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Title Author(s) Volume/Issue Date
E-SCAPE: An Extendable Sonic Composition and Performance Environment Anderson, Tim vol. 1990 1990
Easter Eggs: Hidden Tracks and Messages in Musical Mediums Weinel, Jonathan; Griffiths, Darryl; Cunningham, Stuart vol. 2014 2014
The Eastman School of Music Computer Music Studio Schindler, Allan; Brinkman, Alexander vol. 1981 1981
Echoes in Plato’s Cave: Ontology of Sound Objects in Computer Music and Analysis Marsden, Alan vol. 2014 2014
Ecologically-based Granular Synthesis Keller, Darnián; Truax, Barry vol. 1998 1998
Ecologically grounded multimodal design: The Palafito 1.0 study Keller, Damián; Timoney, Joseph; Constalonga, Leandro L.; Capasso, Ariadna; Tinajero, Patricia; Lazzarini, Victor; Soares Pimenta, Marcelo; de Lima, Maria Helena; Johann, Marcelo vol. 2014 2014
An ecologically valid experiment for the comparison of established spatial techniques Lynch, Hugh; Sazdov, Robert vol. 2011 2011
Ecosystem Models for Real-Time Generative Music: A Methodology and Framework Bown, Oliver vol. 2009 2009
Ecrins: an audio-content description environment for sound samples Geslin, Yann; Mullon, Pascal; Jacob, Max vol. 2002 2002
EDITING STRATEGIES FOR BÉZIER-MODELED CONTINUOUS EXPRESSION CURVES Battey, Bret vol. 2007 2007
Education On Music And Technology, A Program For A Professional Education Timmermans, Hans; Ijzermans, Jan; Machielse, Rens; Van Wolferen, Gerard vol. 2010 2010
Education on Music and Technology, A Programme for a Professional Education. Timmermans, Hans; IJzermans, Jan; Machielse, Rens; van Wolferen, Gerard vol. 2003 2003
Education with Computer Music in Colombia Reyes, Juan vol. 1998 1998
THE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING Bruns, Matthew; Kendall, Gary vol. 2008 August 2008
The effect of inharmonicity on pitch in string instrument sounds Jôrvelôinen, Hanna; Verma, Tony; Vôlimôki, Vesa vol. 2000 2000
THE EFFECT OF TIMBRE IN CLARINET INTERPRETATION Barthet, Mathieu; Depalle, Philippe; Kronland-Martinet, Richard; Ystad, Sølvi vol. 2007 2007
The Effect of Visual Modalities on Human Perception of Emotion from Music Kim, Kwan; Lee, Samuel; Seung Yeo, Woon vol. 2011 2011
THE EFFECTIVENESS OF VISUAL FEEDBACK SINGING VOCAL TECHNOLOGY IN GREEK ELEMENTARY SCHOOL Stavropoulou, Sofia; Georgaki, Anastasia; Moschos, Fotis vol. 2014 2014
Effects of different bow stroke styles on body movements of a viola player: an exploratory study Visi, Federico; Coorevits, Esther; Miranda, Eduardo; Leman, Marc vol. 2014 2014
The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument Tones Chau, Chuck-jee; Wu, Bin; Horner, Andrew vol. 2015 2015
The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction Kendall, Gary vol. 1994 1994
EFFECTS OF MUSICALLY MEANINGFUL OPERATORS IN EVOLUTIONARY COMPOSITION Huddleston, John; Zhang, Jiana vol. 2007 2007
The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano Sounds Chau, Chuck-jee; Horner, Andrew vol. 2015 2015
EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT Afanador, Kathleya; Ingalls, Todd; Campana, Ellen vol. 2007 2007
Effects Processing on Audio Subband Data Levine, Scott vol. 1996 1996
