Dictionary of Greek and Roman antiquities. Ed. by William Smith. Illustrated by numerous engravings on wood.

192 BA LNE A F. BALNEAE. henispf7eaerii). orer the centre of which an orifice is heat, or comes in from violent exercise. These inleft from which a bronze shield (clipeus) was sus- struments, some specimens of which are represented pended. This regulated the temperature of the in the previous woodcut, and many of which have apartment, being raised or lowered by means of been discovered amongst the ruins of the various chains to which it was attached. The form of the baths of antiquity, were made of bone, bronze, iron, cell was required to be circular, in order that the and silver; all corresponding in form with the warm air from the hypocaust might encircle it with epithet of Martial, " curveo distringere ferro" greater facility. (Vitruv. v. 10.) In accordance (Epig. xiv. 51). The poorer classes were obliged with these rules is the Laconicum at Pompeii, a to scrape themselves, but the more wealthy took section of which is given in the previous page, their slaves to the baths for the purpose; a fact the clipeus only being added in order make the which is elucidated by a curious story related by meaning more clear. Spartianus (Hadrian. c. 17). A, The suspended pavement, suspensura; 13. the The strigil was by no means a blunt instrument, junction of the hemisphaerium with the side walls, consequently its edge was softened by the applican ima curvatura lhemzisphaerii; C, the shield, clipezs; tion of oil, which was dropped upon it from a small E and F, the chains by which it is raised and vessel called guttess*, which had a narrow neck, so lowered; D, a labruzm, or flat marble vase, into as to discharge its contents drop by drop, from which a supply of water was introduced by a single whence the name is taken. A representation of a pipe running through the stem. Its use is not ex- guttus is given in the preceding woodcut. Augusactly ascertained in this place, nor whether the tus is related to have suffered from an over-violent water it contained was hot or cold. use of the strigil. (Suet. Aug. 30.) Invalids and It would not be proper to dismiss this account persons of a delicate habit made use of sponges, of the Laconicsus without alluding to an opinion which Pliny says answered for towels as well as adopted by some writers, amongst whom are Gali- strigils. They were finally dried with towels sino and Cameron, that the Laconicum was merely (lintea), and anointed. (Jur. Sat. iii. 262; Apua small cupola, with a metal shield over it, rising leius, Met. ii.; Plin. I<. N. xxxi. 11. s. 47.) above the flooring (suspensura) of the chamber, in The common people were supplied with these the manner represented by the drawing from the necessaries in the baths, but the more wealthy carThermae of Titus, which drawing has, doubtless, ried their own with them (Pers. kSat. v. 126). given rise to the opinion. But it will be observed Lucian (Lexiph. vol. ii. p. 320. ed. Reiz.) adds also that the design in question is little more than a soap and towels to the list. section, and that the artist may have resorted to After the operation of scraping and rubbing dry, the expedient in order to show the apparatus be- they retired into, or remained in, the tepidartizss longing to one end of the chamber, as is frequently until they thought it prudent to encounter the done in similar plans, where any part which re- open air. But it does not appear to have been quired to be represented upon a larger scale is in- customary to bathe in the water, when there was serted in frull development within the general sec- any, which was not the case at Pompeii, nor in the tion; for in none of the numerous baths which baths of Hippias (Lucian, 1. c.), either of the tepyihave been discovered in Italy or elsewhere, even darium orfrigidcriumon; the temperature only of the where the pavements were in a perfect state, has atmosphere in these two chambers being of conseany such contrivance been observed. Besides which quence to break the sudden change from the exit is manifest that the clipeus could not be raised treme of hot to cold. or lowered in the design alluded to, seeing that the Returning now back into the frigidarium (8), chains for that purpose could not be reached in the which, according to the directions of Vitruvius (v. situation represented, or, if attained, could not be 11), has a passage (14) communicating with the handled, as they must be red-hot from the heat of mouth of the furnace (e), which is also seen in the the hypocaust into which they were inserted. In next woodcut under the boilers, called praefu2rniui n, addition to which, the remains discovered tally ex- propnigeuez (Plin.Ep. ii. 17),7rpo7rv-7y0ov (from ~rpo, actly with the directions of Vitruvius, which this before, and irvyEbs, a furnace), and passing down does not. that passage, we reach the chamber (15) into which After having gone through the regular course of the praefurnium projects, and which has also an perspiration, the Romans made use of instruments entrance from the street at B. It was appropriated to the use of those who had charge of the fires (fosnacatores). There are two staircases in it; one of which leads to the roof of the baths, and the other to the coppers which contained the water. Of these there were three: one of which contained the hot water-caldarissum (sc. vas, or ahenum); the second the tepid-tepidariuens; and the last the cold i-frigcidacrihe. The warm water was introduced into the warm bath by means of a conduit pipe, marked on the plan, and conducted through the wall. Underneath the "caldariun was placed the furnace (fiurnus, Hor. Ep. i. 11. 12), which served to heat the water, and give out streams of warm air into the hollow cells of the hypocaustzum (from svrb and tcain). It called strigiles (or striqles, Juv. Sat. iii. 263), to scrape off the perspiration, much in the same way * It was also called anzpulla, MjtcuOos, IUvpoas w'e are accustomed to scrape the sweat off a. Osclov, iaxorpopov. (Ruperti, Ad Jszv. Sat. ii. horse with a piece of iron hoop, after he has run a 262.) [AMPULLA.]

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Dictionary of Greek and Roman antiquities. Ed. by William Smith. Illustrated by numerous engravings on wood.
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Smith, William, Sir, 1813-1893.
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Page 192
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Boston,: C. Little, and J. Brown
1870.
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Classical dictionaries

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"Dictionary of Greek and Roman antiquities. Ed. by William Smith. Illustrated by numerous engravings on wood." In the digital collection Making of America Books. https://name.umdl.umich.edu/acl4256.0001.001. University of Michigan Library Digital Collections. Accessed May 22, 2025.
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