| Title |
Author(s) |
|
An Experimental Music Composition Language With Real-Time Capabilities
|
Loy, Gareth |
|
A Design for a Single Pass Scanner for the DARMS Music Coding Language
|
Brinkman, Alexander R. |
|
Flavors Band: Beyond Computer Improvisation and/or A Meta-Composition Language
|
Fry, Christopher |
|
eMerge: Toward a Knowledge-Based Spectral Editor
|
Strawn, John |
|
Spectra and Timbre
|
Strawn, John |
|
Spectral Pre-Processing for Audio Digital Filter Design
|
Smith, Julius O. |
|
An Automated Approach to Tuning
|
Dannenberg, Roger B.; Benade, Arthur H. |
|
The Code of Musicality - Incorporated into Real Time Computer Performance
|
Clynes, Manfred |
|
Musical Applications of the Phase Vocoder
|
Dolson, Mark |
|
The Alles Machine Revisited
|
Nelson, Gary; Talbert, John |
|
A Synthesizer Debugger
|
Jaffe, David |
|
Sensors for Playing Computer Music with Expression
|
Snell, John M. |
|
A Microprocessor Based Digital Flute
|
Yunik, M.; Borys, M.; Swift, G. W. |
|
Towards a Computer Research of Tonal Music
|
Balaban, Mira |
|
Production Systems: Three Applications in Music
|
Ashley, Richard D. |
|
Computer Pitch Recognition: A New Approach
|
Dworak, Paul E.; Clendinning, Jane Piper |
|
Waveshaping Analysis and Implentation: A Generalized Approach Using Complex Arithmetic
|
Freed, Daniel J. |
|
Some Initial Ideas on the Control of Digital Sound Synthesis Through AI Techniques
|
Dierbach, Charles |
|
The MIDIM System
|
Kaegi, Werner |
|
The Compositional Organization of Timbre in a Binaural Space
|
Truax, Barry |
|
Using the Computer in a Search for New Aspects of Timbre Organisation and Composition
|
Saariaho, Kaija |
|
Music Languages and Preprocessors: A Tutorial
|
Pennycook, Bruce W. |
|
Interactive Composing: An Overview
|
Chadabe, Joel |
