| Title |
Author(s) |
|
DRUM'N'BAYES: ON-LINE VARIATIONAL INFERENCE FOR BEAT TRACKING AND RHYTHM RECOGNITION
|
Fox, Charles; Rezek, Iead; Roberts, Stephen |
|
DRUM CIRCLE: INTELLIGENT AGENTS IN MAX/MSP
|
Eigenfeldt, Arne |
|
RHYTHM INTERACTION SYSTEM BASED ON RHYTHM ASSOCIATION
|
Kasahara, Shunichi; Yamaguchi, Tomoyuki; Saegusa, Ryo; Hashimoto, Shuji |
|
WHERE'S THE BEAT? TOOLS FOR DYNAMIC TEMPO CALCULATIONS
|
Schacher, Jan C.; Neukom, Martin |
|
MOBILE IMMERSIVE MUSIC
|
Lemordant, J.; Guerraz, A. |
|
Automatic Notation Generators
|
Barrett, G. Douglas; Winter, Michael; Wulfson, Harris |
|
ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMING
|
Dannenberg, Roger B. |
|
COMBINING ANALYSIS AND SYNTHESIS IN THE CHUCK PROGRAMMING LANGUAGE
|
Wang, Ge; Fiebrink, Rebecca; Cook, Perry R. |
|
LIBINTEGRA: A SYSTEM FOR SOFTWARE-INDEPENDENT MULTIMEDIA MODULE DESCRIPTION AND STORAGE
|
Bullock, Jamie; Frisk, Henrik |
|
MUSICAL APPLICATIONS OF REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS
|
Schwarz, Diemo; Britton, Sam; Cahen, Roland; Goepfer, Thomas |
|
MACSET: A FREE VISUAL CROSS-PLATFORM PITCH-CLASS SET THEORETICAL APPLICATION
|
Kuuskankare, Mika; Castrén, Marcus; Laurson, Mikael |
|
DEVELOPMENT TOOLS FOR PWGLSYNTH
|
Norilo, Vesa; Laurson, Mikaelo |
|
THE EFFECT OF TIMBRE IN CLARINET INTERPRETATION
|
Barthet, Mathieu; Depalle, Philippe; Kronland-Martinet, Richard; Ystad, Sølvi |
|
THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATA
|
Kendall, Gary S. |
|
PERCEPTUAL CATEGORIZATION OF MOVING SOUNDS FOR SYNTHESIS APPLICATIONS
|
Merer, Adrien; Ystad, Solvi; Kronland-Martinet, Richard; Aramaki, Mitsuko; Besson, Mireille; Velay, Jean-Luc |
|
NON-LINEAR SCALING TECHNIQUES FOR UNCOVERING THE PERCEPTUAL DIMENSIONS OF TIMBRE
|
Burgoyne, John Ashely; McAdams, Stephen |
|
ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION VIA IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTS
|
Brooks, Anthony; Eaglestone, Barry; Ellis, Phil; Gehlhaar, Rolf; Girão, Luis Miguel; Magee, Wendy; Miranda, Eduardo; Petersson, Eva; Rodrigues, Paulo |
|
HOW TO BE LOST: PRINCIPLED PRIMING AND PRUNING WITH PARTICLES IN SCORE FOLLOWING
|
Fox, Charles; Quinn, John |
|
A GA Tool for Computer Assisted Music Composition
|
Dimitrios, Tzimeas; Eleni, Mangina |
|
GHI PROJECT : NEW APPROACH FOR MUSICAL INSTRUMENTS
|
Nagashima, Yoichi |
|
THE USABILITY OF MUSIC THEORY SOFTWARE: THE ANALYSIS OF TWELVE-TONE MUSIC AS A CASE STUDY
|
Ilomôki, Tuukka |
|
PETRI NETS APPLICABILITY TO MUSIC ANALYSIS AND COMPOSITION
|
Baratè, Adriano; Haus, Goffredo; Ludovico, Luca A. |
|
AN EXPERIMENTAL COMPARISON OF FORMAL MEASURES OF RHYTHMIC SYNCOPATION
|
Gómez, Franciso; Thul, Eric; Toussaint, Godfried |
|
INVENTING NEW INSTRUMENTS BASED ON A COMPUTATIONAL "HACK" TO MAKE AN OUT-OF-TUNE OR UNPITCHED INSTRUMENT PLAY IN PERFECT HARMONY
|
Mann, Steve; Janzen, Ryan; Lo, Raymond; Aimone, Chris |
|
INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILE
|
Min-Joon, Yoo; In-Kwon, Lee |
|
THE TONCOLARIUM - IMMERSIVE COLOR-MUSIC INSTRUMENT
|
Yanagisawa, David |
|
SAL: A SIMPLE ALGORITHMIC LANGUAGE IN COMMON MUSIC
|
Taube, Heinrich |
|
THE ELECTROMAGNETICALLY-PREPARED PIANO AND ITS COMPOSITIONAL IMPLICATIONS
|
Bloland, Per |
|
DYNAMIC LARGE-SCALE GESTURAL CONTROL IN SUPERCOLLIDER SERVER
|
Parmenter, Joshua |
|
ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART
|
Schroeder, Franziska; Renaud, Alain B.; Rebelo, Pedro; Gualdas, Fernando |
|
THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNG
|
Landy, Leigh |
|
AN INTRODUCTION TO MUSICAL SEMANTICS: THE GESTURE IN MODELIZATION
|
Kühl, Ole |
|
FABRICATING AURAL LANDSCAPES: SOME COMPOSITIONAL IMPLICATIONS OF TROMPE L'OREILLE
|
Batchelor, Peter |
|
FATTA: FULL AUTOMATIC TIME-SPAN TREE ANALYZER
|
Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi |
|
AUDIO MATCHING FOR THE PHILOLOGICAL ANALYSIS OF ELECTROACOUSTIC MUSIC
|
Orio, Nicola; Zattra, Laura |
|
RECONSTRUCTING STRIA
|
Dahan, Kevin |
|
RECOVERING GIACINTO SCELSI'S TAPES
|
Bernardini, Nicola |
|
CREATING VON FOERSTER'S NON-TRIVIAL MACHINE IN DIGITAL AUDIO
|
Chandra, Arun |
|
GENESYNTH: NOISE BAND-BASED GENETIC ALGORITHM ANALYSIS/SYNTHESIS FRAMEWORK
|
Chinen, Michael; Osaka, Naotoshi |
|
HOW MUSICAL ARE IMAGES? FROM SOUND REPRESENTATION TO IMAGE SONIFICATION: AN ECO SYSTEMIC APPROACH
|
Thiebaut, Jean-Baptiste; Bello, Juan Pablo; Schwarz, Diemo |
|
COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATION
|
Tardieu, Damien; Carpentier, Grégoire; Rodet, Xavier |
|
A COMPUTER-AIDED SOUNDTRACK COMPOSITION SYSTEM DESIGNED FOR HUMANS
|
Vane, Edwin; Cowan, William |
|
REMEMBERING THE FUTURE : AN OVERVIEW OF CO-EVOLUTION IN MUSICAL IMPROVISATION.
|
Plans, David; Morelli, Davide |
|
FROM FUX TO RAGAS‒MORPHING CONTRAPUNTAL WORLDS
|
Junod, Julien; Mazzola, Guerino |
|
DEVELOPING CHINESE STYLE ALGORITHMIC COMPOSITION USING MARKOV CHAINS ‒ FROM THE CLASSICAL CHINESE-POETRY PERSPECTIVE
|
Ren, Jenny; Winsor, Phil; Huang, Chih-Fang |
|
EFFECTS OF MUSICALLY MEANINGFUL OPERATORS IN EVOLUTIONARY COMPOSITION
|
Huddleston, John; Zhang, Jiana |
|
REALITV
|
Castine, Peter; Dekron, John |
|
SHARING AND COMBINING LISTENING EXPERIENCE: A SOCIAL APPROACH TO WEB RADIO
|
Bacciagalupo, Claudio; Plaza, Enric |
|
SOUND CONTROLLED MUSICAL INSTRUMENTS BASED ON PHYSICAL MODELS
|
Johnston, Andrew; Marks, Benjamin; Candy, Linda |
|
PERFORMANCE CONTROL OF A FLUTE PHYSICAL MODEL USING FUZZY LOGIC
|
de la Cuadra, Patricio; Cádiz, Rodrigo F.; Fabre, Benoît; Montgermont, Nicolas |
|
PRODUCTION OF IMMERSIVE MUSICAL ARCHITECTURES BY PHYSICAL MODELLING OF SELF SUSTAINED OSCILLATING STRUCTURES
|
Poyer, François; Cadoz, Claude |
|
EXTENDING THE GENERALIZED REED MODEL WITH MEASURED REFLECTION FUNCTIONS
|
Smyth, Tamara; Abel, Jonathan |
|
MODELS AND APIs FOR AUDIO SYNTHESIS AND PROCESSING A PANEL DISCUSSION
|