Efficient and Parametric Reverberator for Room Acoustics Modeling Vôônônen, Riitta; Vôlimôki, Vesa; Huopaniem, Jyri; Karjalainen, Matti vol. 1997 1997
Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit Jaffe, David A. vol. 1990 1990
Efficient Fourier Synthesis of Nonstationary Sinusoids Goodwin, Michael; Rodet, Xavier vol. 1994 1994
Efficient Gesture Storage and Retrieval for Multiple Applications Using a Relational Data Model of Open Sound Control Schmeder, Andrew vol. 2009 2009
An Efficient Method to Implement Amplitude Modulation: A Hardware Realization Cavaliere, Sergio; Ortosecco, Immacolata; Parascandolo, Pasquale; Piccialli, Aldo vol. 1982 1982
Efficient models for reverberation and distance rendering in computer music and virtual audio reality Jot, Jean-Marc vol. 1997 1997
AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEADY TEMPO Ong, Bee Suan; Streich, Sebastian vol. 2008 August 2008
Efficient Pitch Detection Techniques for Interactive Music de la Cuadra, Patricio; Master, Aaron; Sapp, Craig vol. 2001 2001
An Efficient Scheduling Algorithm for Real-time Musical Systems Orlarey, Yann vol. 1990 1990
Efficient Simulation of the Reed-Bore and Bow-String Mechanisms Smith, Julius O. vol. 1986 1986
Efficient Synthesis of Stringed Musical Instruments Smith III, Julius O. vol. 1993 1993
The electric hydraulophone: A hyperacoustic instrument with acoustic feedback Mann, Steve; Janzen, Ryan; Meier, James vol. 2007 2007
ELECTRIC KOTO BY VIBRATING BODY Takahashi, Naoya; Matsumoto, Mitsuharu; Hashimoto, Shuji vol. 2007 2007
THE ELECTRO-ACOUSTIC MUSIC CENTER AT THE UNIVERSITY OF WISCONSIN-MILWAUKEE Burns, Christopher; Schlei, Kevin; Welstead, Jon vol. 2007 2007
The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen Frounberg, Ivar vol. 1995 1995
The Electro-Acoustics Unit of the Faculty of Music of the University of Montreal Gariepy, Louise vol. 1986 1986
Electroacoustic and Computer Music in Latin America Dal Farra, Ricardo vol. 1996 1996
Electroacoustic, Creative, and Jazz: Musicians Negotiating Boundaries Gluck, Robert J. vol. 2009 2009
Electroacoustic Movies - Towards A Post-Acousmatic Music Cope, Nick; Howle, Tim vol. 2010 2010
Electroacoustic Music Laboratory Jesús Guridi Conservatoire of Music Studio Report de la Torre Ray, Alfonso Garcia vol. 2005 2005
Electroacoustic Music: Overcoming Analysis Paralysis Dahan, Kevin vol. 2011 2011
ELECTROACOUSTIC PERFORMANCE INTERFACES THAT LEARN FROM THEIR USERS Melo, Andrés; Drever, John; Wiggins, Geraint vol. 2005 2005
THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNG Landy, Leigh vol. 2007 2007
Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System Anderson, Tim M.; Kirk, Ross vol. 1992 1992
THE ELECTROMAGNETICALLY-PREPARED PIANO AND ITS COMPOSITIONAL IMPLICATIONS Bloland, Per vol. 2007 2007
Electronic and Computer Music at the Peabody Conservatory Boyle, McGregor; Ivey, Jean Eichelberger; Pirali, Edmund; Wright, Geoffrey vol. 1990 1990
Electronic and Computer Music at The Peabody Conservatory Wright, Geoffrey vol. 1985 1985
ELECTRONIC CIRCUIT BUILDING IN PERU: A SUBALTERN CASE ON PARTICIPATION AND TECHNOLOGY Lopez Ramirez Gaston, José Ignacio vol. 2013 2013
