The monastery; The abbot.

10 WAVERLEY NOVELS. who places its pleasure in misleading and tormenting mortals, and tho benevolent Fairy of the East, who uniformly guides, aids, and supports them. Either, however, the author executed his purpose indifferently, or the public did not approve of it; for the White Lady of Avenel was far from being popular. He does not now make the present statement, in the view of arguing readers into a more favourable opinion on the subject, but merely with the purpose of exculpating himseif from the charge of having wantonly intruded into the narrative a being of inconsistent powers and propensities. In the delineation of another character, the author of the Monastery failed, where he hoped for some success. As nothing is so successful a subject for ridicule as the fashionable follies of the time, it occurred to him that the' more serious scenes of his narrative might be relieved by the humour of a cavaliero of the age of Queen Elizabeth. In every period, the attempt to gain and maintain the highest rank of Society, has depended on the power of assuming and supporting a certain fashionable kind of affectation, usually connected with some vivacity of talent and energy of character, but distinguished at the same time by a transcendent flight, beyond sound reason and common sense; both faculties too vulgar to be admitted into the estimate of one who claims to be esteemed "a choice spirit of the age." These, in their different phases, constitute the gallants of the day, whose boast it is to drive the whims of fashion to extremity. On all occasions, the manners of the sovereign, the court, and the time, must give the tone to the peculiar description of qualities by which those who would attain the height of fashion must seek to distinguish themselves. The reign of Elizabeth, being that of a maiden queen, was distinguished by the decorum of the courtiers, and especially the affectation of the deepest deference to the sovereign. After the acknowledgment of the Queen's matchless perfections, the same devotion was extended to beauty as it existed among the lesser stars in her court, who sparkled, as it was the mode to say, by her reflected lustre. It is true, that gallant knights no longer vowed to Heaven, the peacock, and the ladies, to perform some feat of extravagant chivalry, in which they endangered the lives of others as well as their own; but although their chivalrous displays of personal gallantry seldom went farther in Elizabeth's days than the tilt-yard, where barricades, called barriers, prevented the shock of the horses, and limited the display of the cavalier's skill to the comparatively safe encounter of their lances, the language of the lovers to their ladies was still in the exalted terms which Amadis would have addressed to Oriana, before encountering a dragon for her sake. This tone of romantic gallantry found a clever but conceited author, to reduce it to a species of constitution and form, and lay down the courtly manner of conversation, in a pedantic book, called Euphues and his England. Of this, a brief account is given in the text, to which it may now be proper to make some additions. The extravagance of Euphuism, or a symbolical jargon of the same class, predominates in the romances of Calprenade and Scuderi, which were read foz the amusement of the fair sex of France during the long reign of Louis XIV., and were supposed to contain the only legitimate language of love and gallantry. In this reign they encountered the satire of Moliere and Boileau. A similar disorder, spreading into private society, formed the ground of the affected dialogue of the Precieuses, as they were styled, who formed the coterie of the Hotel de Rlambouillet, and afforded Moliere matter for his admirable comedy, Les Precieuses Ridicules. In England, the humour does not seem to have long survived the accession of James I. The author had the vanity to think that a character, whose peculiarities should turn on extravagances which were once universally fashionable, mig;ht be read in a fictitious story with a good chance of affording amuse

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Title
The monastery; The abbot.
Author
Scott, Walter, Sir, 1771-1832.
Canvas
Page 10
Publication
Philadelphia,: J. B. Lippincott & co.,
1856.
Subject terms
Scotland -- History
Mary, -- Queen of Scots, -- 1542-1587 -- fiction.

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"The monastery; The abbot." In the digital collection Making of America Books. https://name.umdl.umich.edu/adj0296.0001.001. University of Michigan Library Digital Collections. Accessed June 16, 2025.
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