Pope, Stephen Travis; Dannenberg, Roger B. |
|
COMPUTER ASSISTED COMPOSITION IN EQUAL TUNINGS: TONAL COGNITION AND THE THIRTEEN TONE MARCH
|
Seymour, John Chow |
|
INDIRECT ACQUISITION OF FINGERINGS OF HARMONIC NOTES ON THE FLUTE
|
Kereliuk, Corey; Scherrer, Bertrand; Verfaille, Vincent; Depalle, Philippe; Wanderley, Marcelo M. |
|
THE CREATION OF EVOLUTIONARY RHYTHMS WITHIN A MULTI-AGENT NETWORKED DRUM ENSEMBLE
|
Eigenfeldt, Arne |
|
INT.LIB - A GRAPHICAL PRESET INTERPOLATOR FOR MAX MSP
|
Larkin, Oliver |
|
SERIAL RSS SOUND INSTALLATION AS OPEN WORK: THE BABELCAST
|
Ariza, Christopher |
|
DIGITAL PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES
|
Ng, Kia; Pham, Tran Vu; Ong, Bee; Barthélemy, Jérôme; Bonardi, Alain; Giaretta, David |
|
NONLINEAR FILTERS
|
Holopainen, Risto |
|
On timbre stamps and other frequency-domain filters
|
Puckette, Miller |
|
PRESERVING THE STRUCTURE OF THE MOOG VCF IN THE DIGITAL DOMAIN
|
Fontana, Federico |
|
LIVE CODING: AN OVERVIEW
|
zmölnig, IOhannes m; Eckel, Gerhard |
|
PHYSICAL AND BEHAVIORAL CIRCUIT MODELING OF THE SP-12 SAMPLER
|
Yeh, David T.; Nolting, John; Smith, Julius O. |
|
SOUND&MEDIA STUDIOS @ LONDONMET, COMMERCIAL RD. LONDON METROPOLITAN UNIVERSITY
|
Garavaglia, Javier Alejandro |
|
STUDIO REPORT: THE PROGRAM IN ELECTRONIC MUSIC COMPOSITION AND MUSICAL PRODUCTION AT THE SCHOOL OF THE ARTS OF THE POLYTECHNIC INSTITUTE OF CASTELO BRANCO
|
Guedes, Carlos; Dias, Rui |
|
THE ELECTRO-ACOUSTIC MUSIC CENTER AT THE UNIVERSITY OF WISCONSIN-MILWAUKEE
|
Burns, Christopher; Schlei, Kevin; Welstead, Jon |
|
CINCINNATI'S CENTER FOR COMPUTER MUSIC IN 2007: (CCM)²
|
Helmuth, Mara; Merkowitz, Jennifer Bernard; McKinney, Brian; Shiota, Kazuaki; Stark, Christopher |
|
SCRIME STUDIO REPORT
|
Desainte-Catherine, Myriam; Marchand, Sylvain; Hanna, Pierre; Lagrange, Mathieu; Robine, Matthias; Raspaud, Martin; Strandh, Robert; Allombert, Antoine; Meurisse, Guillaume; Mouba, Joan; Di Santo, Jean Louis; Kurtag, Gyorgy |
|
STUDIO REPORT: SOUND ARTS AND DESIGN AT LONDON COLLEGE OF COMMUNICATION
|
Lane, Cathy |
|
CNMAT INFORMATION INFRASTRUCTURE
|
Schmeder, Andrew; Wright, Matthew; Freed, Adrian; Campion, Edmund; Wessel, David |
|
CCRMA STUDIO REPORT
|
Lopez-Lezcano, Fernando; Wilkerson, Carr |
|
STUDIO REPORT: CENTER FOR EXPERIMENTAL MUSIC AND INTERMEDIA
|
May, Andrew; Nelson, Jon Christopher |
|
NEW MEDIA MUSIC AT HANYANG UNIVERSITY: STUDIO REPORT
|
Yim, Jongwoo; Dudas, Richard |
|
USING LUA FOR AUDIOVISUAL COMPOSTION
|
Wakefield, Graham; Smith, Wesley |
|
THE STRINGBALL: A BALL INTERFACE WITH STRINGS FOR COLLABORATIVE PERFORMANCE
|
Yoo, Woon Seung; Yoon, Ji Won; Cho, Hee Young |
|
munger1~: TOWARDS A CROSS-PLATFORM SWISSARMY KNIFE OF REAL-TIME GRANULAR SYNTHESIS
|
Bukvic, Ivica Ico; Kim, Ji-Sun; Trueman, Dan; Grill, Thomas |
|
{TranSpell}
|
Shiota, Kazuaki |
|
ELECTRIC KOTO BY VIBRATING BODY
|
Takahashi, Naoya; Matsumoto, Mitsuharu; Hashimoto, Shuji |
|