THE ELECTRONIC MUSIC OF ROBERTO GERHARD Adkins, Monty; Duque, Carlos; Karman, Gregorio Garcia vol. 2012 2012
The Electronic Music Studio at University College, Cardiff Greenhough, M.; Bowler, I.; Morris, S. vol. 1985 1985
Electronic Music: An Interactive CD-ROM for Yong People Chen, Chia-Chun vol. 2004 2004
An Electronic Timbre Dictionary and 3D Timbre Display Osaka, Naotoshi; Saito, Yoshinori; Ishitsuka, Shinya; Yoshioka, Yasuhiro vol. 2009 2009
ELEVATION PROBLEMS IN THE AURALISATION OF SOUND SOURCES WITH ARBITRARY SHAPE WITH WAVE FIELD SYNTHESIS Baalman, M. A. J. vol. 2005 2005
Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide Modeling Välimäki, Vesa; Laakso, Timo I.; MacKenzie, Jonathan vol. 1995 1995
Elody: a Java+MidiShare based Music Composition Environment Orlarey, Yann; Fober, Dominique; Letz, Stéphane vol. 1997 1997
Elthar - A Signal Processing Expert that Learns Garton, Brad vol. 1987 1987
An Embedded Hardware Platform For Fungible Interfaces Hollinger, Avrum; Thibodeau, Joseph; Wanderley, Marcelo M. vol. 2010 2010
Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system Choi, Insook; Zheng, Geoffrey; Chen, Ken vol. 2000 2000
EmbodiComp: Embodied Interaction for Mixing and Composition El-Shimy, Dalia; Cowan, Steve; Cooperstock, Jeremy R. vol. 2014 2014
EMBODIED LISTENING, AFFORDANCES AND PERFORMING WITH COMPUTERS Parkinson, Adam vol. 2013 2013
Embracing the Composer: Optical Recognition of Handwritten Manuscripts Ng, Kia; Cooper, David; Stefani, Ewan; Boyle, Roger; Bailey, Nick vol. 1999 1999
eMerge: Toward a Knowledge-Based Spectral Editor Strawn, John vol. 1983 1983
Emergent Behavior from Idiosyncratic Feedback Networks Burns, Christopher vol. 2003 2003
Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence Kirke, Alexis; Miranda, Eduardo R. vol. 2011 2011
Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics Modelling. Whalley, Ian vol. 2000 2000
EMS Studio Report Lunell, Hans vol. 1990 1990
The Emulator II Computer Music Environment Massie, Dana C. vol. 1985 1985
ENABLING LIVE PRESENCE: DYNAMIC VIDEO COMPRESSION FOR THE TELEMATIC ARTS Smith, Benjamin vol. 2012 2012
Encoding 3D sound scenes and music in XML Potard, Guillaume; Ingham, Stephen vol. 2003 2003
Encyclopedia of Classical Music Abramian, Victor A. vol. 1999 1999
ENGRAVING–HAMMERING–CASTING: EXPLORING THE SONIC-ERGOTIC MEDIUM FOR LIVE MUSICAL PERFORMANCE Berdahl, Edgar; Kontogeorgakopoulos, Alexandros vol. 2012 2012
ENHANCED PHENOTYPE Weixler, Andreas; Chuang, Se-Lien vol. 2013 2013
Enhanced Vocal Performance Tracking Using Multiple Information Sources Grubb, Lorin; Dannenburg, Roger vol. 1998 1998
Enhancing Musical Experience through Proximal Interaction Tanaka, Atau; Authier, Antoine; Valadon, Guillaume; Violette, Laurent vol. 2004 2004
Enhancing Scientific Animations with Sonic Maps Evans, Brian vol. 1989 1989
Enhancing sound description in VRML Topol, Alexandre; Schaeffer, Florent vol. 2001 2001
THE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY Goodman, Rob vol. 2008 August 2008
Enmeshed: live in 3D fog~ Clarke, Michael vol. 2006 2006
