The Post-Digital Publishing Archive: An Inventory of Speculative Strategies
Skip other details (including permanent urls, DOI, citation information)
: This work is licensed under a Creative Commons Attribution 3.0 License. Please contact [email protected] to use this work in a way not covered by the license.
For more information, read Michigan Publishing's access and usage policy.
Abstract
Recently launched, the Post-Digital Publishing Archive (P—DPA) is an online platform that allows users to systematically collect, organize, and keep track of art and design experiences at the intersection of publishing and digital technology. Filling a gap in the discussion, which is generally led by the narrative of innovation, P—DPA focuses on projects that investigate the social, cultural, and economic dynamics of publishing through a DIY approach, custom tools, and the counterintuitive employment of popular platforms. Like every archive, P—DPA embodies a specific attitude that is mainly expressed by the criteria employed to select the works and by the multiple relations among them. How can the materiality of such works be properly defined through a categorization system? What technological, processual, and signifying aspects need to be taken into account? By acting as an inventory of speculative strategies, P—DPA aims to become a reference point for designers and artists interested in publishing and indirectly extend its very notion.