A PHYSICALLY INTUITIVE HAPTIC DRUMSTICK
|
Berdahl, Edgar; Verplank, Bill; Smith III, Julius O.; Niemeyer, Günter |
|
RASTERPIECE: A CROSS-MODAL FRAMEWORK FOR REAL-TIME IMAGE SONIFICATION, SOUND SYNTHESIS, AND MULTIMEDIA ART
|
Yoo, Woon Seung; Berger, Jonathan |
|
LEARNING SOUNDING GESTURES
|
de Götzen, A.; Mion, L.; Avanzini, F.; Serafin, Stefania |
|
A HAND DRUMMING DATASET FOR PHYSICAL MODELING
|
Jones, Randy; Lagrange, Mattieu; Schloss, Andrew |
|
A PLAYABLE SYNTHESIS MODEL AND CONTROLLER FOR BOWED STRING INSTRUMENTS
|
Takala, Tapio |
|
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE
|
Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric |
|
INVESTIGATING THE PERFORMANCE OF A VIOLIN PHYSICAL MODEL: RECENT REAL PLAYER STUDIES
|
Young, Diana; Serafin, Stefania |
|
EDITING STRATEGIES FOR BÉZIER-MODELED CONTINUOUS EXPRESSION CURVES
|
Battey, Bret |
|
SOUND SPATIALISATION AND COUPLED CELL NETWORKS
|
Clark, Jonathan Owen |
|
NAVIGATING THE ORACLE: A HEURISTIC APPROACH
|
Assayag, Gérard; Bloch, Georges |
|
A SCORE-BASED INTERFACE FOR INTERACTIVE COMPUTER MUSIC
|
Litke, David; Hamel, Keith |
|
COMPOSITION WITH SOUND WEB SERVICES ANDWORKFLOWS
|
ffitch, John; Mitchell, James; Padget, Julian |
|
NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT
|
Grierson, Mick |
|
INTERACTIVE SOUNDSCAPE DESIGN WITH EVOLUTIONARY SOUND PROCESSING
|
Fornari, José; Maia Jr., Adolfo; Manzolli, Jônatas |
|
SPED - A SOUND FILE EDITOR
|
Uimonen, Jaska |
|
SCRIPTING AND TOOLS FOR ANALYSIS/RESYNTHESIS OF AUDIO
|
Pope, Stephen Travis |
|
COMBINING PHYSICAL MODELING AND ADDITIVE SYNTHESIS AS A MAPPING STRATEGY FOR REALTIME CONTROL
|
Guillemain, Philippe; Verfaille, Vincent |
|
EXCITATION SIGNAL EXTRACTION FOR GUITAR TONES
|
Lee, Nelson; Duan, Zhiyao; Smith III, Julius O. |
|
DIRECT DESIGN OF PARALLEL SECOND-ORDER FILTERS FOR INSTRUMENT BODY MODELING
|
Bank, Balázs |
|
ARE COGNITIVE STYLES AN IMPORTANT FACTOR IN THE DESIGN OF ELECTROACOUSTIC MUSIC SOFTWARE?
|
Eaglestone, Barry; Ford, Nigel; Holdridge, Peter; Carter, Jenny |
|
BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS
|
Pérez, Miguel Angel Ortiz; Knapp, R. Benjamin |
|
USING TECHNOLOGY TO RIDE THE REFLEX/VOLITIONAL CONTINUUM IN IMPROVISED MUSICAL PERFORMANCE
|
Sayer, Tim |
|
ON TIMBRE BASED PERCEPTUAL FEATURE FOR SINGER IDENTIFICATION
|
Khine, Swe Zin Kalayar; Nwe, Tin Lay; Li, Haizhou |
|
Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral Instrument
|
Litke, David |
|
APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ART
|
Pampin, Juan; Kollin, Joel S.; Kang, Eunsu |
|
PLACEMENT OF SOUND SOURCES IN THE STEREO FIELD USING MEASURED ROOM IMPULSE RESPONSES
|
Haines, William D.; Vernon, Jesse R.; Dannenberg, Roger B.; Driessen, Peter F. |
|
TRAKHUE - INTUITIVE GESTURAL CONTROL OF LIVE ELECTRONICS
|
Peters, Nils; Evans, Megan; Britton, Eliot |
|
Immersion : An immersive digital application for creative interaction with sound art archives