ENP EXPRESSION DESIGNER: A VISUAL TOOL FOR CREATING ENP-EXPRESSIONS Muuskankare, Mika; Laurson, Mikael vol. 2005 2005
ENP-Expressions, Score-BPF as a Case Study Kuuskankare, Mika; Laurson, Mikael vol. 2003 2003
ENP: Musical Notation Library based on Common Lisp and CLOS Kuuskankare, Mika; Laurson, Mikael vol. 2001 2001
Ensemble: An Extensible Real-time Music Performance Environment McNabb, Michael vol. 1990 1990
ENSEMBLE: An Object-oriented Real-time Perfomance System Dyer, Lounette M. vol. 1990 1990
The Ensemble Member and the Conducted Computer Tobey, Forrest vol. 1995 1995
Ensemble Timing in Computer Music Jaffe, David A. vol. 1984 1984
Envelope Control with an Optical Keyboard Dworak, Paul E.; Parker, Alice C. vol. 1977 1977
An Environment for Interactive Art - Sensor Integration and Applications Katayose, Haruhiro; Kanamori, Tsutomu; Inokuchi, vol. 1996 1996
THE EQUIDOME, A PERSONAL SPATIAL REPRODUCTION ARRAY Barbour, James L vol. 2013 2013
EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF PRECISION AND SPEED Costalonga, Leandro; Miranda, Eduardo R. vol. 2008 August 2008
EROTICISM AND TIME IN COMPUTER MUSIC: JULIANA HODKINSON AND NIELS RØNSHOLDT’S FISH & FOWL Sofer, Danielle vol. 2014 2014
ERRANT SOUND SYNTHESIS Collins, Nick vol. 2008 August 2008
The Errant Syncretizer Bokkel, Aad te vol. 1986 1986
ESATM: An Experimental System For Analyzing The Tonality of Melodies Yin, Feng; Xiang, Xhang vol. 1990 1990
ESQUISSE: A Compositional Environment Baisnée, Pierre-François; Barrière, Jean-Baptsite; Dalbavie, Marc-André; Duthen, Jacques; Lindberg, Magnus; Potard, Yves; Saariaho, Kaija vol. 1988 1988
Estimating partial frequency and frequency slope using reassignment operators Röbel, Axel vol. 2002 2002
Estimating the Reed Pulse from Clarinet Recordings Smyth, Tamara; Abel, Jonathan S. vol. 2009 2009
ESTIMATING TRANSFER FUNCTION FROM AIR TO BONE CONDUCTION USING SINGING VOICE Won, Sook Young; Berger, Jonathan vol. 2005 2005
Estimation of frequency dependent damping and implementation for physical modeling sound synthesis of violin Holm, Jan-Markus vol. 2002 2002
Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds Ystad, Solvi; Guillemain, Philippe; Kronland-Martinet, Richard vol. 1996 1996
Estimation of partial parameters for non stationary sinusoids Roebel, Axel vol. 2006 2006
Estimation of Vocal Duration in Monaural Mixtures Elowsson, Anders; Schön, Ragnar; Höglund, Matts; Zea, Elias; Friberg, Anders vol. 2014 2014
Ethos in Sound Design for Brand Advertisement Toppano, Elio; Toppano, Alessandro vol. 2014 2014
Etna - a New Advanced Graphical Tree Representation of Music Chico-Töpfer, Wolfgang vol. 2001 2001
Evaluating and Extending Computational Models of Rhythmic Syncopation in Music Smith, Leigh M.; Honing, Henkjan vol. 2006 2006
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment Andreopoulou, Areti; Roginska, Agnieszka vol. 2014 2014
EVALUATING PERCEPTUAL SEPARATION IN A PILOT SYSTEM FOR AFFECTIVE COMPOSITION Williams, Duncan; Kirke, Alexis; Miranda, Eduardo; Daly, Ian; Roesch, Etienne B.; Weaver, James C. E.; Nasuto, Slawomir J. Nasuto vol. 2014 2014
Evaluating spatial sound with binaural auditory model Pulkki, Ville vol. 2001 2001
