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Title Author(s)
An Improved Digital Waveguide Model of Flute - Implementation Issues Välimäki, Vesa; Hänninen, Rami; Karjalainen,
Physical Modeling of Aeroacoustic Sources in Flute-like Instruments Verge, Marc-Pierre
The 3D Tetrahedral Digital Waveguide Mesh with Musical Applications Van Duyne, Scott; Smith, Julius
MusicWeb, New Communication and Information Technologies in the Music Classroom Böhm, Carola; De Jong, Karst; Hempel, Cristoph
NetMuse: a Very-High-Performance Wide-Area Network for Music Arnold, Stephen
Xspect: A New X/Motif Signal Visualization and Editing Program Rodet, Xavier; François, Dominique; Levy, Guillaume
Graphical NeXTSTEP Objects as FTS Clients to Control Instruments in the new FTS Client/Server Architecture Todoroff, Todor; Traube, Caroline
Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds Ystad, Solvi; Guillemain, Philippe; Kronland-Martinet, Richard
Evolution of Musical Organisms Degazio, Bruno
Recent Developments of MidiShare Fober, Dominique; Letz, Stéphane
Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation Rossiter, David; Horner, Andrew
Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit Putnam, William; Stilson, Timothy
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms Chan, San-Kuen; Yuen, Jennifer; Horner, Andrew
Acoustic Quanta Nunn, Douglas; Purvis, Alan; Manning, Peter
Exemplar-based Learning in Adaptive Optical Music Recognition System Fujinaga, Ichiro
Haptic Feedback in a Computer Music Performance Interface Chu, Lonny
Learning Musical Structure and Style by Recognition, Prediction and Evolution Hörnel, Dominik; Ragg, Thomas
SEE - A Structured Event Editor: Visualizing Compositional Data in Common Music Kunze, Tobias; Taube, Heinrich
The Graphics Environment for Max Danks, Mark
Towards A Framework for Handling Musical Expression Oppenheim, Daniel V.; Wright, James
A System for the Separation of Simultaneous Musical Audio Signals Stainsby, Thomas
Musical Analysis using a Real-Time Model of Peripheral Hearing Brookes, Tim; Tyrrell, Andy; Howard, David
A Dynamic Modelling Approach to Music Recognition Dixon, Simon
Demonstration: Using SynthBuilder for the Creation of Physical Models Porcaro, Nick; Scandalis, Pat; Jaffe, David; Smith, Julius
Non-linear Controller Mapping for Gestural Control of Gamaka Favilla, Stuart
DSP Approach to Multichannel Audio Mixing Pulkki, Ville; Huopaniemi, Jyri; Huotilainen, Tommi; Karjalainen, Matti
Recent Developments with the TAO Physical Modelling System Pearson, Mark; Howard, David M.
Imroved Modelling of Attack Transients in Music Analysis-Resynthesis Masri, Paul; Bateman, Andrew
Automated Music, interdisciplinary aspects of a developmental history Böhm, Carola
Real-Time Virtual Audio Reality Savioja, Larui; Huopaniemi, Jyri; Huotilainen, Tommi; Takala, Tapio
Perceptual Matching of Low Order Models to Room Transfer Functions Mrozek, Eric M.; Wakefield, Gregory H.
A New Electronic Genre: The CD-ROM Burns, Kristine H.