|
Taylor, J_Milo |
|
NN MUSIC: IMPROVISING WITH A 'LIVING' COMPUTER
|
Young, Michael |
|
EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT
|
Afanador, Kathleya; Ingalls, Todd; Campana, Ellen |
|
THE INFLUENCE OF BODY MORPHOLOGY ON PREFERRED DANCE TEMPOS
|
Dahl, Sofia; Huron, David |
|
PSYCHOACOUSTIC MANIPULATION OF THE SOUND INDUCED ILLUSORY FLASH
|
Wilkie, Sonia; Stevens, Catherine; Dean, Roger |
|
Cognitive Implications of Musical Perception
|
Lockhart, Adam |
|
PANEL: THE NEED OF FORMATS FOR STREAMING AND STORING MUSIC-RELATED MOVEMENT AND GESTURE DATA
|
Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwarz, Diemo; Wright, Matthew |
|
THE SOUND INSTALLATION
|
Iturbide, Manuel Rocha |
|
EXPRESSIVE MODIFICATIONS OF MUSICAL AUDIO RECORDINGS: PRELIMINARY RESULTS
|
Fabiani, Marco; Friberg, Anders |
|
LIBXTRACT: A LIGHTWEIGHT LIBRARY FOR AUDIO FEATURE EXTRACTION
|
Bullock, Jamie |
|
DATA JOCKEY, A TOOL FOR META-DATA ENHANCED DIGITAL DJING AND ACTIVE LISTENING
|
Norman, Alex; Amatriain, Xavier |
|
PHYSMISM: RE-INTRODUCING PHYSICAL MODELLING FOR ELECTRONIC MUSICAL EXPLORATION
|
Böttcher, Niels; Gelineck, Steven; Serafin, Stefania |
|
STIRRING, SHAKING, AND MIXING: MUSICALIZING EVERYDAY ACTIONS
|
Kojs, Juraj; Serafin, Stefania |
|
GAMELUNCH: A PHYSICS-BASED SONIC DINING TABLE
|
Delle Monache, Stefano; Polotti, Pietro; Papetti, Stefano; Rocchesso, Davide |
|
COMBINING DJ SCRATCHING, TANGIBLE INTERFACES AND A PHYSICS-BASED MODEL OF FRICTION SOUNDS
|
Hansen, Kjetil F.; Alonso, Marcos; Dimitrov, Smilen |
|
TEACHING DIGITAL AUDIO PROGRAMMING: NOTES ON A TWO-YEAR COURSE SEQUENCE AT UCSB
|
Pope, Stephen Travis |
|
THE 3D AUGMENTED MIRROR: MOTION ANALYSIS FOR STRING PRACTICE TRAINING
|
Ng, Kia; Larkin, Oliver; Koerselman, Thijs; Ong, Bee; Schwarz, Diemo; Bevilacqua, Frederic |
|
DESIGN AND IMPLEMENTATION OF CNMAT'S PEDAGOGICAL SOFTWARE
|
Zbyszynski, Michael; Wright, Matthew; Campion, Edmund |
|
A PRACTICE-BASED APPROACH TO USING ACOUSTICS AND TECHNOLOGY IN MUSICIANSHIP TRAINING
|
Young, John Fariselli; Picinali, Lorenzo; Moraitis, Dimitris |
|
FROM CONTROLLER TO SOUND: TOOLS FOR COLLABORATIVE DEVELOPMENT OF DIGITAL MUSICAL INSTRUMENTS
|
Malloch, Joseph; Sinclair, Stephen; Wanderley, Marcelo M. |
|
AN ANALYSIS OF STARTUP AND DYNAMIC LATENCY IN PHASE VOCODER-BASED TIME-STRETCHING ALGORITHMS
|
Lee, Eric; Karrer, Thorsten; Borchers, Jan |
|
PHYSICAL MODELLING AS A PROPOSED FRAMEWORK FOR THE CONCEPTION, THE DESIGN AND THE IMPLEMENTATION OF SOUND TRANSFORMATIONS
|
Kontogeorgakopoulos, Alexandros; Cadoz, Claude |
|
AN INTELLIGENT MULTI-TRACK AUDIO EDITOR
|
Dannenberg, Roger B. |
|
LITTER MUTATORS: MOVING MORPHOLOGICAL MUTATION INSIDE TIME
|
Castine, Peter |
|
REAL-TIME, LOW LATENCY AUDIO PROCESSING IN JAVA
|
Juillerat, Nicolas; Arisona, Stefan Müller; Schubiger-Banz, Simon |
|
REAL-TIME MUSIC SYNTHESIS IN JAVA USING THE METRONOME GARBAGE COLLECTOR
|