EVALUATING THE WIIMOTE AS A MUSICAL CONTROLLER Kiefer, Chris; Collins, Nick; Fitzpatrick, Geraldine vol. 2008 August 2008
Evaluation of Architectures for Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance Modler, Paul; Kirk, Ross vol. 1999 1999
An evaluation of input devices for use in the ISEE human-synthesizer interface Vetegaal, Roed; Eaglestone, Barry vol. 1994 1994
AN EVALUATION OF WARPING TECHNIQUES APPLIED TO PARTIAL ENVELOPE ANALYSIS Timoney, Joseph; Lysaght, Tom; MacManus, Lorcan; Lazzarini, Victor vol. 2005 2005
An Evaluation Study on Music Perception for Music Content-based Information Retrieval Melucci, Massimo; Orio, Nicola; Gambalunga, Marco vol. 2000 2000
Evaluations of Artificial-Neural-Network Types for the Determination of Pitch Taylor, Ian; Greenhough, Mike vol. 1994 1994
Evolution And Embodiment: Playable Instruments for Free Music Favilla, Stuart; Cannon, Joanne; Greenwood, Garry vol. 2005 2005
Evolution of Interactive Control and Real-time Synthesis in a Digtital Music System Risberg, Jeffrey S. vol. 1981 1981
Evolution of Musical Organisms Degazio, Bruno vol. 1996 1996
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation Maggi, Enzo; Dechelle, François vol. 1996 1996
Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator Thywissen, Kurt vol. 1997 1997
Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors Caetano, Marcelo; Rodet, Xavier vol. 2009 2009
Evolutionary Strategies for Spontaneous Man-Machine Interaction Beyls, Peter vol. 1999 1999
An Evolved Neural Network/HC Hybrid for Tablature Creation in GA-based Guitar Arranging Tuohy, Daniel R.; Potter, W. D. vol. 2006 2006
EVOLVING ADAPTIVE SENSORS IN A SYNTHETIC LISTENER Beyls, Peter vol. 2005 2005
Evolving Decentralized Musical Instruments Using Genetic Algorithms Talmudi, Assaf K. vol. 2004 2004
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms Magnus, Cristyn vol. 2004 2004
Examining Synthetic Databases in Melodic Retrieval Testing Parker, Charles vol. 2004 2004
Examining the Analysis of Dynamical Sonic Ecosystems: in Light of a Criterion for Evaluating Theories Musick, Michael vol. 2014 2014
Examples of Using Amplitude Control Systems in Music Synthesis Stilson, Timothy; Thornburg, Harvey vol. 1998 1998
EXCITATION SIGNAL EXTRACTION FOR GUITAR TONES Lee, Nelson; Duan, Zhiyao; Smith III, Julius O. vol. 2007 2007
Exemplar-based Learning in Adaptive Optical Music Recognition System Fujinaga, Ichiro vol. 1996 1996
An Expandable Real-Time Transputer Sound Generator Parash, Avi; Shimony, Uri vol. 1991 1991
The Expanded Instrument System (EIS) Oliveros, Pauline vol. 1991 1991
The Expanded instrument System: Recent Developments Gamper, David; Oliveros, Pauline vol. 1998 1998
Expanding the Vocalist’s Role Through the Use of Live Electronics in Real-Time Improvisation Åse, Tone vol. 2014 2014
EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELS Hazan, Amaury; Brossier, Paul; Holonowicz, Piotr; Herrera, Perfecto; Purwins, Hendrik vol. 2007 2007
Experience with a Harmony-Learning Program Harrison, Malcolm C.; Haig, Suzanne; Horowitz, Gershon vol. 1990 1990
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation Hödl, Oliver; Fitzpatrick, Geraldine; Holland, Simon vol. 2014 2014