A Look at Performer/Machine Interaction Using Real-Time Systems Lippe, Cort
On the Use of Computer Systems in Contemporary Music Becker, Barbara; Eckel, Gerhard
Sound Database Retrieved by Sound Hashimoto, Shuji; Qi, Hai; Chang, Dingding
Adaptive Pitch Compensation of Singing and Its Application Sasahira, Yoshinari; Hashimoto, Shuji
Durham Music Technology: Active Report Itagaki, Takebumi; Johnson, Simon; Manning, Peter; Nunn, Douglas; Phillips, Desmond; Purvis, Alan; Spanier, Jonathan
Composer’s Underscoring Environment (CUE) Cope, David
NetNeg: A Hybrid Interactive Architecture for Composing Polyphonic Music in Real Time Goldman, Claudia; Gang, Dan; Rosenschein, Jeffrey; Lehmann, Daniel
Extended Csound Vercoe, Barry
NetSound: Realtime Audio from Semantic Descriptions Casey, Michael; Smaragdis, Paris
Csound GM: Designing Real-Time Instruments with Csound’s New MIDI Opcodes Boulanger, Richard; Vercoe, Scott
Automatic Jazz Accompaniment Computation: An Open Advice-Based Approach Balaban, Mira; Irish, Stanislav
IBM Computer Music Center - Studio Report Wright, James; Oppenheim, Daniel
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music Appleton, Jon; Dodge, Charles; Polansky,
Leeds University Electronic Studio: Studio Report Stefani, Ewan; Ng, Kia; Cooper, David
DIEM, The Danish Institute of Electroacoustic Music, Studio Report Siegel, Wayne
Israel Computers and Music Forum - Activities Report Dubnov, Shlomo
Computer Music in Shenzhen, P. R. China Ying, Yu
Electroacoustic and Computer Music in Latin America Dal Farra, Ricardo
A New Method for Interactive Sound Spatialisation Mott, Iain; Sosnin, Jim
An Environment for Interactive Art - Sensor Integration and Applications Katayose, Haruhiro; Kanamori, Tsutomu; Inokuchi,
Appropriated Musical Instruments: A4 MIDI Tool Box and Carnatic Violin Schiemer, Greg; Krishnakumar, B.
A C++ Library for Computer Music Programming on Real-Time Mach Choi, Andrew
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation Maggi, Enzo; Dechelle, François
New DSP Applications on FTS Dechelle, François; de Cecco, Maurizio; Maggi, Enzo; Schnell, Norbert
Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices Hinkle-Turner, Elizabeth
Composing the Means With Which I Compose: Waveforms With Multiple Paths and Cycle-lengths Chandra, Arun
Anitoo: Some Analysis Tools Keller, Damián
Design and Implementation of a Multimedia Opera Oliverio, James; Pair, Jarrell
The Mathematical Implications of a Pulse-Ribbon Perceptual Organization of Pitch Wakefield, Gregory
The Analysis and Resynthesis of Sustained Musical Signals in the Time Domain Hung, Roy; Yung, N. H. C.; Cheung, P. Y. S.
On the Perceptual Optimization of Synthetic Acoustical Systems Runkle, Paul; Wakefield, Gregory
Self-Similar Grain Distribution: A Fractal Approach to Granular Synthesis Chapman, David; Clarke, Michael; Smith, Martin; Archbold, Paul
Towards Synthia II: An Assessment of Design Strategies for Computer Assisted Learning of Sound Synthesis Padden, Matthew; Clarke, Michael; Diz, Alan; Kirby, Mark
The Synthesis of Sung Vowels in Female Opera and Belt Qualities Evans, Michelle; Howard, David
Robust Automated Music Transcription Systems Sterian, Andrew; Wakefield, Gregory
Simulation of Electron Tube Audio Circuits Lassfolk, Kai
Modeling and Control of Performance Expressin in Digital Waveguide Models of Woodwind Instruments Scavone, Gary
Physically Informed Sonic Modeling (PhISM): Percussive Synthesis Cook, Perry
Body Modeling Techniques for String Instrument Synthesis Karjalainen, Matti; Smith, Julius
Automated Motive-Oriented Analysis of Musical Corpuses: a Jazz Case Study Rolland, Pierre-Yves; Ganascia, Jean Gabriel
Representation of Jazz Piano Knowledge Using a Deductive Object-Oriented Approach Hirata, Keiji