Auerbach, Joshua; Bacon, David F.; Bömers, Florian; Cheng, Perry |
|
COMPOSING WITH HYPERSCORE: AN INTUITIVE INTERFACE FOR VISUALIZING MUSICAL STRUCTURE
|
Farbood, Morwaread; Kaufman, Henry; Jennings, Kevin |
|
A MUSICAL FRAMEWORK WITH SWARMING ROBOTS
|
Uozumi, Yuta; Takahashi, Masato; Kobayashi, Ryoho |
|
SONOFUSION: DEVELOPMENT OF A MULTIMEDIA COMPOSITION FOR OVERTONE VIOLIN
|
Thompson, John; Overholt, Dan |
|
VScore: A Real-time Visual Application for Scoring Music, Version 1.1
|
Topper, David; Kojs, Juraj |
|
BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS
|
Hamilton, Robert |
|
HOW COMPUTER MUSIC MODELING AND RETRIEVAL INTERFACE WITH MUSIC-AND-MEANING STUDIES: OVERVIEW OF PANELISTS' SUGGESTIONS FOR DISCUSSION TOPICS
|
Grund, Cynthia M. |
|
UNDERSTANDING EMOTION IN RAAG: AN EMPIRICAL STUDY OF LISTENER RESPONSES
|
Chordia, Parag; Rae, Alex |
|
SCORE-BASED CONTROL OF GUQIN SYNTHESIS
|
Laurson, Mikael; Kuuskankare, Mika; Penttinen, Henri; Li, Henbing |
|
MUSICIANS OUTPERFORM NON-MUSICIANS IN A STUDY WITH SPEECH IMITATION
|
Pastuszek-Lipińska, Barbara |
|
REAL-TIME PROCESSING ON THE ROAD: A GUIDED TOUR OF [IKS]'S ABSTR/CNCR SETUP
|
Tremblay, Pierre Alexandre; Boucher, Nicolas; Pohu, Sylvain |
|
REAL-TIME ANALYSIS OF SENSORY DISSONANCE
|
MacCallum, John; Einbond, Aaron |
|
TOWARD A COMPLETE OPEN SOURCE SOFTWARE ENVIRONMENT FOR THE CREATION OF INTERACTIVE POLY-ARTISTIC WORKS
|
Donikian, Stéphane; Delerue, Olivier; Bianco, Tommaso; Clenet, Gildas |
|
HARMONIC, MELODIC, AND FUNCTIONAL AUTOMATIC ANALYSIS
|
Illescas, Plácido R.; Rizo, David; Iñesta, José M. |
|
FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE‒IMMERSED IN RICH DETAIL
|
Chowning, John |
|
INTRODUCTION OF DIPS3 (VERSION 2) FOR MAX/MSP
|
Rai, Takayuki; Miyama, Chikashi; Matsuda, Shu; Hamano, Takayuki; Fukuda, Takuto; Morimoto, Yota |
|
CONTROLLING AURAL AND VISUAL PARTICLE SYSTEMS THROUGH HUMAN MOVEMENT
|
Guedes, Carlos; Woolford, Kirk |
|
THE FEATSYNTH FRAMEWORK FOR FEATURE-BASED SYNTHESIS: DESIGN AND APPLICATIONS
|
Hoffman, Matthew; Cook, Perry R. |
|
A COMPUTER-BASED IMPLEMENTATION OF BASSO CONTINUO RULES FOR FIGURED BASS REALIZATIONS
|
Wead, Adam; Knopke, Ian |
|
A REAL-TIME GENETIC ALGORITHM IN HUMANROBOT MUSICAL IMPROVISATION
|
Weinberg, Gil; Godfrey, Mark; Rae, Alex; Rhoads, John |
|
ICAST: TRIALS & TRIBULATIONS OF DEPLOYING LARGE SCALE COMPUTER-CONTROLLED SPEAKER ARRAYS
|
Beck, Stephen David; Willkie, Brian; Patrick, Joseph |
|
SHAMUS - A SENSOR-BASED INTEGRATED MOBILE PHONE INSTRUMENT
|
Essl, Georg; Rohs, Michael |
|
DECONCERT: BATHING IN THE LIGHT, SOUND, AND WATERS OF THE MUSICAL BRAINBATHS
|
Mann, Steve; Fung, James; Garten, Ariel |
|
KEY-FINDING WITH INTERVAL PROFILES
|
Madsen, Søren Tjagvad; Widmer, Gerhard |
|
A SCORE-TO-SINGING VOICE SYNTHESIS SYSTEM FOR THE GREEK LANGUAGE
|
Kyritsi, Varvara; Georgaki, Anastasia; Kouroupetroglou, Georgios |
|
AUDIO ORACLE: A NEW ALGORITHM FOR FAST LEARNING OF AUDIO STRUCTURES