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming Nishino, Hiroki vol. 2014 2014
AN EXPERIMENTAL COMPARISON OF FORMAL MEASURES OF RHYTHMIC SYNCOPATION Gómez, Franciso; Thul, Eric; Toussaint, Godfried vol. 2007 2007
An Experimental Music Composition Language With Real-Time Capabilities Loy, Gareth vol. 1983 1983
An experimental SDIF-sampler in Max/MSP Rioux, Vincent; Poletti, Manuel vol. 2002 2002
Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds Potard, Y.; Baisnée, P. F.; Barrière, J.B. vol. 1986 1986
Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??) Berry, R.W. vol. 1988 1988
Experiments in Music Intelligence (EMI) Cope, David vol. 1987 1987
Experiments on Computerized Piano Accompaniment Igarashi, Shigeru; Tsuji, Takashi; Mizutani, Tetsuya; Haraguchi, Tsuyoshi vol. 1993 1993
Experiments with a Gestural Controller Logemann, George W. vol. 1989 1989
Experiments with Chaotic Oscillators Dobson, Richard; Fitch, John vol. 1995 1995
Experiments with Non-Linear Filters Dobson, Richard; Ffitch, John vol. 1996 1996
An Expert System for Harmonizing Four-Part Chorales Ebcioglu, Kemal vol. 1986 1986
An Expert System for Schenkerian Synthesis of Chorales in the Style of J. S. Bach Ebcioğlu, Kemal vol. 1984 1984
An Expert System for Teaching Piano to Novices Dannenberg, Roger; Sanchez, Marta; Joseph, Annabel; Capell, Peter; Joseph, Robert; Saul, Ronald vol. 1990 1990
EXPLODE: A User Interface for Sequencing and Score Following Puckette, Miller vol. 1990 1990
EXPLOITING MELODIC SMOOTHNESS FOR MELODY DETECTION IN POLYPHONIC AUDIO Paiva, Rui Pedro; Mendes, Teresa; Cardoso, Amílcar vol. 2005 2005
AN EXPLORATION INTO POTENTIAL RELEVANCE OF DIFFERENCES OF INDIVIDUAL SOUNDS IN DRUM PATTERNS Rath, Matthias; Wôltermann, Marcel vol. 2007 2007
Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling Techniques Karjalainen, Matti; Välimäki, Vesa; Hernoux, Bertrand; Huopaniemi, Jyri vol. 1995 1995
Exploratory Analysis on Expressions in Two Different 4/4 Beat Patterns Lee, Kyungho; J. Junokas, Michael; Amanzadeh, Mohammad; E. Garnett, Guy vol. 2015 2015
Exploring a Visual/Sonic Representational Continuum Vickery, Lindsay vol. 2014 2014
Exploring “Artist Image” Using Content-Based Analysis Of Promotional Photos Libeks, Janis; Turnbull, Douglas vol. 2010 2010
Exploring Cognitive Process Through Music Composition Lockhart, Adam; Keller, Damián vol. 2006 2006
Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments Wakefield, Gregory; Simoni, Mary vol. 1996 1996
Exploring Language Lanza, Alcides vol. 1985 1985
Exploring Meaning And Intention In Music Conducting Dannenberg, Roger D.; Siewiorek, Daniel P.; Zahler, Noel vol. 2010 2010
EXPLORING MOVEMENT AND MUSIC IN A GRID MUSIC SYSTEM Adeney, Roland vol. 2013 2013
EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEMS Cupellini, E.; Rizzuti, C.; Bilotta, E.; Pantano, P.; Wozniewski, M.; Cooperstock, J. R. vol. 2008 August 2008
EXPLORING THE DESIGN SPACE OF HAND-CONTROLLED GUITAR EFFECTS FOR LIVE MUSIC Hödl, Oliver; Fitzpatrick, Geraldine vol. 2013 2013
Exploring the potential of the dedicated XML syntax for diatonic harmonica tablatures Tomberg, Vladimir; Ivanov, Eugene; Laanpere, Mart vol. 2011 2011