A Cognitive Model of Pattern Matching in Music Hiraga, Yuzuru
Collage: Sound Colors Installation Software Helmuth, Mara
A Distributed, Object-Oriented Framework for Sound Synthesis Behles, Gerhard; Lundén, Peter
SuperCollider, a New Real Time Synthesis Language McCartney, James
A Cognitive Model in Design of Musical Interfaces Christiansen, Anna Sofie
Cmix on Non-UNIX World Riddell, Alistair; Bencina, Ross
An Approach to a Latin American Computer Music Fumarola, Martin Alejandro
A Flexible Real-Time Software Synthesis System Dannenberg, Roger; Brandt, Eli
GeNotator: An Environment for Investigating the Application of Genetic Algorithms in Computer Assisted Composition Thywissen, Kurt
Musical Effects of Cross-Vocoding, Software Implementated Webman, Erez; Shimony, Uri; Poupko, Zohar; Caspi, Dalit; Gerner, Moty
A System for the Musical Investigation and Expression of Levels of Self-Similarity in an Arbitrary Data Stream Rossiter, David; Ng, Wai-Yin
POWERpv: A Suite of Sound Processors Lyon, Eric
Real-Time Granular Synthesis on a Distributed Multi-processor Platform Itagaki, Takebumi; Manning, Peter; Purvis, Alan
Musical Instrument Database with Multimedia Suzuki, Takashi; Tanaka, Takako; Tsuboi, Kuniharu
Sound Signals Decomposition Using a High Resolution Matching Pursuit Gribonval, Remi; Depalle, Philippe; Rodet, Xavier; Bacry, Emmanuel; Mallat, Stephane
An Improved Additive Analysis Method Using Parametric Modelling of the Short-Time Fourier Transform Depalle, Philippe; Tromp, Laurent
Critically Sampled Third Octave Filter Banks Levine, Scott
Extraction of Conducting Gestures in 3D Space Tobey, Forrest; Fujinaga, Ichiro
Towards a Musician’s Cockpit: Transducers, Feedback and Musical Function Vertegaal, Roel; Ungvary, Tamas; Kieslinger, Michael
Spatio-Temporal Patterning in Computer-Generated Music: A Nodal Network Approach McIlwain, Peter; Pietsch, Anthony
A Symbiosis of Animation and Music Pringle, Robert; Ross, Brian
Towards a Universal Algorithmic System for Composition of Music and Audio-Visual Works Leach, Jeremy
Sound Onset Localization and Partial Tracking in Gaussian White Noise Solbach, Ludger; Wöhrmann, Rolf
Effects Processing on Audio Subband Data Levine, Scott
Alias-Free Digital Synthesis of Classic Analog Waveforms Stilson, Timothy; Smith, Julius
Macintosh Graphical Interface and Improvements to Generalized Diphone Control and Synthesis Rodet, Xavier; Lefevre, Adrien
OpenMusic Architecture Assayag, Gérard; Agon, Carlos
Fractional Delay Lines using Lagrange Interpolators Depalle, Philippe; Tassart, Stephan
Generating Musical Symbols to Perform Expressively by Appromimate Functions Noike, Kenzi; Inui, Nobuo; Nose, Takashi; Kotani,
A Jazz Session System for Interplay Among All Players - VirJa Session (Virtual Jazz Session System) Goto, Masataka; Hidaka, Isao; Matsumoto, Hideaki; Kuroda, Yosuke; Muraoka, Yoichi
A Modal Distribution Approach to Piano Analysis and Synthesis Guevara, Rowena; Wakefield, Gregory
Synthesis and Analysis Tools with Physical Modeling: An Environment for Musical Sounds Production Incerti, Eric
Handwritten Music Manuscript Recognition Ng, Kai; Cooper, David; Boyle, Roger
Camera Musica: Virtual Architecture as Medium for the Exploration of Music Eckel, Gerhard
Physical Modelling of a Stiff String by Numerical Integration Kurz, Michael; Feiten, Bernhard
A New Approach to HRTF Audio Spatialization Marolt, Matija
Applying Psychoacoustic Principles to Soundfield Reconstruction Trautmann, Steven
The Timbral Object - An Alternative Route to the Control of Timbre Space Creasey, David; Howard, David; Tyrrell,
TIM(br)E: Compositional Approaches to FOG Synthesis Clarke, Michael