|
Dubnov, Shlomo; Assayag, Gérard; Cont, Arshia |
|
EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELS
|
Hazan, Amaury; Brossier, Paul; Holonowicz, Piotr; Herrera, Perfecto; Purwins, Hendrik |
|
AUTOMATED QUANTISATION AND TRANSCRIPTION OF ORNAMENTS FROM AUDIO RECORDINGS
|
Boenn, Georg |
|
NOTE-BASED SEGMENTATION AND HIERARCHY IN THE CLASSIFICATION OF DIGITAL MUSICAL INSTRUMENTS
|
Somerville, Peter; Uitdenbogerd, Alexandra L. |
|
SONG IDENTIFICATION THROUGH HMM-BASED MODELING OF THE MAIN MELODY
|
Orio, Nicola; Zen, Cristiano |
|
GUIDAGE: A FAST AUDIO QUERY GUIDED ASSEMBLAGE
|
Cont, Arisha; Dubnov, Shlomo; Assayag, Gérard |
|
The electric hydraulophone: A hyperacoustic instrument with acoustic feedback
|
Mann, Steve; Janzen, Ryan; Meier, James |
|
MUSICAL SOUNDSCAPES FOR AN ACCESSIBLE AQUARIUM: BRINGING DYNAMIC EXHIBITS TO THE VISUALLY IMPAIRED
|
Walker, Bruce N.; Kim, Jonathan; Pendse, Anandi |
|
IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHERE
|
Amatriain, Xavier; Höllerer, Tobias; Kuchera-Morin, JoAnn; Pope, Stephen T. |
|
THE DOME: A CASE STUDY FOR GENERATIVE SOUND IN PUBLIC ART
|
Birchfield, David; Cuthbertson, Aaron; Lundquist, Laurie; Smith, Roger |
|
aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODING
|
Sorensen, Andrew; Brown, Andrew R. |
|
Soundanism: Blurred by Breathing
|
Álvarez-Fernández, Miguel; Piaścik, Asia; Kersten, Stefan |
|
RECOGNITION OF PHYSICAL MOTION PATTERN USING STOCHASTIC PETRI NETS FOR SOUND SYNTHESIS
|
Go, Munetatsu; Osaka, Naotoshi |
|
USING A 3D MODELLING PROGRAM AS A MUSICAL CONTROLLER
|
Berry, Rodney |
|
ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTION
|
Stowell, Dan; Plumbley, Mark |
|
FAST SOUND TEXTURE SYNTHESIS USING OVERLAP-ADD
|
Fröjd, Martin; Horner, Andrew |
|
MUSED: NAVIGATING THE PERSONAL SAMPLE LIBRARY
|
Coleman, Graham |
|
DESIGNING AND CONTROLLING A SOURCE-FILTER MODEL FOR NATURALISTIC AND EXPRESSIVE SINGING VOICE SYNTHESIS
|
Bélanger, Olivier; Traube, Caroline; Piché, Jean |
|
THE IXIQUARKS: MERGING CODE AND GUI IN ONE CREATIVE SPACE
|
Magnusson, Thor |
|
THE CARNEGIE MELLON LAPTOP ORCHESTRA
|
Dannenberg, Roger B.; Cavaco, Sofia; Ang, Eugene; Avramovic, Igor; Aygun, Barkin; Baek, Jinwook; Barndollar, Eric; Duterte, Daniel; Grafton, Jeffrey; Hunter, Robert; Jackson, Chris; Kurokawa, Umpei; Makuck, Daren; Mierzejewski, Timothy; Rivera, Michael; Torres, Dennis; Yu, Apphia |
|
MAPS AND LEGENDS: FPS-BASED INTERFACES FOR COMPOSITION AND IMMERSIVE PERFORMANCE
|
Hamilton, Robert |
|
A NEW GESTURAL CONTROL PARADIGM FOR MUSICAL EXPRESSION: REAL-TIME CONDUCTING ANALYSIS VIA TEMPORAL EXPECTANCY MODELS
|
Swaminathan, Dilip; Thornburg, Harvey; Ingalls, Todd; James, Jodi; Rajko, Stjepan; Afanador, Kathleya |
|
AN OVERVIEW OF THE RESEARCH APPROACHES ON MUSICAL PERFORMANCE ROBOTS
|
Solis, Jorge; Takanishi, Atsuo |
|
DJ SPAT: SPATIALIZED INTERACTIONS FOR DJS
|
Marentakis, Georgios; Peters, Nils; McAdams, Stephen |
