidias. (Arch. d. Kunst, ~ 140, n. 3.)' occupied by a Theban halmost, sent there, as it Plutarch (..~.), amidst much praise of the picture would seem, after the democratic revolution; and of the battle of Mantineia, says that Eltphranor we find Euphron co-operating with that officer painted it under a divine inspiration (o c.&vevOou- in a campaign against Phlius, probably in B. c. 365. scrndaos). Philostratus, in his rhetorical style, Not long after this oligarchy was again estabascribes to Euphranor sE' evor~ov (light and shade) lished in Sicyon, by Aeneias, of Stymphalus, the Kail T'J EVrVOV (expression) KaCd Tri E1lro v Te Kial Arcadian general, and apparently with the conf'Xov (perspeetive and foreshortening). ( Vit. Apol- currence of the Theban harmost. Euphron upon lon. ii. 9.) Pliny (I. c.) says that Euphranor was, this fled to the harbour, and, having sent to Coabove all men, diligent and willing to learn, and rinth for the Spartan commander Pasimelus, delialways equal to himself His disciples were, vered it up to him, making many professions at Antidotus (Plin. 1. c. ~ 27), Carmanides (ib. the same time (to which little credit seems to -have ~ 42), and Leonidas of Anthedon. (Steph. Byz. been given) of having been influenced -in all he s. ar'Avf1w0v.) He was himself a disciple of had done by attachment to the interests of LaceAriston, the son of Aristeides of Thebes. [ARI - daemon. Party-strife, however, still continuing at TEIDES.] Sicyon, he was enabled, by help from Athens, to 2, An architect of little note, who wrote de regain possession of the city; but he was aware that.

/ 1232
Pages

Actions

file_download Download Options Download this page PDF - Pages 96-100 Image - Page 100 Plain Text - Page 100

About this Item

Title
A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood.
Author
Smith, William, Sir, ed. 1813-1893.
Canvas
Page 100
Publication
Boston,: Little, Brown and co.,
1867.
Subject terms
Classical dictionaries
Biography -- Dictionaries.
Greece -- Biography.
Rome -- Biography.

Technical Details

Link to this Item
https://name.umdl.umich.edu/acl3129.0002.001
Link to this scan
https://quod.lib.umich.edu/m/moa/acl3129.0002.001/110

Rights and Permissions

These pages may be freely searched and displayed. Permission must be received for subsequent distribution in print or electronically. Please go to http://www.umdl.umich.edu/ for more information.

Manifest
https://quod.lib.umich.edu/cgi/t/text/api/manifest/moa:acl3129.0002.001

Cite this Item

Full citation
"A Dictionary of Greek and Roman biography and mythology. By various writers. Ed. by William Smith. Illustrated by numerous engravings on wood." In the digital collection Making of America Books. https://name.umdl.umich.edu/acl3129.0002.001. University of Michigan Library Digital Collections. Accessed April 27, 2025.
Do you have questions about this content? Need to report a problem? Please contact us.