Influence of Frequency Modulating Jitter on Higher Order Moments of Sound Residual with Applications to Synthesis and Classification Dubnov, Shlomo; Tishby, Naftali; Cohen, Dalia
Applying ImprovisationBuilder to Interactive Composition with MIDI Piano Walker, William; Belet, Brian
Cooking with Csound: Wavetable Synthesis Recipes for Woodwind and Brass Instruments Horner, Andrew; Ayers, Lydia
Modelling Rhythm Perception by Continuous Time-Frequency Analysis Smith, Leigh
A Computer-Based Editor for Lerdahl and Jackendoff’s Rhythmic Structures Degazio, Bruno
Analyzing the Moog VCF for Digital Implementation Stilson, Timothy; Smith, Julius
Virtual Concert Performance - Synthetic Animated Musicians Playing in an Acoustically Simulated Room Hänninen, Rami; Savioja, Lauri; Takala, Tapio
Experiments with Non-Linear Filters Dobson, Richard; Ffitch, John
Authorship and Female Voices in Electrovocal Music Bosma, Hannah
Background Music Generaton Based on Scene Analysis Onoe, Naoyuki; Hashimoto, Shuji; Chang, Dingding
Creativity versus Determinism: Cognitive Science and Music Theory as Touchstones of Automatic Music Composition Zimmermann, Detlev
TEMA: An "Open" Support Environment for Music Composition Eaglestone, Barry; Lundén, Peter
Acceleration Sensor as an Input Device for Musical Environment Sawada, Hideyuki; Onoe, Naoyuki; Hashimoto, Shuji
PadMaster: Banging on Algorithms with Alternative Controllers Lopez-Lezcano, Fernando
Musical Muscle Memory and the Haptic Display of Performance Nuance Chafe, Chris; OșModhrain, Sile
A Real-Time Analysis and Resynthesis Instrument for Transformation of Sounds in the Frequency Domain Todoroff, Todor
Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments Wakefield, Gregory; Simoni, Mary
Chaos and Non-Linear Models Radunskaya, Ami
Adaptive Control of a Vocal Cord and Vocal Tract for Computerized Mechanical Singing Instruments Sawada, Hideyuki; Hashimoto, Shuji
Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements Rodet, Xavier; Vergez, Christophe
Modeling the Degree of Realized Expectation in Functional Tonal Music: A Study of Perceptual and Cognitive Modeling Using Neural Networks Gang, Dan; Berger, Jonathan
Physical Motion as a Metaphor for Timing in Music: The Final Ritard Desain, Peter; Honing, Henkjan
On the Use of an Effective Boltzmann Machine for Musical Style Recognition and Harmonisation Bellgard, Mathew; Tsang, Chi-Ping
Quad Pan, Spatialization System of Music in LIve Pérez, Isidoro; Arias, Javier; Fernández, Pablo; Pérez, Luciano
An Object-Oriented Approach to the Combination of Rule-Based and Generative Algorithmic Composition Methods for Real-Time Interactive Applications Myatt, Tony
A ’Pick and Mix’ Approach to the Integration of Composition Tools Eaglestone, Barry; Lundén, Peter
The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition Milicevic, Mladen
Musical Instrument Transient Analysis and Re-Synthesis Katrami, Anna; Comerford, Peter
Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention Miranda, Eduardo Reck
Visualized Music Experssions in an Object-Oriented Environment Hiraga, Rumi; Igarashi, Shigeru; Matsuura, Yohei
Music and Technology Pecquet, Frank
Time-Stretching of Hyper-Resonated Sound Using a Real-Time Granulation Technique Truax, Barry
Optimisations of the FOF Algorithm for VLSI Implementation Spanier, Jonathan Robert; Johnson, Simon; Purvis, Alan
Multirate Additive Synthesis Phillips, Desmond; Purvis, Alan
Wavelet Analysis for Onset Detection Tait, Crawford; Findlay, William
Center for Computer Research in Music and Acoustics (CCRMA) Studio Report Igoudin, Alex; Lopez-Lezcano, Fernando
The Center for Research in Electronic Art Technology (CREATE) Kuchera-Morin, JoAnn; Pope, Stephen
Studio Report: The Institute of Computer Science, Hebrew University Gang, Dan
Author Index —
Subject Index —