EXPORING NEW COMPOSER/PERFORMER INTERACTIONS USING REAL-TIME NOTATION McClelland, Christopher; Alcorn, Michael vol. 2008 August 2008
EXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING Perez, Alfonso; Maestre, Esteban; Kersten, Stefan; Ramirez, Rafael vol. 2008 August 2008
EXPRESSIVE MODIFICATIONS OF MUSICAL AUDIO RECORDINGS: PRELIMINARY RESULTS Fabiani, Marco; Friberg, Anders vol. 2007 2007
Expressive Processing of Audio and MIDI Performances in Real Time Canazza, Sergio; De Poli, Giovanni; De Federico, Riccardo; Drioli, Carlo; Rodá, Antonio vol. 1999 1999
An Expressive Synthesis Model for Bowed String Instruments Takala, Tapio; Hiipakka, Jarmo; Laurson, Mikael; Vôlimôki, Vesa vol. 2000 2000
Expresso, a Strong and Small Editor for Expression Honing, Henkjan vol. 1992 1992
Extended Applications of the Wireless Sensor Array (WISEAR) Topper, David; Rodgers, Troy vol. 2007 2007
Extended Applications of the Wireless Sensor Array (WISEAR) Topper, David vol. 2006 2006
Extended Csound Vercoe, Barry vol. 1996 1996
The Extended Environment Young, John vol. 1994 1994
EXTENDED NON-LINEAR APPLICATIONS AND THE VISUAL AESTHETICS OF REAL-TIME SCORES Kim-Boyle, David vol. 2013 2013
Extended Nonlinear Waveshaping Analysis/Synthesis Technique Beauchamp, James; Horner, Andrew vol. 1992 1992
EXTENDED PRINCIPAL COMPONENTS ANALYSIS MATCHING WITH SPECTRAL WEIGHTING FOR WAVETABLE SYNTHESIS Wun, Simon; Horner, Andrew; Ayers, Lydia vol. 2005 2005
An Extendible Tool for CAC Lunell, Hans vol. 1995 1995
Extending Aura with Csound Opcodes Yi, Steven; Lazzarini, Victor; Dannenberg, Roger; ffitch, John vol. 2014 2014
Extending Brass & Woodwind Instruments with Acoustic-Aggregate-Synthesis Clift, Paul; Mamou-Mani, Adrien; Caussé, René vol. 2015 2015
EXTENDING DYNAMIC STOCHASTIC SYNTHESIS Brown, Andrew R. vol. 2005 2005
Extending Musical Mixing: Adaptive Composite Signal Processing Penrose, Christopher vol. 1999 1999
EXTENDING THE GENERALIZED REED MODEL WITH MEASURED REFLECTION FUNCTIONS Smyth, Tamara; Abel, Jonathan vol. 2007 2007
An Extensible Real-time Signal Processing Environment for Max Zicarelli, David D. vol. 1998 1998
Extensions and Applications of the SDIF Sound Description Interchange Format Schwarz, Diemo; Wright, Matthew vol. 2000 2000
Externalization Mediates Changes in the Perceived Roughness of Sound Signals with Jittered Fundamental Frequency Wilde, Martin D.; Martens, William L.; Hillenbrand, James M.; Jones, Douglas R. vol. 1986 1986
EXTRACTING THE MELODY OF AN IMAGE USING MATE-SIMILARITY GENETIC ALGORITHM Pirnia, Abbas; Ghavamizadeh, Ramak vol. 2005 2005
Extraction of Conducting Gestures in 3D Space Tobey, Forrest; Fujinaga, Ichiro vol. 1996 1996
EXTRACTION OF GESTURAL MEANING FROM A FABRIC-BASED INSTRUMENT Van Nort, Doug; Gauthier, David; Wei, Sha Xin; Wanderley, Marcelo M. vol. 2007 2007
Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis Ishikawa, Osamu; Aono, Yushi; Katayose, Haruhiro; Inokuchi, Seiji vol. 2000 2000
Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing Bailey, Sam; Scott, Adam; Wright, Harry; Symonds, Ian; Ng, Kia vol. 2010 2010