|
A SUPPORT SYSTEM FOR BASIC PRACTICE OF PLAYING THE DRUMS
|
Iwami, Naoki; Miura, Masanobu |
|
FEATURE MODULATION SYNTHESIS (FMS)
|
Park, Tae Hong; Biguenet, Jonathan; Li, Zhiye; Richardson, Conner; Scharr, Travis |
|
META-SEQUENCING: CONTROLLING SEQUENCE VOICES AND POLYPHONY USING THE POLYMAP, SIEVE, VALVE AND MASKXOR OBJECTS IN PURE DATA
|
Kelly, Edward |
|
Extended Applications of the Wireless Sensor Array (WISEAR)
|
Topper, David; Rodgers, Troy |
|
ANALYSIS OF SAXOPHONE PERFORMANCE FOR COMPUTER-ASSISTED TUTORING
|
Robine, Matthias; Percival, Graham; Lagrange, Mathieu |
|
AN EXPLORATION INTO POTENTIAL RELEVANCE OF DIFFERENCES OF INDIVIDUAL SOUNDS IN DRUM PATTERNS
|
Rath, Matthias; Wôltermann, Marcel |
|
AUDIOVISUAL CONCATENATIVE SYNTHESIS
|
Collins, Nick |
|
A COMPARISON OF SOLENOID-BASED STRATEGIES FOR ROBOTIC DRUMMING
|
Kapur, Ajay; Trimpin, Eric; Singer, Afzal; Suleman, George; Tzanetakis, |
|
A SYSTEMATIC APPROACH TO MUSICAL VIBROTACTILE FEEDBACK
|
Birnbaum, David M.; Wanderley, Marcelo M. |
|
FOCUS-PLUS-CONTEXT DISPLAYS FOR AUDIO INTERACTION
|
Gerhard, David; Ellis, Jarrod |
|
BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE
|
Salter, Christopher L.; Baalman, Marije A. J.; Moody-Grigsby, Daniel |
|
RTS: REAL TIME SCHEDULING IN COMMON MUSIC
|
Taube, Heinrich; Ingalls, Todd |
|
AUTOMATIC THOROUGH-BASS REALIZATION IN BAROQUE MUSIC
|
Niitsuma, Masahiro; Saito, Hiroaki |
|
MANIFOLD COMPOSITIONS: FORMAL CONTROL, INTUITION, AND THE CASE FOR COMPREHENSIVE SOFTWARE.
|
Tipei, Sever |
|
THE METHODOLOGY AND RESEARCH OF THE INTERACTIVE INTERMEDIA ART USING THE GYROSCOPE SENSOR FOR SOUND AND VISION
|
Chen, Yi-Tso; Huang, Chih-Fang |
|
EXTRACTION OF GESTURAL MEANING FROM A FABRIC-BASED INSTRUMENT
|
Van Nort, Doug; Gauthier, David; Wei, Sha Xin; Wanderley, Marcelo M. |
|
VIRTUAL OBJECTS AS MEDIATION BETWEEN SONIC TEXTURES AND INTERACTIVE GESTURES
|
Filatriau, Jehan-Julien; Arfib, Daniel; Glowinski, Donald; Volpe, Gualtiero |
|
THE SLIDING PHASE VOCODER
|
Bradford, Russell; Dobson, Richard; ffitch, John |
|
F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHOD
|
Rauhala, Jukka; Vôlimôki, Vesa |
|
ON WAVE FIELD SYNTHESIS AND ELECTRO-ACOUSTIC MUSIC - STATE OF THE ART 2007
|
Baalman, Marije A. J. |
|
CAUSAL/ANTICAUSAL DECOMPOSITION FOR MIXED-PHASE DESCRIPTION OF BRASS AND BOWED STRING SOUNDS
|
d'Alessandro, Nicolas; Moinet, Alexis; Dubuisson, Thomas; Dutoit, Thierry |
|
FEEDBACK INSTRUMENTS: GENERATING MUSICAL SOUNDS, GESTURES, AND TEXTURES IN REAL TIME WITH COMPLEX FEEDBACK SYSTEMS
|
Morris, Jeffrey M. |
|
CONVOCARE_CONSONARE: A DUET FOR FOUR VOICES
|
Gerhard, David; Moffat, Ellen |
|
TRANSLATING DANCE MOVEMENT INTO MUSICAL RHYTHM IN REAL TIME: NEW POSSIBILITIES FOR COMPUTER-MEDIATED COLLABORATION IN INTERACTIVE DANCE PERFORMANCE
|
Guedes, Carlos |
|
SOUNDSPOTTER / REMIX-TV: FAST APPROXIMATE MATCHING FOR AUDIO AND VIDEO PERFORMANCE
|
Casey, Michael; Grierson, Mick |
